Books about Shunryu from Amazon.com

A respected Zen master in Japan and founder of the San Francisco Zen Center, Shunryu Suzuki has blazed a path in American Buddhism like few others. He is the master who climbs down from the pages of the koan books and answers your questions face to face. If not face to face, you can at least find the answers as recorded in Zen Mind, Beginner's Mind, a transcription of juicy excerpts from his lectures. From diverse topics such as transience of the world, sudden enlightenment, and the nuts and bolts of meditation, Suzuki always returns to the idea of beginner's mind, a recognition that our original nature is our true nature. With beginner's mind, we dedicate ourselves to sincere practice, without the thought of gaining anything special. Day to day life becomes our Zen training, and we discover that "to study Buddhism is to study ourselves." And to know our true selves is to be enlightened. --Brian Bruya.
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If you can imagine Zen Existentialism, Not Always So is it. Part instruction manual for Zen practice and part philosophical meditation, Shunryu Suzuki's teachings emphasize being-in-the-world. He does not point toward a singular enlightenment-event as a burst into higher consciousness. Rather, he suggests a more experiential enlightenment that finds meaning in a full awareness of the present. For example: "If you go to the rest room, there is a chance for enlightenment. When you cook, there is a chance for enlightenment. When you clean the floor, there is a chance to attain enlightenment."

Shunryu Suzuki was an important emissary of Zen Buddhism to the United States. Establishing a Zen center in San Francisco in the 1960s, he attracted many noted pupils, including this book's editor, Edward Espe Brown. In fact, Not Always So is Brown's collection of Suzuki's teachings during his last years, in the late 1960s and early 1970s.

No doubt some readers will want to wrestle with the often paradoxical nature of Zen teachings. And those from the Western philosophical tradition may find vast differences between the Western system that takes its cue from Descartes' cogito and the Eastern one that emphasizes the destruction of the ego. Says Suzuki: "It is just your mind that says you are here and I am there, that's all. Originally we are one with everything." While the book does not wrestle with cultural-philosophical differences, it is nevertheless a good introduction to Zen. Suzuki's teachings tend to flow from simple stories, usually drawn from his own experiences. It's almost entirely free of the jargon that clutters many books on Buddhism, and the teachings are communicated with clarity and brevity. --Eric de Place.
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"He's big Suzuki, I'm little Suzuki."

In the literary world, Shunryu Suzuki has always played second fiddle to D.T. Suzuki. With David Chadwick's biography of this extraordinary man, Shunryu Suzuki will take his rightful place as one of the progenitors of American Buddhism. Chadwick, a long-time student of Suzuki's, takes us back to Suzuki's childhood, his entry into monastic life at age 13, subsequent trials with his ornery master and in the notoriously strict Eiheiji Monastery, as well as life as a houseboy with a British tutor to the Chinese emperor, marital tragedies, and the political minefield of World War II while he served as abbot of his own temple. The overarching theme of Suzuki's teaching is practice--in a community setting--and when he takes over a temple of aging Japanese Americans in San Francisco, his practice begins to attract younger Americans. The second half of Crooked Cucumber relates the phenomenal growth of the San Francisco Zen Center and becomes a biography of the growing community and its members, inasmuch as the center was Suzuki's life. A monk who was thought to be as useless as a crooked cucumber, under the pen of Chadwick turns out to be a brilliant, witty, tireless patriarch of American Zen. --Brian Bruya.
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Shunryu Suzuki’s extraordinary gift for conveying traditional Zen teachings using ordinary language is well known to the countless readers of Zen Mind, Beginner’s Mind. In Zen Is Right Here, his teachings are brought to life powerfully and directly through stories told about him by his students. These living encounters with Zen are poignant, direct, humorous, paradoxical, and enlightening; and their setting in real-life contexts makes them wonderfully accessible.

Like the Buddha himself, Suzuki Roshi gave profound teachings that were skilfully expressed for each moment, person, and situation he encountered. He emphasized that while the ungraspable essence of Buddhism is constant, the expression of that essence is always changing. Each of the stories presented here is an example of this versatile and timeless quality, showing that the potential for attaining enlightenment exists right here, right now, in this very moment..
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When Shunryu Suzuki Roshi's Zen Mind, Beginner's Mind was published in 1972, it was enthusiastically embraced by Westerners eager for spiritual insight and knowledge of Zen. The book became the most successful treatise on Buddhism in English, selling more than one million copies to date. Branching Streams Flow in the Darkness is the first follow-up volume to Suzuki Roshi's important work. Like Zen Mind, Beginner's Mind, it is a collection of lectures that reveal the insight, humor, and intimacy with Zen that made Suzuki Roshi so influential as a teacher.
The Sandokai--a poem by the eighth-century Zen master Sekito Kisen (Ch. Shitou Xiqian)--is the subject of these lectures. Given in 1970 at Tassajara Zen Mountain Center, the lectures are an example of a Zen teacher in his prime elucidating a venerated, ancient, and difficult work to his Western students. The poem addresses the question of how the oneness of things and the multiplicity of things coexist (or, as Suzuki Roshi expresses it, "things-as-it-is"). Included with the lectures are his students' questions and his direct answers to them, along with a meditation instruction. Suzuki Roshi's teachings are valuable not only for those with a general interest in Buddhism but also for students of Zen practice wanting an example of how a modern master in the Japanese Soto Zen tradition understands this core text today..
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The mind of Zen Buddhism is revealed through authentic sacred art and profoundly simple wisdom. Zenga art, Zen-inspired brushstroke paintings, surprises and confounds our expectations. Although created by 17th and 18th century monks who were amateur painters, they have a startlingly modern appeal. The Gitter-Yelen collection of Zenga paintings is widely regarded as one of the preeminent collections in the West. Each month, the Zen Mind 2009 wall calendar features a Zenga masterwork paired with quotes from Not Always So by Shunryu Suzuki (1905-1971). Suzuki-roshi was considered one of the most influential Zen teachers of his time and was a direct spiritual descendent of the 13th century Zen master, Dogen..
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Shunryu Suzuki said: "Life without zazen is like winding your clock without setting it. It works perfectly, but it doesn't tell time." These are the kind of wise quips that David Chadwick offers in To Shine One Corner of the World. Suzuki's biographer, Chadwick has never stopped looking for information about this always-entertaining and enlightening Zen master. In this collection of short remarks, Chadwick has continued the ancient tradition of recording a teacher's memorable quotes-- ones that are cute or puzzling the first time you hear them but that grow in profundity with time. With the publication of Suzuki's shining words here, his wisdom can illuminate many, many corners of the world. --Brian Bruya.
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The beginner’s mind of Zen Buddhism appears as the blank page awaiting your alert presence in this new journal based on the best-selling 2005 wall calendar. Interspersed throughout the journal are sixteen wisdom quotes from the classic best-selling book, Zen Mind, Beginner’s Mind by Shunryu Suzuki paired with stunning Zenga art masterworks from the premier collection of the Gitter-Yelen Museum in New Orleans.

The 128-page journal is 6" x 8.25" and has a high-quality hardbound cover with an attractive Wire-O binding. The journal has blank pages on the left and lined pages on the right, while evenly spaced throughout are selections of meditative text and zenga brush drawings. The journal has an elastic band closure..
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