Books about Viscountess from Amazon.com

Three women who share one fate: the Boleyn Inheritance

ANNE OF CLEVES: She runs from her tiny country, her hateful mother, and her abusive brother to a court ruled by the terror of a vengeful king who despises her. Her Boleyn Inheritance: accusations and false witness

KATHERINE HOWARD: She is in love -- but not with the diseased old man who made her queen and beds her night after night. Her Boleyn Inheritance: the threat of the axe.

JANE ROCHFORD: She is the Boleyn girl whose testimony sent her husband and sister-in-law to their deaths. Throughout Europe, her name is a byword for malice, jealousy, and twisted lust. Her Boleyn Inheritance: a fortune and a title, in exchange for her soul.

The Boleyn Inheritance is a novel drawn tight as a lute string about three women whose positions brought them wealth, admiration, and power as well as deceit, betrayal, and terror. Once again, Philippa Gregory is at her intelligent, page-turning best..
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In a life of extraordinary drama, Jane Boleyn was catapulted from relative obscurity to the inner circle of King Henry VIII. As powerful men and women around her became victims of Henry’s ruthless and absolute power, including her own husband and sister-in-law, Queen Anne Boleyn, Jane’s allegiance to the volatile monarchy was sustained and rewarded. But the price for her loyalty would eventually be her undoing and the ruination of her name. For centuries, little beyond rumor and scandal has been associated with “the infamous Lady Rochford.” But now historian Julia Fox sets the record straight and restores dignity to this much-maligned figure whose life and reputation were taken from her.

Born to aristocratic parents in the English countryside, young Jane Parker found a suitable match in George Boleyn, brother to Anne, the woman who would eventually be the touchstone of England’s greatest political and religious crisis. Once settled in the bustling, spectacular court of Henry VIII as the wife of a nobleman, Jane was privy to the regal festivities of masques and jousts, royal births and funerals, and she played an intimate part in the drama and gossip that swirled around the king’s court.

But it was Anne Boleyn’s descent from palace to prison that first thrust Jane into the spotlight. Impatient with Anne’s inability to produce a male heir, King Henry accused the queen of treason and adultery with a multitude of men, including her own brother, George. Jane was among those interrogated in the scandal, and following two swift strokes from the executioner’s blade, she lost her husband and her sister-in-law, her inheritance and her place in court society.

Now the thirty-year-old widow of a traitor, Jane had to ensure her survival and protect her own interests by securing land and income. With sheer determination, she navigated her way back into royal favor by becoming lady-in-waiting to Henry’s three subsequent brides, Jane Seymour, Anne of Cleves, and Catherine Howard. At last Jane’s future seemed secure–until an unwitting misstep involving the sexual intrigues of young Queen Catherine destroyed the life and reputation Jane worked so hard to rebuild.

Drawing upon her own deep knowledge and years of original research, Julia Fox brings us into the inner sanctum of court life, laced with intrigue and encumbered by disgrace. Through the eyes and ears of Jane Boleyn, we witness the myriad players of the stormy Tudor period. Jane emerges as a courageous spirit, a modern woman forced by circumstances to fend for herself in a privileged but vicious world..
Price: $8.94 [Notify me when price goes down.]

The prisoner stood with an expression of defiance The Marquess of Tannerton was drawn to this woman, so dignified in her plight. He didn't recognize her as the once innocent debutante he had danced with years ago..
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Clementina, Viscountess Hawarden (1822-1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden transformed the sitting room of her London residence into a photographic studio--a private space for taking surprising photos of her daughters in fancy dress. In Carol Mavor's hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.

With drama, wit, and verve, Lady Hawarden's girls, becoming women, entwine each other, their mirrored reflections and select feminine objects (an Indian traveling cabinet, a Gothic-style desk, a shell-covered box) as homoerotic partners. The resulting mise-en-scene is secretive, private, delicious, and arguably queer--a girltopia ripe with maternality and adolescent flirtation, as touching as it is erotic. Luxuriating in the photographs' interpretive possibilities, Mavor makes illuminating connections between Hawarden and other artists and writers, including Vermeer, Christina Rossetti, George Eliot, Lewis Carroll, and twentieth-century photographers Sally Mann and Francesca Woodman. Weaving psychoanalytic theory and other photographic analyses into her work, Mavor contemplates the experience of the photograph and considers the relationship of Hawarden's works to the concept of the female fetish, to voyeurism, mirrors and lenses, and twins and doubling. Under the spell of Roland Barthes, Mavor's voice unveils the peculiarities of the erotic in Lady Hawarden's images through a writerly approach that remembers and rewrites adolescence as sustained desire.

In turn autobiographical, theoretical, historical, and analytical, Mavor's study caresses these mysteriously ripped and scissored images into fables of sapphic love and the real magic of photography..
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The author of the bestseller "White Mischief" tells the story of the beautiful Langhorne sisters, who lived at the Pinnacle of high and powerful society from the end of the Civil War through the Second World War. Making their way across two continents, they left in their wakes rich husbands, fame, adoration, and scandal Lizzie, Irene, Nancy, Phyllis, and Nora were born in Virginia to a family impoverished by the Civil War. Their father remade his fortune by collaborating with the Yankees and building rail-roads; the sisters became southern belles and northern debutantes. James Fox draws on unpublished correspondence between the sisters and their husbands, lovers, children, and the powerful and glamorous of their day to construct a plural topography with the scope of a grand novel and the pace of a historical thriller. At its center is the most famous sister, Nancy, who married Waldorf Astor, one of the richest men in the world. Heroic, hilarious, magnetically charming, and a bully, Lady Astor became Britain's first female MP, championing women's rights and the poor. The beautiful Irene married Charles Dana Gibson and was the model for the Gibson Girl. The author's grandmother, Phyllis, married a famous economist, one of the architects of modern Europe. Fox has written an absorbing and spirited, intimate and sweeping account of extraordinary women at the highest reaches of society, their adventures set against the background of a tumultuous century..
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Edited by E. A. Finn. This Elibron Classics book is a facsimile reprint of a 1878 edition by C. Kegan Paul & Co., London..
Price: $32.99 [Notify me when price goes down.]

Edited by E. A. Finn. This Elibron Classics book is a facsimile reprint of a 1878 edition by C. Kegan Paul & Co., London..
Price: $31.99 [Notify me when price goes down.]