Books about Venetian from Amazon.com

In 323 B.C.E, having conquered Persia, Alexander the Great set his sights on Arabia, then suddenly succumbed to a strange fever. Locating his final resting place–unknown to this day–remains a tantalizing goal for both archaeologists and treasure hunters. Now the quest for this coveted prize is about to heat up. And Cotton Malone–former U.S. Justice Department agent turned rare-book dealer–will be drawn into an intense geopolitical chess game.

After narrowly escaping incineration in a devastating fire that consumes a Danish museum, Cotton learns from his friend, the beguiling adventurer Cassiopeia Vitt, that the blaze was neither an accident nor an isolated incident. As part of campaign of arson intended to mask a far more diabolical design, buildings across Europe are being devoured by infernos of unnatural strength.

And from the ashes of the U.S.S.R., a new nation has arisen: Former Soviet republics have consolidated into the Central Asian Federation. At its helm is Supreme Minister Irina Zovastina, a cunning despot with a talent for politics, a taste for blood sport, and the single-minded desire to surpass Alexander the Great as history’s ultimate conqueror.
Backed by a secret cabal of powerbrokers, the Federation has amassed a harrowing arsenal of biological weapons. Equipped with the hellish power to decimate other nations at will, only one thing keeps Zovastina from setting in motion her death march of domination: a miraculous healing serum, kept secret by an ancient puzzle and buried with the mummified remains of Alexander the Great–in a tomb lost to the ages for more than 1,500 years.

Together, Cotton and Cassiopeia must outrun and outthink the forces allied against them. Their perilous quest will take them to the shores of Denmark, deep into the venerated monuments of Venice, and finally high inside the desolate Pamir mountains of Central Asia to unravel a riddle whose solution could destroy or save millions of people–depending on who finds the lost tomb first..
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Q&A with Andrea di Robilant

Q. A discovery of letters between a young beauty, Giustiniana Wynne, and your ancestor, the Venetian nobleman Andrea Memmo, inspired your first work, A Venetian Affair. What lead to the discovery of Lucia's letters and what inspired you to tell her story in your new book, Lucia: A Venetian Life in the Age of Napoleon?

It was only after finishing A Venetian Affair that I realized there was another box of letters among my father's papers which I had not yet opened. They turned out to be by Andrea Memmo's daughter, Lucia, to her future husband, Alvise Mocenigo. These letters, written when Lucia was only sixteen, were so vivid and immediate and provided such a fascinating insight into the complex negotiations leading to an arranged marriage in Venice in the late 18th century, that they seemed to be the perfect starting point for a narrative on that period. In the course of researching Lucia's life I was lucky to find several more collections of her correspondence in the archives in Venice and other cities of northern Italy, which, taken together, covered her entire life time. The sheer quality of her correspondence throughout her life--her observations, her descriptions, her wonderful habit of transcribing dialogues, the precise information about her personal life and the world around her--compelled me to write her story.

Q. How did the experience of writing Lucia differ from that of A Venetian Affair?

In writing A Venetian Affair I was entirely absorbed by the intensity of the love story between Andrea and Giustiniana. Lucia, instead, is more like a rich family saga. Whereas I had something of a crush on Giustiniana, the relationship I developed with Lucia was at once deeper and more complex. I grew to love and admire her. She was a strong, courageous, passionate woman. But she also irritated me at times, and disappointed me and even exasperated me.

Q. Who was Colonel Plunkett and what role did he play in Lucia's life?

After the fall of the Venetian Republic, Colonel Plunkett, a dashing officer with the occupying Austrian troops, became Lucia's secret lover. He fathered her only surviving child, Alvisetto, before being killed in action while fighting the French in Switzerland. All traces of this love affair were carefully erased by Lucia. Alvisetto was passed off as Alvise's son, thereby ensuring the survival of the Mocenigo line.

See the entire Q&A with Andrea di Robilant

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It's hard to imagine a more romantic real-life story than the long, forbidden love affair of the 18th-century Venetian nobleman Andrea Memmo and a half-English beauty named Giustiniana Wynne. Andrea Di Robilant's A Venetian Affair is drawn in part from a cache of letters discovered by the author's father in his ancestral palazzo on the Grand Canal. In 1753, his ancestor Andrea Memmo had been introduced to a lovely girl of uncertain station (illegitimate, although her parents later married). The Wynnes's position was precarious enough in Venice's rigid society, and Giustiniana's mother took every step to prevent the young aristocrat from corrupting her daughter. But the two lovers began to meet in secret: exchanging letters through confederates and communicating in public through an elaborate code of nods and gestures. They even came within a few days of being married before further dark revelations about Giustiniana's family put a permanent end to their hopes. Although Memmo went on to have an illustrious career in the dying Venetian Republic, it is Giustiniana's astonishing later life that really captures the reader. A Venetian Affair provides both a rich picture of the times--including cameo appearances by that scamp, Casanova--and a convincing account of an enduring passion. --Regina Marler.
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Enduring friendships and long-held vendettas come alive against the splendor and decadence of eighteenth-century Venice.

In 1775 Venice–known to outsiders as “the brothel of Europe”–the tradition of mask-wearing has allowed adultery and debauchery to flourish. But Marietta and Elena, two dear friends at the Ospedale della Pietà, a world-famous orphanage and music school for girls, know little of that milieu–until they come of age.

Elena is forced to wed the head of the Celano clan, a jealous, brutal man, while Marietta marries Domenico Torrisi, whose family vendetta with the Celanos is centuries old. Tradition dictates that the friends should never speak again, but their bond is too strong to break.

As the French Revolution unsettles all of Europe, Elena’s husband frames Domenico and he becomes a political prisoner. Marietta and Elena plot to save him, and the women discover that Venetian masks have noble purposes, too–but will their efforts put their own lives at risk?

Embodying the glitter and the treachery of the city it portrays, The Venetian Mask will keep you turning pages long into the night..
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Well into his middle years, Gianni Castiglione has a pleasant, quiet life in Cremona A luther - a maker and repairer of violinis - he spends most of his time adoring his grandchildren and playing chamber-quartets with the local priest, the chief of police, and a fellow aging luther, Tomaso Rainaldi. A true romantic, Rainaldi is in thrall to music's myths, particularly the stories about the "Messiah's Sister," a priceless, centuries-old -- and possibly imaginary -- violin. But his end is anything but romantic; the old fellow is brutally murdered and his workroom destroyed. It soon becomes clear that Rainaldi's violins has something to do with his death, and while the police-chief knows little about the luthier's world, Gianni has the knowledge he needs. Following the clues will take the two men into a decaying Venetian palazzo, to an English country estate, and deep into musical history, as they hunt for a secretive collector, a collection of letters, a mysterious portrait, and, perhaps...the Messiah's Sister itself..
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Here Molly Greene moves beyond the hostile "Christian" versus "Muslim" divide that has colored many historical interpretations of the early modern Mediterranean, and reveals a society with a far richer set of cultural and social dynamics. She focuses on Crete, which the Ottoman Empire wrested from Venetian control in 1669. Historians of Europe have traditionally viewed the victory as a watershed, the final step in the Muslim conquest of the eastern Mediterranean and the obliteration of Crete's thriving Latin-based culture. But to what extent did the conquest actually change life on Crete? Greene brings a new perspective to bear on this episode, and on the eastern Mediterranean in general. She argues that no sharp divide separated the Venetian and Ottoman eras because the Cretans were already part of a world where Latin Christians, Muslims, and Eastern Orthodox Christians had been intermingling for several centuries, particularly in the area of commerce.

Greene also notes that the Ottoman conquest of Crete represented not only the extension of Muslim rule to an island that once belonged to a Christian power, but also the strengthening of Eastern Orthodoxy at the expense of Latin Christianity, and ultimately the Orthodox reconquest of the eastern Mediterranean. Greene concludes that despite their religious differences, both the Venetian Republic and the Ottoman Empire represented the ancien régime in the Mediterranean, which accounts for numerous similarities between Venetian and Ottoman Crete. The true push for change in the region would come later from Northern Europe.

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Price: $17.75 [Notify me when price goes down.]

The new Urbino Mcintyre Venetian mystery - Amateur sleuth and long-time Venice-resident Urbino Mcintyre is investigating three deaths from apparently natural causes in the space of a few weeks that have aroused his suspicions. As Venice prepares for the annual Regatta and the atmosphere reaches fever pitch, Urbino knows that somewhere, just beyond his reach, is the vital piece of information that just might enable him to save an innocent life, if only he can find it in time . . ..
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Leon (Judah Aryeh) Modena was a major intellectual figure of the early modern Italian Jewish community--a complex and intriguing personality who was famous among contemporary European Christians as well as Jews. Modena (1571-1648) produced an autobiography that documents in poignant detail the turbulent life of his family in the Jewish ghetto of Venice. The text of this work is well known to Jewish scholars but has never before been translated from the original Hebrew, except in brief excerpts. This complete translation, based on Modena's autograph manuscript, makes available in English a wealth of historical material about Jewish family life of the period, religion in daily life, the plague of 1630-1631, crime and punishment, the influence of kabbalistic mysticism, and a host of other subjects. The translator, Mark R. Cohen, and four other distinguished scholars add commentary that places the work in historical and literary context. Modena describes his fascination with the astrology and alchemy that were important parts of the Jewish and general culture of the seventeenth century. He also portrays his struggle against poverty and against compulsive gambling, which, cleverly punning on a biblical verse, he called the "sin of Judah." In addition, the book contains accounts of Modena's sorrow over his three sons: the death of the eldest from the poisonous fumes of his own alchemical laboratory, the brutal murder of the youngest, and the exile of the remaining son. The introductory essay by Mark R. Cohen and Theodore K. Rabb highlights the significance of the work for early modern Jewish and general European history. Howard E. Adelman presents an up-to-date biographical sketch of the author and points the way toward a new assessment of his place in Jewish history. Natalie Z. Davis places Modena's work in the context of European autobiography, both Christian and Jewish, and especially explores the implications of the Jewish status as outsider for the privileged exploration of the self. A set of historical notes, compiled by Howard Adelman and Benjamin C. I. Ravid, elucidates the text.

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