Books about Schoolroom from Amazon.com

How a nation educates its children tells us much about the values of its people. From the Salon to the Schoolroom examines the emerging secondary school system for girls in nineteenth-century France and uncovers how that system contributed to the fashioning of the French bourgeois woman.

Rebecca Rogers explores the variety of schools--religious and lay--that existed for girls and paints portraits of the women who ran them and the girls who attended them. Drawing upon a wide array of public and private sources--school programs, prescriptive literature, inspection reports, diaries, and letters--she reveals the complexity of the female educational experience as the schoolroom gradually replaced the salon as the site of French women's special source of influence.

From the Salon to the Schoolroom also shows how France as part of its civilizing mission transplanted its educational vision to other settings: the colonies in Africa as well as throughout the Western world, including England and the United States. Historians are aware of the widespread ramifications of Jesuit education, but Rogers shows how French education for girls played into the cross-cultural interactions of modern society, producing an image of the Frenchwoman that continues to tantalize and fascinate the Western world today..
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As recently as the 1960s, children across America continued to recite in schoolrooms or on auditorium stages poems of strong emotional resonance such as "Paul Revere's Ride," "Little Orphan Annie," and "The Song of Hiawatha." Many still remember poems with soft rhythmic cadences such as "Wynken, Blynken, and Nod" as bedtime verse read to them by their parents.

According to Angela Sorby, these and hundreds of other child-oriented poems, written less for individual introspection than for public performance, became central components of American culture in the period between the Civil War and World War I. She identifies a "schoolroom canon" that some older Americans will still recognize, composed of poems by Henry Wadsworth Longfellow, John Greenleaf Whittier, Eugene Field, James Whitcomb Riley, and others whose work was read, memorized, and repeated in pedagogical institutions nationwide. These poems, transmitted through schools, museums, lyceums, and theaters, as well as by newspapers and magazines, accrued cultural power through repetition; as they circulated, they functioned as mnemonic devices that established affective bonds between individuals, institutions, and the nation. Sorby's final chapter, on the child-voice poems of Emily Dickinson, argues that her reception history in the 1890s should be linked to the discourse of infantilization and pedagogy that dominated American popular poetry of the period and, to a great extent, continues to do so today..
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A true story of the coming-of-age account of a mid-19th century schoolgirl, Laurentine, in Janesville, Wisconsin who became a teacher upon turning 15 years old and was a prolific writer and an insightful chronicler of change and growth in the United States. Keeping a diary, her "father confessor," provides us now with an engaging , detailed and unique views of family tensions, social relations, community debates, and the face of war -- the Civil War -- from one schoolgirl's perspective. Laurentine challenges us to reconsider what we think we know about 19th century females and their attitudes about duty, roles, and views on life. And her humor and escapades make us realize too, that much of human experience, including that of teachers, is timelessly repeated from one generation to the next..
Price: $32.88 [Notify me when price goes down.]