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Doomsday Men: The Real Dr. Strangelove and the Dream of the Superweapon
This is the gripping, untold story of the doomsday bomb—the ultimate weapon of mass destruction In 1950, Hungarian-born scientist Leo Szilard made a dramatic announcement on American radio: science was on the verge of creating a doomsday bomb. For the first time in history, mankind realized that he had within his grasp a truly God-like power, the ability to destroy life itself. The shockwave from this statement reverberated across the following decade and beyond. If detonated, Szilard's doomsday device—a huge cobalt-clad H-bomb—would pollute the atmosphere with radioactivity and end all life on earth. The scientific creators of such apocalyptic weapons had transformed the laws of nature into instruments of mass destruction and for many people in the Cold War there was little to distinguish real scientists from that “fictional master of megadeath,” Stanley Kubrick’s Dr. Strangelove. Indeed, as PD Smith’s chilling account shows, the dream of the superweapon begins in popular culture. This is a story that cannot be told without the iconic films and fictions that portray our deadly fascination with superweapons, from H.G. Wells’ The War of the Worlds to Nevil Shute’s On the Beach and Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Although scientists admitted it was possible to build the cobalt bomb, no superpower would admit to having created one. However, it remained a terrifying possibility, striking fear into the hearts of people around the world. The story of the cobalt bomb is an unwritten chapter of the Cold War, but now PD Smith reveals the personalities behind this feared technology and shows how the scientists responsible for the twentieth century’s most terrible weapons grew up in a culture dreaming of superweapons and Wellsian utopias. He argues that, in the end, the doomsday machine became the ultimate symbol of humanity’s deepest fears about the science of destruction. .
Price: $10.77
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The Worlds of Herman Kahn: The Intuitive Science of Thermonuclear War
Herman Kahn was the only nuclear strategist in America who might have made a living as a standup comedian. Indeed, galumphing around stages across the country, joking his way through one grotesque thermonuclear scenario after another, he came frighteningly close. In telling the story of Herman Kahn, whose 1960 book On Thermonuclear War catapulted him into celebrity, Sharon Ghamari-Tabrizi captures an era that is still very much with us--a time whose innocence, gruesome nuclear humor, and outrageous but deadly serious visions of annihilation have their echoes in the "known unknowns and unknown unknowns" that guide policymakers in our own embattled world. Portraying a life that combined aspects of Lenny Bruce, Hitchcock, and Kubrick, Ghamari-Tabrizi presents not one Herman Kahn, but many--one who spoke the suffocatingly dry argot of the nuclear experts, another whose buffoonery conveyed the ingenious absurdity of it all, and countless others who capered before the public, ambiguous, baffling, always open to interpretation. This, then, is a story of one thoroughly strange and captivating man as well as a cultural history of our moment. In Herman Kahn's world is a critical lesson about how Cold War analysts learned to fill in the ciphers of strategic uncertainty, and thus how we as a nation learned to live with the peculiarly inventive quality of strategy, in which uncertainty generates extravagant threat scenarios. Revealing the metaphysical behind the dryly deliberate, apparently practical discussion of nuclear strategy, this book depicts the creation of a world where clever men fashion Something out of Nothing--and establishes Herman Kahn as our first virtuoso of the unknown unknowns. (20050228).
Price: $17.34
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Mr. Strangelove: A Biography of Peter Sellers
How do you write the biography of a cipher? That's the daunting challenge veteran Hollywood biographer Ed Sikov tackles in exploring the life of one of the 20th century's most acclaimed comic actors. Peter Sellers' uncanny talents as a mimic would inform everything from English radio's Goon Show and the highly profitable--if increasingly broad--cycle of Inspector Clouseau Pink Panther films to his brilliant turn as Chauncey Gardiner in Being There, a role that had all too many discomforting parallels to Sellers' own cryptic personality. Sikov reveals that the man long hailed as comedy's greatest chameleon was in fact a tragic, troubled personal vacuum, the only child of a literal stage mother who indulged his every whim, yet left him a distinct void for a soul. Sikov interviews many of the relatives, intimates, and survivors of Sellers that filled his alternately strange and spectacular life, while thoroughly chronicling every professional triumph and more than a few missteps. Sikov's straightforward reporting, seasoned by his own dry wit, details the parts that made up the man, but the sum remains an ever compelling enigma. As Lolita and Dr. Strangelove director Stanley Kubrick, no slouch in the personal riddle sweepstakes himself, once said of Sellers: "There is no such person." --Jerry McCulley.
Price: $7.97
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Dr. Strangelove's America: Society and Culture in the Atomic Age
Did America really learn to "stop worrying and love the bomb," as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned "I Have a Dream" speech or with Elvis Presley's throbbing "I'm All Shook Up"? In Margot Henriksen's vivid depiction of the decades after World War II, all three are expressions of a cultural revolution directly related to the atomic bomb. Although many scientists and other Americans protested the pursuit of nuclear superiority after World War II ended, they were drowned out by Cold War rhetoric that encouraged a "culture of consensus." Nonetheless, Henriksen says, a "culture of dissent" arose, and she traces this rebellion through all forms of popular culture. At first, artists expressed their anger, anxiety, and despair in familiar terms that addressed nuclear reality only indirectly. But Henriksen focuses primarily on new modes of expression that emerged, discussing the disturbing themes of film noir (with extended attention to Alfred Hitchcock) and science fiction films, Beat poetry, rock 'n' roll, and Pop Art. Black humor became a primary weapon in the cultural revolution while literature, movies, and music gave free rein to every possible expression of the generation gap. Cultural upheavals from "flower power" to the civil rights movement accentuated the failure of old values. Filled with fascinating examples of cultural responses to the Atomic Age, Henriksen's book is a must-read for anyone interested in the United States at mid-twentieth century..
Price: $30.00
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Edward Teller: The Real Dr. Strangelove
One Nobel Prize-winning physicist called Edward Teller, "A great man of vast imagination ..[one of the] most thoughtful statesmen of science " Another called him, "A danger to all that is important ..It would have been a better world without [him]." That both opinions about Teller were commonly held and equally true is one of the enduring mysteries about the man dubbed "the father of the H-bomb." In the story of Teller's life and career, told here in greater depth and detail than ever before, Peter Goodchild unravels the complex web of harsh early experiences, character flaws, and personal and professional frustrations that lay behind the paradox of "the real Dr. Strangelove." Goodchild's biography draws on interviews with more than fifty of Teller's colleagues and friends. Their voices echo through the book, expressing admiration and contempt, affection and hatred, as we observe Teller's involvement in every stage of building the atomic bomb, and his subsequent pursuit of causes that drew the world deeper into the Cold War--alienating many of his scientific colleagues even as he provided the intellectual lead for politicians, the military, and presidents as they shaped Western policy. Goodchild interviewed Teller himself at the end of his life, and what emerges from this interview, as well as from Teller's Memoirs and recently unearthed correspondence, is a clearer view of the contradictions and controversies that riddled the man's life. Most of all, though, this absorbing biography rescues Edward Teller from the caricatures that have served to describe him until now. In their place, Goodchild shows us one of the most powerful scientists of the twentieth century in all his enigmatic humanity. (20040418).
Price: $18.45
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Dr. Strangelove and the Hideous Epoch: Deterrence in the Nuclear Age
This is an analysis of deterrence in the nuclear age. It is a dramatically new view of where we have been and where we are as a result of the development of nuclear weapons. There is an indepth study of Stanley Kubrck's movie sub titled; "How I learned to stop worrying and love the bomb". The book is erudite in that it examines all the relevent literature. And it has wonderful drawings by David Levine of all the major players. But, above all, this is a hopeful book for as the author puts it; "...if nothing can be done it may seem that nothing NEED be done. Naturally enough, those who take comfort in that view tend to leave the arena of debate to those who want to do something. Thus the more believers in the power of deterrence, the fewer advocates for action. Dr.Strangelove and the Hideous Epoch reviews the debate's history from the viewpoint of that less representative side and argues the the end of the hideous epoch...is now within view.".
Price: $8.30
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