Books about Shahrazad from Amazon.com

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Price: $10.23 [Notify me when price goes down.]

Once upon a time, there lived a king whose heart was heavy. He had been betrayed by the woman he loved. Though the queen's schemes were discovered before she could deprive her husband of his life, her dying curse killed something deep within him: his ability to love and trust.And so he makes a terrible resolution: He will take a bride for one night only. In the morning she will face a horrible fate. Then he will choose another. Nothing can change his course until one brave woman steps forward. Shahrazad, the Storyteller's Daughter.Steeped in the ancient art of her mother's people, Shahrazad embarks upon a perilous course. With words alone, she will seek to restore the king's heart. As she tells her tales a bond forms between them that neither can deny. But will it be strong enough to hold them together when danger erupts?.
Price: $2.35 [Notify me when price goes down.]

"This book is theoretically well-grounded, wide-ranging in its coverage of texts and theories, and eminently readable. Al-Hassan writes with verve and . . . without relying on jargon, a refreshing change in a book dealing with texts and textualities."

—Asma Barlas, author of "Believing Women" in Islam: Unreading Patriarchal Interpretations of the Qur'an

Authors of autobiographies are always engaged in creating a "self" to present to their readers. This process of self-creation raises a number of intriguing questions: why and how does anyone choose to present herself or himself in an autobiography? Do women and men represent themselves in different ways and, if so, why? How do differences in culture affect the writing of autobiography in various parts of the world?

This book tackles these questions through a close examination of Arab women's autobiographical writings. Nawar Al-Hassan Golley applies a variety of western critical theories, including Marxism, colonial discourse, feminism, and narrative theory, to the autobiographies of Huda Shaarawi, Fadwa Tuqan, Nawal el-Saadawi, and others to demonstrate what these critical methodologies can reveal about Arab women's writing. At the same time, she also interrogates these theories against the chosen texts to see how adequate or appropriate these models are for analyzing texts from other cultures. This two-fold investigation sheds important new light on how the writers or editors of Arab women's autobiographies have written, documented, presented, and organized their texts.

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Price: $20.45 [Notify me when price goes down.]

Shahrazad, the legendary fictional storyteller who spun the tales of the 1,001 Arabian Nights, has long been rendered as a silent exotic beauty by Western film and fiction adaptations. Now, she talks back to present a new image of Muslim women. In Liberating Shahrazad, Suzanne Gauch analyzes how postcolonial writers and filmmakers from Algeria, Morocco, and Tunisia have reclaimed the storyteller in order to portray Muslim women in ways that highlight their power to shape their own destinies. Gauch looks at Maghrebian works that incorporate Shahrazad’s storytelling techniques into unexpected and unforeseen narratives. Highlighting the fluid nature of storytelling, Gauch demonstrates how these new depictions of Shahrazad—from artists such as Moufida Tlatli, Fatima Mernissi, Tahar Ben Jelloun, Assia Djebar, Leïla Sebbar—navigate the demands of a global marketplace, even as they reshape the stories told about the Islamic world. In the face of both rising fundamentalism and proliferating Western media representations of Arab and Muslim women as silent, exploited, and uneducated victims, Gauch establishes how contemporary works of literature and film revive the voice of a long-silenced Shahrazad—and, ultimately, overthrow oppressive images of Muslim women. Suzanne Gauch is assistant professor of English and women’s studies at Temple University..
Price: $18.95 [Notify me when price goes down.]