Books about Tudor style from Amazon.com



A Little Princess
Generations of children have treasured the story of Sara Crewe, the little girl who imagines shes a princess in order to survive hard times at Miss Minchins London boarding school. Now, this classic novel is available in two beautiful new collectors editions. With Tasha Tudors enchanting black-and-white illustrations, and lovely details like a satin ribbon marker and glorious full-color plates in the hardcover, these new editions of A Little Princess are must-haves for anyone who wants to rediscover the magic of this beloved story.

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Price: $1.85 [Notify me when price goes down.]



Tudor Style: Tudor Revival Houses in America from 1890 to the Present
The Tudor house is one of America's keystones-- a type of home that has attracted homeowners for more than a century Its basic elements-- the steep gabled roofs, mullioned windows made of leaded glass, and half-timbering-- are instantly recognizable and iconic. Tudor Style showcases the wide variety of Tudor homes and how American Tudor style differs from their English counterparts.

Renowned photographer Paul Rocheleau and architectural historian Lee Goff have traveled across the United States, from the suburbs of metropolitan New York to Lake Forest, Illinois, from St. Louis to Los Angeles, capturing the unique Tudor styles each geographic location offers. The Tudors featured in the book range from modest homes to grand estates, making this a perfectly accessible book for all Tudor homeowners and aficionados. In addition to displaying the architectural structures of these buildings, Goff examined the history of these houses, why they became so popular in the United States, and what their appeal is today.

The first book ever on this wildly popular style, Tudor Style will delight architecture enthusiasts who have been desperately waiting for a book on this favorite architectural style.
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Price: $27.27 [Notify me when price goes down.]


Gloriana: The Portraits of Queen Elizabeth I (Pimlico)
To examine the portraits of Elizabeth I is to witness the creation of the legend of the Virgin Queen, of Gloriana and her burgeoning empire. The history of the portraiture is that of the deliberate manufacture of an image powerful enough to hold together a people divided by both rigid hierarchy and religious belief. When Elizabeth came to the throne in 1558, her subjects had an all-too-vivid memory of military defeat and religious turmoil. Restoring stability to the kingdom involved the image of the Queen herself—over the years, she was transmuted from an elegant aristocrat into a cosmic vision. In Gloriana, Roy Strong provides a richly detailed analysis of all the major portraits.
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Price: $15.00 [Notify me when price goes down.]


Portrait of an Unknown Woman: A Novel

The year is 1527. The great portraitist Hans Holbein, who has fled the reformation in Europe, is making his first trip to England under commission to Sir Thomas More. In the course of six years, Holbein will become a close friend to the More family and paint two nearly identical family portraits. But closer examination of the paintings reveals that the second holds several mysteries...

Set against the turmoil, intrigue and, tragedy of Henry VIII's court, Portrait of an Unknown Woman vividly evokes sixteenth-century England on the verge of enormous change. As the Protestant Reformation sweeps across Europe to lap at England's shores, relations between her king and the Catholic Church begin to plummet-driven by Henry VIII's insatiable need for a male heir and the urgings of his cunning mistress Anne Boleyn-and heresy begins to take hold. As tensions rise, Henry VIII turns to his most trusted servant and defender of Catholic orthodoxy, Sir Thomas More to keep peace in England, but soon the entire More family find their own lives at risk.

At the center of Portrait of an Unknown Woman is Meg Gigg's, Sir Thomas More's twenty-three year old adopted daughter. Intelligent, headstrong, and tender-hearted, Meg has been schooled in the healing arts. And though she is devoted to her family, events conspire that will cause Meg to question everything she thought she knew-including the desires of her own heart. As the danger to More and his family increases, two men will vie for Meg's affections: John Clement, her former tutor and More's protégé who shares Meg's passion for medicine, but whose true identity will become unclear, and the great Holbein, who's artistic vision will forever alter her understanding of the world.

With a striking sense of period detail Portrait of an Unknown Woman is an unforgettable story of sin and religion, desire and deception. It is the story of a young woman on the brink of sensual awakening and of a country on the edge of mayhem.

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Price: $2.69 [Notify me when price goes down.]


Art and Decoration in Elizabethan and Jacobean England: The Influence of Continental Prints, 1558-1625 (Paul Mellon Centre for Studies in Britis)
This richly illustrated book is the first comprehensive exploration of precisely what imported prints were used as sources of inspiration in Elizabethan and Jacobean England. Wells-Cole sets out a visual feast of buildings and their contents, side by side with photographs of the prints that inspired them..
Price: $85.00 [Notify me when price goes down.]


The Tudor House and Garden: Architecture and Landscape in the Sixteenth and Early Seventeenth Centuries (Studies in British Art)
This book focuses for the first time on sixteenth- and early-seventeenth-century country houses in their settings Investigating the complex relations between Tudor and early Stuart houses and the landscapes in which they were set, Paula Henderson offers new perspectives on some of England’s most magical buildings. She examines natural and man-made landscapes as well as gatehouses, garden buildings, banqueting houses, and other ancillary structures. More than 200 splendid images illustrate the book, which also features a complete gazetteer.



Drawing on new documentary material and on research into many rediscovered buildings associated with original settings, Henderson refutes common perceptions that gardens of the period were confined and highly artificial and that “natural” landscapes were not appreciated until the eighteenth century. She explains how and why Tudor country estates were organized and designed, and she provides a new evaluation of what the gardens and other aspects of the landscape meant to those who created and visited them.

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Price: $46.34 [Notify me when price goes down.]


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