Books about Theatre from Amazon.com

Winner of the 2008 Pulitzer Prize for Drama

"A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people."-Time Out New York

"Tracy Letts' August: Osage County is what O'Neill would be writing in 2007. Letts has recaptured the nobility of American drama's mid-century heyday while still creating something entirely original."-New York magazine

One of the most bracing and critically acclaimed plays in recent Broadway history, August: Osage County is a portrait of the dysfunctional American family at its finest-and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed. After its sold-out Chicago premiere, the play has electrified audiences in New York since its opening in November 2007.

Tracy Letts is the author of Killer Joe, Bug, and Man from Nebraska, which was a finalist for the 2004 Pulitzer Prize for Drama. His plays have been performed throughout the country and internationally. A performer as well as a playwright, Letts is a member of the Steppenwolf Theatre Company, where August: Osage County premiered.

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Many arts organizations today find themselves in financial difficulties because of economic constraints inherent in the industry. While other companies can improve productivity through the use of new technologies or better systems, these approaches are not available in the arts. Hamlet requires the same number of performers today as it did in Shakespeare's time. The New York Philharmonic requires the same number of musicians now as it did when Tchaikovsky conducted it over one hundred years ago. Costs go up, but the size of theaters and the price resistance of patrons limit what can be earned from ticket sales. Therefore, the performing arts industry faces a severe gap between earnings and expenses. Typical approaches to closing the gap--raising ticket prices or cutting artistic or marketing expenses--don't work.

What, then, does it take to create and maintain a healthy arts organization?

Michael M. Kaiser has revived four major arts organizations: the Kansas City Ballet, the Alvin Ailey American Dance Theater, American Ballet Theatre, and London's Royal Opera House. In The Art of the Turnaround he shares with readers his ten basic rules for bringing financially distressed arts organizations back to life and keeping them strong. These rules cover the requirements for successful leadership, the pitfalls of cost cutting, the necessity of extending the programming calendar, the centrality of effective marketing and fund raising, and the importance of focusing on the present with a positive public message. In chapters organized chronologically, Kaiser brings his ten rules vividly to life in discussions of the four arts organizations he is credited with saving. The book concludes with a chapter on his experiences at the John F. Kennedy Center for the Performing Arts, an arts organization that needed an artistic turnaround when he became the president in 2001 and that today exemplifies in practice many of the ten rules he discusses throughout his book..
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Nominated for a whopping 10 Tony Awards and grossing more than $1 million each week, Wicked is this year's Broadway smash! A prequel to the all-American classic The Wizard of Oz, this new musical is a character study of Elphaba and Glinda, school roommates who grow up to become the Wicked Witch and the Good Witch, respectively. Feature a special section of color photos from the production, a note from composer/lyricist Stephen Schwartz, and these fantastic tunes: As Long as You're Mine ? Dancing Through Life ? Defying Gravity ? For Good ? I Couldn't Be Happier ? I'm Not That Girl ? No Good Deed ? No One Mourns the Wicked ? One Short Day ? Popular ? What Is This Feeling? ? The Wizard and I ? Wonderful..
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4 plays about an existential portrayal of Hell, the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict and an arresting attack on American racism..
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"Passionate. Show-stopping Daringly over-the-top and impressively consistent in its delirious excess. The Clean House shines."-New Haven Advocate

"The Clean House is not, by any means, a traditional boy-meets-girl story. In fact disease, death, and dirt are among the subjects it addresses. This comedy is romantic, deeply so, but in the more arcane sense of the word: visionary, tinged with fantasy, extravagant in feeling, maybe a little nuts."-The New York Times

"Touching, inventive, invigoratingly compact, and luminously liquid, Eurydice reframes the ancient myth of ill-fated love to focus not on the bereaved musician but on his dead bride-and on her struggle with love beyond the grave."-San Francisco Chronicle

This volume is the first publication of Sarah Ruhl, "a playwright with a unique comic voice, perspective, and sense of theater" (Variety), who is fast leaving her mark on the American stage. In the award-winning Clean House-a play of uncommon romance and uncommon comedy-a maid who hates cleaning dreams about creating the perfect joke, while a doctor who treats cancer leaves his heart inside one of his patients. This volume also includes Eurydice, Ruhl's reinvention of the tragic Greek tale of love and loss, together with a third play still to be named.

Sarah Ruhl received the prestigious Susan Smith Blackburn Prize in 2004 for her play The Clean House, which has been produced at Yale Repertory Theatre in New Haven, Wilma Theatre in Philadelphia, South Coast Repertory Theatre in Costa Mesa, and Woolly Mammoth Theatre Company in Washington, DC. Her play Eurydice has been produced at Madison Repertory Theatre and Berkeley Repertory Theatre.

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An Actor Prepares is the first volume of Stanislavski's enduring trilogy on the art of acting. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself..
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Defying Gravity takes readers into the creative world of Broadway and film composer Stephen Schwartz, from writing Godspell's score at age 23 through the making of the megahit Wicked. For this first authorized biography, de Giere draws from 80 hours of interviews with Schwartz and over 100 interviews with his colleagues, friends, and family. Her sympathetic yet frank narrative reveals never-before-told stories and explores both Schwartz's phenomenal hits and expensive flops..
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These popular publications are compiled especially for the tastes and abilities of the talented teenage singer/actor. Songs span from classic stage musicals, to ?the golden age of Hollywood,? to the stage and cinema of the 1980s and '90s. Indispensible for teaching young singers, these book/CD packs also include notes on each selection. The Young Women's Edition includes 33 songs: Beauty and the Beast ? Diamonds Are a Girl's Best Friend ? Honey Bun ? I Could Have Danced All Night ? I Enjoy Being a Girl ? I Have Confidence ? Many a New Day ? Memory ? My Favorite Things ? On My Own ? Part of Your World ? Sisters ? Think of Me ? Wouldn't It Be Loverly ? and more. Beauty And The Beast Belle (Reprise) Diamonds Are A Girl's Best Friend Feed The Birds God Help The Outcasts Honey Bun I Could Have Danced All Night I Enjoy Being A Girl I Got The Sun In The Morning I Have Confidence I'll Know If Momma Was Married In My Own Little Corner It's A Most Unusual Day Just You Wait Many A New Day Memory Much More My Favorite Things On My Own Once Upon A Dream Out Of My Dreams Part Of Your World People Will Say We're In Love Sisters Sixteen Going On Seventeen Stepsisters' Lament The Simple Joys Of Maidenhood There Are Worse Things I Could Do Think Of Me Till There Was You Unexpected Song Wouldn't It Be Loverly  .
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HBO Films will present Angels in America, directed by Mike Nichols from Tony Kushner's own adaptation of his Tony and Pulitzer Prize-winning play Angels in America: A Gay Fantasia on National Themes. The remarkable cast features Al Pacino, Meryl Streep, Emma Thompson, Mary Louise Parker, Jeffrey Wright, Justin Kirk, Ben Shenkman, Patrick Wilson, James Cromwell, Michael Gambon and Simon Callow.

Angels in America is one of the most remarkable and celebrated plays of our time. Over 350,000 copies have been sold in paperback since their original publication in 1993.

Praise for the play:

"Angels in America is the broadest, deepest, most searching American play of our time."-Jack Kroll, Newsweek

"A vast, miraculous play . . . provocative, witty and deeply upsetting . . . a searching and radical rethinking of Ameri-can political drama."-Frank Rich, The New York Times

"Something rare, dangerous and harrowinga roman candle hurled into a drawing room . . . "-Nicholas de Jongh, London Evening Standard

"Playful and profound, extravagantly theatrical and deeply spiritual, witty, and compassionate, furious and incredibly smart . . . It's impossible to imagine anyone captivated by the beginning not wanting-needing-to go back for the end."-Linda Winer, Newsday

"An enormously impressive work of the imagination and intellect, a towering example of what theatre stretched to its full potential can achieve."-Clifford A. Ridley, Philadelphia Inquirer

"Perestroika is a masterpiece."-John Lahr, New Yorker

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Impro ought to be required reading not only for theatre people generally but also for teachers, educators, and students of all kinds and persuasions. Readers of this book are not going to agree with everything in it; but if they are not challenged by it, if they do not ultimately succumb to its wisdom and whimsicality, they are in a very sad state indeed . . . .Johnstone seeks to liberate the imagination, to cultivate in the adult the creative power of the child . . . .Deserves to be widely read and tested in the classroom and rehearsal hall . . .Full of excellent good sense, actual observations and inspired assertions -- CHOICE: Books for College Libraries..
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