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The Invention of Hugo Cabret
Book Description:Orphan, clock keeper, and thief, Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity But when his world suddenly interlocks with an eccentric, bookish girl and a bitter old man who runs a toy booth in the station, Hugo's undercover life, and his most precious secret, are put in jeopardy. A cryptic drawing, a treasured notebook, a stolen key, a mechanical man, and a hidden message from Hugo's dead father form the backbone of this intricate, tender, and spellbinding mystery.
Amazon.com ExclusiveA Letter from Brian Selznick
 Dear readers, When I was a kid, two of my favorite books were by an amazing man named Remy Charlip. Fortunately and Thirteen fascinated me in part because, in both books, the very act of turning the pages plays a pivotal role in telling the story. Each turn reveals something new in a way that builds on the image on the previous page. Now that I'm an illustrator myself, I've often thought about this dramatic storytelling device and all of its creative possibilities. My new book, The Invention of Hugo Cabret, is a 550 page novel in words and pictures. But unlike most novels, the images in my new book don't just illustrate the story; they help tell it. I've used the lessons I learned from Remy Charlip and other masters of the picture book to create something that is not a exactly a novel, not quite a picture book, not really a graphic novel, or a flip book or a movie, but a combination of all these things. I began thinking about this book ten years ago after seeing some of the magical films of Georges Méliès, the father of science-fiction movies. But it wasn't until I read a book called Edison's Eve: The Quest for Mechanical Life by Gaby Woods that my story began to come into focus. I discovered that Méliès had a collection of mechanical, wind-up figures (called automata) that were donated to a museum, but which were later destroyed and thrown away. Instantly, I imagined a boy discovering these broken, rusty machines in the garbage, stealing one and attempting to fix it. At that moment, Hugo Cabret was born. A few years ago, I had the honor of meeting Remy Charlip, and I'm proud to say that we've become friends. Last December he was asking me what I was working on, and as I was describing this book to him, I realized that Remy looks exactly like Georges Méliès. I excitedly asked him to pose as the character in my book, and fortunately, he said yes. So every time you see Méliès in The Invention of Hugo Cabret, the person you are really looking at is my dear friend Remy Charlip, who continues to inspire everyone who has the great pleasure of knowing him or seeing his work. Paris in the 1930's, a thief, a broken machine, a strange girl, a mean old man, and the secrets that tie them all together... Welcome to The Invention of Hugo Cabret. Yours, Brian Selznick |
Amazon.com Exclusive Brian Selznick on a "Deleted Scene" from The Invention of Hugo Cabret
This is a finished drawing that I had to cut from The Invention of Hugo Cabret. I was still rewriting the book when I had to begin the final art. There was originally a scene in the story where this character, Etienne, is working in a camera shop. On one of my research trips to Paris I spent an entire day visiting old camera shops and photographing cameras from the 1930's and earlier, as well as the facades of the shops themselves. I researched original French camera posters and made sure that the counter and the shelves were accurate to the time period. I did all the drawings in the book at 1/4 scale, so they were very small and I often had to use a magnifying glass to help me see what I was drawing. After I finished this drawing I continued to rewrite, and for various reasons I realized that I needed to move this scene from the camera shop to the French Film Academy, which meant that I had to cut this picture. I tried really hard to find ANOTHER moment when I could have Etienne in a camera shop, but, as painful as it was, I knew the picture had to go. I'm glad to see it up on the Amazon website because otherwise no one would have ever seen all those tiny cameras I researched and drew so carefully!
--Brian Selznick |
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Is Nick Allen a troublemaker?He really just likes to liven things up at school -- and he's always had plenty of great ideas. When Nick learns some interesting information about how words are created, suddenly he's got the inspiration for his best plan ever...the frindle Who says a pen has to be called a pen? Why not call it a frindle? Things begin innocently enough as Nick gets his friends to use the new word. Then other people in town start saying frindle. Soon the school is in an uproar, and Nick has become a local hero. His teacher wants Nick to put an end to all this nonsense, but the funny thing is frindle doesn't belong to Nick anymore. The new word is spreading across the country, and there's nothing Nick can do to stop it..
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Brave Men Run - A Novel of the Sovereign Era
April 18, 1985-Into a world already wound tight with the desperate tensions of the Cold War comes Dr. William Donner with a startling declaration: superhumans exist, they demand autonomy, and he has the reality-bending power to enforce their status. The traditional balance of power is thrown askew by the addition of not one super-powered human, but six thousand. Before the Donner Declaration, high school sophomore Nate Charters was just an outsider and self-proclaimed freak. His unusual appearance, hair-trigger reflexes, and overactive metabolism should have made him something special, but his differences and low self-esteem have long since marked him as a target for the jocks and popular kids. Now, just as his unique nature brings him the attention of a self-assured older girl, Nate must find his place in the world. Why is he the way he is? What really happened to his long dead father? Why is his biggest rival suddenly interested in a private meeting? Is he part of a remarkable, powerful new minority... or just a misfit among misfits? Nate must discover the answers to these questions quickly, because those in power know more about him than he could ever imagine. And they're closing in....
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The Landry News
NEW STUDENT GETS OLD TEACHERThe bad news is that Cara Landry is the new kid at Denton Elementary School. The worse news is that her teacher, Mr. Larson, would rather read the paper and drink coffee than teach his students anything. So Cara decides to give Mr. Larson something else to read -- her own newspaper, The Landry News. Before she knows it, the whole fifth-grade class is in on the project. But then the principal finds a copy of The Landry News, with unexpected results. Tomorrow's headline: Will Cara's newspaper cost Mr. Larson his job?.
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Doll People, The
Annabelle Doll is 8 years old--and has been for over 100 years. Nothing much has changed in the dollhouse during that time, except for the fact that 45 years ago, Annabelle's Auntie Sarah disappeared from the dollhouse without a trace. After all this time, restless Annabelle is becoming more and more curious about her aunt's fate. And when she discovers Auntie Sarah's old diary, she becomes positively driven. Her cautious family tries to discourage her, but Annabelle won't be stopped, even though she risks Permanent Doll State, in which she could turn into a regular, nonliving doll. And when the "Real Pink Plastic" Funcraft family moves in next door, the Doll family's world is turned upside down--in more ways than one! Fans of The Borrowers and Stuart Little will love this exciting story of adventure and mystery. The relationship between the two doll families, one antique, one modern, is hilariously, wonderfully drawn. The Funcrafts are reckless and raucous, with fearlessness born of their unbreakable plastic parts. The Doll family is reserved and somewhat prim, even though they occasionally break into '60s tunes like "Respect" in their sing-alongs. Annabelle is a heroine with integrity and gumption. Ann Martin (The Babysitters Club series) and Laura Godwin create a witty, intriguing tale, illustrated with humor and a clever eye for detail by Brian Selznick. (Ages 7 to 11) --Emilie Coulter.
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The Janitor's Boy
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The Houdini Box
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