Books about Vladimir from Amazon.com

Despite its lascivious reputation, the pleasures of Lolita are as much intellectual as erogenous It is a love story with the power to raise both chuckles and eyebrows Humbert Humbert is a European intellectual adrift in America, haunted by memories of a lost adolescent love. When he meets his ideal nymphet in the shape of 12-year-old Dolores Haze, he constructs an elaborate plot to seduce her, but first he must get rid of her mother. In spite of his diabolical wit, reality proves to be more slippery than Humbert's feverish fantasies, and Lolita refuses to conform to his image of the perfect lover.

Playfully perverse in form as well as content, riddled with puns and literary allusions, Nabokov's 1955 novel is a hymn to the Russian-born author's delight in his adopted language. Indeed, readers who want to probe all of its allusive nooks and crannies will need to consult the annotated edition. Lolita is undoubtedly, brazenly erotic, but the eroticism springs less from the "frail honey-hued shoulders ... the silky supple bare back" of little Lo than it does from the wantonly gorgeous prose that Humbert uses to recount his forbidden passion:

She was musical and apple-sweet ... Lola the bobby-soxer, devouring her immemorial fruit, singing through its juice ... and every movement she made, every shuffle and ripple, helped me to conceal and to improve the secret system of tactile correspondence between beast and beauty--between my gagged, bursting beast and the beauty of her dimpled body in its innocent cotton frock.

Much has been made of Lolita as metaphor, perhaps because the love affair at its heart is so troubling. Humbert represents the formal, educated Old World of Europe, while Lolita is America: ripening, beautiful, but not too bright and a little vulgar. Nabokov delights in exploring the intercourse between these cultures, and the passages where Humbert describes the suburbs and strip malls and motels of postwar America are filled with both attraction and repulsion, "those restaurants where the holy spirit of Huncan Dines had descended upon the cute paper napkins and cottage-cheese-crested salads." Yet however tempting the novel's symbolism may be, its chief delight--and power--lies in the character of Humbert Humbert. He, at least as he tells it, is no seedy skulker, no twisted destroyer of innocence. Instead, Nabokov's celebrated mouthpiece is erudite and witty, even at his most depraved. Humbert can't help it--linguistic jouissance is as important to him as the satisfaction of his arrested libido. --Simon Leake.
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In the aftermath of the financial collapse of August 1998, it looked as if Russia's day as a superpower had come and gone. That it should recover and reassert itself after less than a decade is nothing short of an economic and political miracle.
Based on extensive research, including several interviews with Vladimir Putin, this revealing book chronicles Russia's dramatic reemergence on the world stage, illuminating the key reason for its rebirth: the use of its ever-expanding energy wealth to reassert its traditional great power ambitions. In his deft, informative narrative, Marshall Goldman traces how this has come to be, and how Russia is using its oil-based power as a lever in world politics. The book provides an informative overview of oil in Russia, traces Vladimir Putin's determined effort to reign in the upstart oil oligarchs who had risen to power in the post-Soviet era, and describes Putin's efforts to renationalize and refashion Russia's industries into state companies and his vaunted "national champions" corporations like Gazprom, largely owned by the state, who do the bidding of the state. Goldman shows how Russia paid off its international debt and has gone on to accumulate the world's third largest holdings of foreign currency reserves--all by becoming the world's largest producer of petroleum and the world's second largest exporter. Today, Vladimir Putin and his cohort have stabilized the Russian economy and recentralized power in Moscow, and fossil fuels (oil and natural gas) have made it all possible.
The story of oil and gas in Russia is a tale of discovery, intrigue, corruption, wealth, misguidance, greed, patronage, nepotism, and power. Marshall Goldman tells this story with panache, as only one of the world's leading authorities on Russia could..
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The classic nightmare tale in a thrilling new edition

Spawned by a nightmare that Stevenson had, this classic tale of the dark, primordial night of the soul remains a masterpiece of the duality of good and evil within us all..
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THE BOOK: On a trade trip to the Siberian taiga in search for the lost technique of pressing virgin cedar nut oil, the author witnessed incredible spiritual phenomena that compelled him to write a book. The run-away success of his first volume, self-published in 1996, made him into one of Russia's most widely read authors. His eight books published to date have sold over 10 million copies in Russian alone, and translated into 20 languages are believed to be a most significant masterpiece of Russian literature and one of the most important revelations in the history of humanity. The Ringing Cedars books have stirred the hearts and minds of countless people, showing a way to understand ourselves and to heal our planet. They possess an unprecedented power of transforming the life on our whole Earth for the better. Inspired by the Ringing Cedars, thousands of people are now planting trees, changing their lifestyle and, in search for a spiritual re-connection with the Earth, relocating to new eco-villages that are sprouting all over Russia and beyond. Thousands of people reading the Ringing Cedars books have felt a huge creative upsurge and started writing poetry and songs and even doing paintings. THE AUTHOR, Vladimir Megre, born in 1950, was a well-known entrepreneur from a Siberian city of Novosibirsk. In 1994 he heard a fascinating story about the power of "ringing cedars" from a Siberian elder and was one of the first to realize the commercial potential of Siberian cedar nuts and cedar nut oil. In 1995 he organized a trade expedition into the Siberian taiga to rediscover the lost technique of pressing health-giving virgin cedar nut oil. But his encounter with a Siberian woman Anastasia on this trip transformed him so deeply that he neglected his business and went to Moscow to write a book about the spiritual insights she shared with him..
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This book is a general account of the doctrine, worship and life of Orthodox Christians by the author of the now classic The Orthodox Church. It raises the basic issues of theology: God is hidden yet revealed; the problem with evil; the nature of salvation; the meaning of faith; prayer; death and what lies beyond. In so doing, it helps to fill the need for modern Orthodox catechism. Yet this book is not a mere manual, a dry-as-dust repository of information. Throughout the book, Bishop Kallistos Ware shows the meaning of Orthodox doctrine for the life of the individual Christian. Doctrinal issues are seen not as abstract propositions for theological debate but as affected the whole of life.

A wealth of texts drawn from theologians and spiritual writers of all ages accompanies Bishop Kallistos' presentation. They too reveal Orthodoxy not just as a system of beliefs, practices and customs but indeed as the Way..
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Even if you already own Nabokov's earthy, otherworldly account of his astounding life, you must buy this 1999 edition. And if you've never read Speak, Memory, you must do so at once. This volume is essential because it includes the unpublished last chapter, a pseudo-review comparing Speak, Memory with another, nonexistent memoir called When Lilacs Last. (That title refers to Whitman's poem on Lincoln's assassination and to the lilacs of Nabokov's childhood home) Chapter 16 is a key to what the imaginary reviewer accurately calls a "unique freak as autobiographies go," revealing its novel-like nature and unifying themes and images (chess, puzzles, spirals, jewels, rainbows, exile, the stained-glass shadow patterns that the future casts on the present). Maybe Nabokov thought he gave too much away, and one sees the formal superiority of ending the book with chapter 15. But the added essay is a gem that dazzles and illuminates.

You have to consult biographies like Brian Boyd's for the full, remarkable facts of Nabokov's life. A millionaire at 17 (his sister danced in Diaghilev gowns with Fabergé gems at the Winter Palace), repeatedly exiled, forced to bust out of one chrysalis after another into new lives, the writer retained only the infinite wealth of his memory and art. This book is a mosaic shaped by a mind so metaphorical that, as a babe, Nabokov perceived letters as colors, the alphabet as a rainbow.

The loss of his father is at Speak, Memory's core. This memoir is worth owning for a single paragraph alone, about the sight of Nabokov senior being tossed aloft by grateful peasants he'd been generous to--a dozen or so with locked arms flinging him up in a hip-hip-hooray ritual.

There, for an instant, the figure of my father in his wind-rippled white summer suit would be displayed, gloriously sprawled in midair.... Thrice, to the mighty heave-ho of his invisible tossers, he would fly up ... and then there he would be, on his last and loftiest flight, reclining, as if for good, against the cobalt blue of the summer noon, like one of those paradisiac personages who comfortably soar, with such a wealth of folds in their garments, on the vaulted ceiling of a church while below, one by one, the wax tapers in mortal hands light up to make a swarm of minute flames in the mist of incense, and the priest chants of eternal repose, and funeral lilies conceal the face of whoever lies there, among the swimming lights, in the open coffin.

Nabokov recaptures the paradise of his youth, and acquits himself of the coldness of which some accuse him. He plays literary games, but he plays for keeps. --Tim Appelo.
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