Books about Straznicky from Amazon.com

Marta Straznicky offers a detailed historical analysis of the relationship between early modern women's closet plays and the culture of reading Straznicky reveals that these works, by Elizabeth Cary and Margaret Cavendish, among others, were part of an alternative dramatic tradition, an elite and private literary culture that was intellectually superior to, and politically more radical than, commercial drama..
Price: $60.50 [Notify me when price goes down.]

"The Book of the Play" is a collection of essays that examines early modern drama in the context of book history Focusing on the publication, marketing, and readership of plays opens fresh perspectives on the relationship between the cultures of print and performance, and more broadly between drama and the public sphere. Marta Straznicky's introduction offers a survey of approaches to the history of play reading in this period, and the collection as a whole consolidates recent work in textual, bibliographic, and cultural studies of printed drama. Individually, the essays advance our understanding of play reading as a practice with distinct material forms, discourses, social settings, and institutional affiliation. Part One, "Real and Imagined Communities," includes four essays on play-reading communities and the terms in which they are distinguished from the reading public at large. Cyndia Clegg surveys the construction of readers in prefaces to published plays; Lucy Munro traces three separate readings of a single play, Edward Sharpham's The Fleer; Marta Straznicky studies women as readers of printed drama; and Elizabeth Sauer describes how play reading was mobilized for political purposes in the period of the civil war. In Part Two, "Play Reading and the Book Trade," five essays consider the impact of play reading on the public sphere through the lens of publishing practices. Zachary Lesser offers a revisionist account of black-letter typeface and the extent to which it may be understood as an index of popular culture; Alan Farmer examines how the emerging news trade of the 1620s and 1630s affected the marketing of printed drama; Peter Berek traces the use of generic terms on title pages of plays to reveal their intersection with the broader culture of reading; Lauren Shohet demonstrates that the Stuart masque had a parallel existence in the culture of print; and Douglas Brooks traces the impact print had on eclipsing performance as the medium in which the dramatist could legitimately lay claim to having authored his text. The individual essays focus on selected communities of readers, publication histories, and ideologies and practices of reading; the collection as a whole demonstrates the importance of textual production and reception to understanding the place of drama in the early modern public sphere..
Price: $24.95 [Notify me when price goes down.]

This digital document is an article from Renaissance Quarterly, published by Thomson Gale on March 22, 2006. The length of the article is 779 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Privacy, Playreading, and Women's Closet Drama, 1550-1700.(Book review)
Author: Carol Blessing
Publication:Renaissance Quarterly (Magazine/Journal)
Date: March 22, 2006
Publisher: Thomson Gale
Volume: 59 Issue: 1 Page: 275(3)

Article Type: Book review

Distributed by Thomson Gale.
Price: $9.95 [Notify me when price goes down.]