Books about Stanislavsky from Amazon.com

6 working actors describe their methods and philosophies of the theater All have worked with playwright David Mamet at the Goodman Theater in Chicago..
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Strasberg, the father of Method Acting, explains in this book his Method--for the first time in his own words. "Essential reading for actors, directors and students of theater "--Publishers Weekly. Advertising in newspapers and theater publications. Two 8-page photo inserts..
Price: $6.04 [Notify me when price goes down.]

Practiced by such actors of stature as Marlon Brando, Robert De Niro, Julie Harris, Dustin Hoffman, and Ellen Burstyn (not to mention the late James Dean) the Method offers a practical application of the renowned Stanislavsky technique

On Method Acting demystifies the "mysteries" of Method acting -- breaking down the various steps into clear and simple terms, including chapters on:

Sense Memory -- the most vital component of Method acting

Improvisation -- without it, the most integral part of the Method is lost

Animal Exercises -- just one way to combat the mental blocks that prevent actors from grasping a character

Creating The Outer Character -- so actors can give the freshness of originality to a role while at the same time living the life of the character

On Method Acting is also an indispensable volume for directors, designers, lighting technicians, and anyone in the dramatic arts interested in creating a believable and realistic effect in their productions..
Price: $3.19 [Notify me when price goes down.]

Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union.

Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to 'impossible' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926.

Now, for the first time, translator Jean Benedetti brings us Stanislavski's complete unabridged autobiography as the author himself wanted it – from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.

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Price: $19.95 [Notify me when price goes down.]

In Stanislavski and the Actor, Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, "last work" by the great director and teacher In this volume readers will find the first English text of Stanislavski s notes and practical exercises from these last sessions.

This is a major rediscovered work by Stanislavski, full of new ideas and insights about his working method. To the original materials Jean Benedetti adds his own analysis of Stanislavski's approach to acting and rehearsal methods.The master's own summary of a lifetime of theatrical experience, Stanislavski and the Actor will quickly become an essential tool for actors, students, and teachers everywhere..
Price: $15.07 [Notify me when price goes down.]

It is virtually impossible to discuss modern acting or actor training without first mentioning the Russian thoerist and director Konstantin Stanislavsky. Complete in one volume, Mel Gordon explores the actor training systems of Stanislavsky and his two most important disciples, Evgeni Vakhtangov and Michael Chekhov, tracing the major teachings and refinements over the first 50 years of use by actors. Gordon reconstructs the actual exercises taught at the Moscow Art Theatre and various Russian acting studios, and he clears away the myths and confusion about the practical use of Stanislavsky's System. This volume contains: The Stanislavsky System - First Studio Exercises 1912-1916; Vakhtangov as Rebel and Theoretician - Exercises 1919-1921; Michael Chekhov - Exercises 1919-1952; and Stanislavsky's Fourth Period - Theory of Physical Actions, 1934-1938..
Price: $7.80 [Notify me when price goes down.]

Written with the same warmth, liveliness and ability to re-create reality that made Stanislavski a great actor, his autobiography tells of his childhood in the world of Moscow's wealthy merchants, his successes and failures as an amateur actor, how he studied human beings, and developed what has come to be known as the "Stanislavski Method," how his group of dedicated amateurs became "perhaps the greatest acting group the world has ever known (Washington Post)," The Moscow Art Theatre..
Price: $27.90 [Notify me when price goes down.]

This book is a must for all professional and student actors, and for acting teachers as well. A concise, clear explanation of exactly how to create a character in plays of any period, using the Stanislavsky system. Known for his detailed approach to the art of acting and for the authenticity of his historical productions, Stanislavsky believed that actors should immerse themselves completely in the era in which a play or film is set. The chapters provide inspiring cultural, social, and historical introductions to the periods from ancient Greece through the end of World War Two. Each chapter covers the way men and women moved, stood, and sat in the clothing they wore; the use of accessories such as fans, swords, snuffboxes, gloves, and hats; greetings, bows, and curtsies; table manners; and the etiquette, civility, and automatic habits of thinking and of social intercourse depending on social class. All these things that people took for granted as the background of their lives, as part of their conscious and unconscious mental world, are the essential components of building a character with real, organic behavior associated with a specific era. Literature, music, painting, and other graphic arts are all discussed as well, and the sections on films and television programs, as well as bibliographies of books and recordings, will guide your further research..
Price: $11.90 [Notify me when price goes down.]

Jean Benedetti's Stanislavski is the clearest and most succinct explanation of Stanislavski's writings and ideas, especially those in the Stanislavski's acting trilogy - An Actor Prepares, Building a Character, and Creating a Role - a staple of every actor's library.
Now available in an attractive new edition, Stanislavski: An Introduction provides the perfect guide through the Master's writing..
Price: $16.65 [Notify me when price goes down.]

Reset and redesigned to offer a fresh look, this is an essential, comprehensive guide to the art and science of acting, as taught by the creator and great teachers of the Stanislavski Method..
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