Books about Slender from Amazon.com

"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself--"three times window shattered since 1940 but never directly hit"--its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in The London Sunday Times Review, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "One of this century's finest creators of comic-metaphysical entertainment.".
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(Book Jacket Status: Jacketed)

The brevity of Muriel Spark’s novels is equaled only by their brilliance These four novels, each a miniature masterpiece, illustrate her development over four decades. Despite the seriousness of their themes, all four are fantastic comedies of manners, bristling with wit.

Spark’s most celebrated novel, The Prime of Miss Jean Brodie, tells the story of a charismatic schoolteacher’s catastrophic effect on her pupils. The Girls of Slender Means is a beautifully drawn portrait of young women living in a hostel in London in the giddy postwar days of 1945. The Driver’s Seat follows the final haunted hours of a woman descending into madness. And The Only Problem is a witty fable about suffering that brings the Book of Job to bear on contemporary terrorism.

All four novels give evidence of one of the most original and unmistakable voices in contemporary fiction. Characters are vividly etched in a few words; earth-shaking events are lightly touched on. Yet underneath the glittering surface there is an obsessive probing of metaphysical questions: the meaning of good and evil, the need for salvation, the search for significance..
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Diane Ackerman has generally turned her unusual sensitivity to consideration of the natural world and the human experience of it. In A Slender Thread, she journeys down a vastly different road, describing her involvement with a telephone crisis center in the college town where she lives. The callers want her to talk them out of suicide, and their fear and sadness is a weight she at first has trouble bearing gracefully.

"It's no bother. That's why we're here," I say, trying not to sound dutiful or perfunctory. I want him to stay calm, but I also want him to feel comfortable about calling. As usual, I wish I had more control over my voice, wish I could sculpt its nuances so that, regardless of the exact words I used, the tone would tell a caller like this one, You're not alone. We're here to help you, or, if help is impossible, at least to understand. I think it's possible to insinuate your emotions into your voice wholeheartedly like that, to speak sentences charged with pure emotion, as if they were part of an opera in which indecipherable words float on waves of heart-stirring and meaningful music. I just can't figure out how best to do it.

Ackerman explores human despair as she would a magnificent cavern, always moving toward the light of understanding. Highly recommended..
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A dramatic family saga about five estranged sisters reunited after the death of a mother they barely knew. Each is linked by their love for the grandmother who raised them, but will that bond be strong enough?.
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How to incorporate fish, poultry, beans, & quality protein powders into a low-fat diet..
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