Books about Suicide from Amazon.com

When Margo Roth Spiegelman beckons Quentin Jacobsen in the middle of the night—dressed like a ninja and plotting an ingenious campaign of revenge—he follows her. Margo’s always planned extravagantly, and, until now, she’s always planned solo. After a lifetime of loving Margo from afar, things are finally looking up for Q . . . until day breaks and she has vanished. Always an enigma, Margo has now become a mystery. But there are clues. And they’re for Q.

Printz Medalist John Green returns with the trademark brilliant wit and heart-stopping emotional honesty that have inspired a new generation of readers..
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In Touched with Fire, Kay Redfield Jamison, a psychiatrist, turned a mirror on the creativity so often associated with mental illness In this book she turns that mirror on herself With breathtaking honesty she tells of her own manic depression, the bitter costs of her illness, and its paradoxical benefits: "There is a particular kind of pain, elation, loneliness and terror involved in this kind of madness.... It will never end, for madness carves its own reality." This is one of the best scientific autobiographies ever written, a combination of clarity, truth, and insight into human character. "We are all, as Byron put it, differently organized," Jamison writes. "We each move within the restraints of our temperament and live up only partially to its possibilities." Jamison's ability to live fully within her limitations is an inspiration to her fellow mortals, whatever our particular burdens may be. --Mary Ellen Curtin.
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Until the phone calls came at three o'clock on a November morning, the Golds and their neighbors, the Hartes, had been inseparable It was no surprise to anyone when their teenage children, Chris and Emily, began showing signs that their relationship was moving beyond that of lifelong friends. But now seventeen-year-old Emily is dead—shot with a gun her beloved and devoted Chris pilfered from his father's cabinet as part of an apparent suicide pact—leaving two devastated families stranded in the dark and dense predawn, desperate for answers about an unthinkable act and the children they never really knew.

From New York Times bestselling author Jodi Picoult—one of the most powerful writers in contemporary fiction—comes a riveting, timely, heartbreaking, and terrifying novel of families in anguish and friendships ripped apart by inconceivable violence.

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Price: $4.11 [Notify me when price goes down.]

Do twins begin in the womb?
Or in a better place?

Kaeleigh and Raeanne are identical down to the dimple. As daughters of a district-court judge father and a politician mother, they are an all-American family -- on the surface Behind the facade each sister has her own dark secret, and that's where their differences begin.

For Kaeleigh, she's the misplaced focus of Daddy's love, intended for a mother whose presence on the campaign trail means absence at home. All that Raeanne sees is Daddy playing a game of favorites -- and she is losing. If she has to lose, she will do it on her own terms, so she chooses drugs, alcohol, and sex.

Secrets like the ones the twins are harboring are not meant to be kept -- from each other or anyone else. Pretty soon it's obvious that neither sister can handle it alone, and one sister must step up to save the other, but the question is -- who?.
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Some say that the apocalypse swiftly approacheth, but that simply ain't so according to Chuck Palahniuk Oh no. It's already here, living in the head of the guy who just crossed the street in front of you, or maybe even closer than that. We saw these possibilities get played out in the author's bloodsporting-anarchist-yuppie shocker of a first novel, Fight Club. Now, in Survivor, his second and newest, the concern is more for the origin of the malaise. Starting at chapter 47 and screaming toward ground zero, Palahniuk hurls the reader back to the beginning in a breathless search for where it all went wrong. This time out, the author's protagonist is self-made, self-ruined mogul-messiah Tender Branson, the sole passenger of a jet moments away from slamming first into the Australian outback and then into oblivion. All that will be left, Branson assures us with a tone bordering on relief, is his life story, from its Amish-on-acid cult beginnings to its televangelist-huckster end. All of this courtesy of the plane's flight recorder.

Speaking of little black boxes, Skinnerians would have a field day with the presenting behavior of the folks who make up Palahniuk's world. They pretend they're suicide hotline operators for fun. They eat lobster before it's quite... done. They dance in morgues. The Cleavers they are not. Scary as they might be, these characters are ultimately more scared of themselves than you are, and that's what makes them so fascinating. In the wee hours and on lonely highways, they exist in a perpetual twilight, caught between the horror of the present and the dread of the unknown. With only two novels under his belt, Chuck Palahniuk is well on his way to becoming an expert at shining a light on these shadowy creatures. --Bob Michaels.
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As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.

As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.

Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland.
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This new edition retains the book's engaging and innovative systems approach, integrating the biological, psychological, and social perspectives in one concurrent story. Scientific methods are presented in a clear and non-threatening manner, and are based on the most current research. Chapter topics include personality disorders, eating disorders, substance use disorders, sexual and gender identity disorders, schizophrenic disorders, mood disorders and suicide, treatment of psychological disorders, and more. For psychologists, psychiatrists, and professionals in the mental health field..
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This beautiful and sad first novel, recently adapted for a major motion picture, tells of a band of teenage sleuths who piece together the story of a twenty-year old family tragedy begun by the youngest daughter's spectacular demise by self-defenstration, which inaugurates 'the year of the suicides.'.
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