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From 1951 until 1974, Holmesburg Prison in Philadelphia was the site of thousands of experiments on prisoners conducted by researchers under the direction of University of Pennsylvania dermatologist Albert M. Kligman. While most of the experiments were testing cosmetics, detergents, and deodorants, the trials also included scores of Phase I drug trials, inoculations of radioactive isotopes, and applications of dioxin, in addition to mind-control experiments for the Army and CIA. These experiments often left the subject-prisoners, mostly African Americans, in excruciating pain and had long-term debilitating effects on their health. This is one among many episodes of the sordid history of medical experimentation on the black population of the United States.

The story of the Holmesburg trials was documented by Allen Hornblum in his 1998 book Acres of Skin. The more general history of African Americans as human guinea pigs has most recently been told by Harriet Washington in her 2007 book Medical Apartheid. The subject is currently a topic of heated public debate in the wake of a 2006 report from an influential panel of medical experts recommending that the federal government loosen the regulations in place since the 1970s that have limited the testing of pharmaceuticals on prison inmates.

Sentenced to Science retells the story of the Holmesburg experiments more dramatically through the eyes of one black man, Edward "Butch" Anthony, who suffered greatly from the experiments for which he "volunteered" during multiple terms at the prison. This is not only one black man's highly personal account of what it was like to be an imprisoned test subject, but also a sobering reminder that there were many African Americans caught in the viselike grip of a scientific research community willing to bend any code of ethics in order to accomplish its goals and a criminal justice system that sold prisoners to the highest bidder..
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Now for the first time in one captivating volume, here are the first three mysteries featuring J. A. Jance's most popular and enduring character, Seattle homicide detective Jonas Piedmont Beaumont. It's a trio of tales steeped in the atmosphere of the Pacific Northwest that is sure to remind everyone that Jance is a master of modern suspense fiction.

In Until Proven Guilty Beaumont finds himself investigating the murder of a five-year-old girl. But his own obsessions and demons could prove dangerous companions in a murky world of blind faith and religious fanaticism as he discovers that he himself is the target of a twisted passion ... and a love that can kill. In Injustice for All Beaumont's well-earned vacation becomes a waking nightmare as he's forced to comfort a beautiful blonde after she discovers a dead body on a Washington beach. Suddenly a lethal brew of lust, madness, and politics threatens to drag the dedicated Seattle cop into the path of a killer whose dark hunger is rapidly becoming an obsession. And in Trial by Fury a naked, dead body is found lying in a Dumpster. What's most shocking is the manner in which the man died -- he was lynched. The victim, a high school coach, has left behind a very pregnant wife with a very dangerous secret. And a sixth sense developed over twenty years on the job tells Beaumont that this investigation is going to the lethal extremes of passion, lies, and hatred.

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An account of the oldest couple ever sentenced to death in America describes how Ray and Faye Copeland used the names of hired hands on bogus checks to purchase livestock and then shot the men to avoid discovery Original..
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The criminal justice system in America is as powerful a shaper of history and society as its better-known counterparts--the military, politics, government, and technology In a country that lacks a mandatory death sentence for specific crimes, the American strategy for execution proves to be based more upon distinctions between offenders than upon distinctions between offenses.

Five important novels--McTeague, An American Tragedy, Native Son, In Cold Blood and The Executioner's Song--bring readers a vivid awareness of America's punitive codes. Each details the story of a life that leads to the gallows. Sentenced to Death places these works against the historical background of crime and capital punishment in America, a nation where public discourse on crime is dominated by images of the electric chair and the gas chamber, by maximum security prisons, by hardened convicts out on parole. Such images, in turn mirror and shape the exercise of punitive power.

This probing look at capital punishment in execution novels and in real-life media accents the poles of punitive power. Such a comparison of literary works with confrontational journalism and court records also brings revealing insight into the long-term debate on capital punishment in American culture..
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