Books about Winogrand from Amazon.com

Back in Print The first comprehensive overview of the work of Garry Winogrand, long out of print and difficult to come by, contains an eloquent and important essay on the life and work of the photographer by John Szarkowski and a lavish plate section presenting the photographs thematically. Grouped under the following titles-- Eisenhower Years, The Street, Women, The Zoo, On the Road, The Sixties, Etc, The Fort Worth Fat Stock Show and Rodeo, Airport, and Unfinished Work-- many of the 179 plates are works that had never before been published. The last section includes 25 pictures chosen from the enormous body of work that Winogrand left unedited at the time of his death in 1984. In his essay, Szarkowski, who knew the photographer well during most of his career, describes the development of Winogrand's pictorial strategies during his years as a photojournalist, the increasing complexity of his motifs as he pursued more personal goals, and the challenge posed for other photographers by the powerful and distinctive authority of Winogrand's best work, "with its manic sense of a life balanced somewhere between animal high spirits and an apprehension of moral disaster.".
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[What Winogrand] has given us in these photographs is a unilateral report of how we behaved under pressure during a time of costumes and causes, and of how extravagantly, outrageously, and continuously we displayed what we wanted. --Tod Papageorge Public Relations is a distillation of a photographic project begun by Garry Winogrand in 1969 when he was awarded a Guggenheim Fellowship to photograph what he called "the effect of media on events." With his characteristic zeal, passion, spontaneity, and intensity, Winogrand photographed an array of public events including museum openings, press conferences, sports games, demonstrations, award ceremonies, a birthday party, and a moon shot. The photographs depict our emerging dependence on the media as well as how the media changes and sometimes even creates the event itself. First published to accompany a 1977 exhibition at The Museum of Modern Art, New York..
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If Garry Winogrand photographed everything, all the time, as he is famous for having done, his pictures of airports convey, despite their dated hair styles and clothing, the many still very familiar sights and spaces and sensations attached to air travel. Arriving at an airport, checking baggage, watching other travelers amble, walk, and sometimes rush by, luggage trailing and flailing and neatly rolling along, passengers waiting forever on those long rows of attached seats, friends and relatives greeting each other and saying goodbye: everything that happened and stills happens in these vast public spaces. Winogrand's airport photographs were taken over a period of 25 years, with the first frame shot around 1958 and the last in 1983, just months before his death. In Winogrand's archive at the Center for Creative Photography at the University of Arizona in Tucson, there are hundreds of contact sheets containing airport images, and over 1,100 prints of airplanes and airports that Winogrand made during his lifetime. Edited by Alex Harris, one of the first to publish selections from this body of work, in DoubleTake magazine in 1996, and longtime friend and colleague Lee Friedlander, The Airport Pictures of Garry Winogrand assembles 86 of the photographer's most compelling, never-before published images of travelers, flight attendants, airport waiting rooms, airplanes on runways, and all the people and places in between..
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The Center for Creative Photography, located in Arizona, is home to one of the largest and most eclectic photographic collections in the world. This publication offers a virtual guided tour of the center's extensive holdings, including a visit through the archives of some of the 20th century's most important North American photographers: Ansel Adams, Richard Avedon, Harry Callahan, Louise Dahl-Wolfe, Lee Friedlander, Tina Modotti, Beaumont & Nancy Newhall, Aaron Siskind, W. Eugene Smith, Paul Strand, Edward Weston, and Garry Winogrand. With scholarly commentary on artists' books, 19th-century travel photography, early 20th-century travel albums, and the CCP's collections of French, German, Japanese, Mexican, and Spanish photography, Original Sources is the most comprehensive introduction to one of photography's most treasured repositories..
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If family is often considered the backbone of civilization, it has undergone serious rethinking over the past few decades Most disciplines, from sociology to psychotherapy to economics, have had their turn at analyzing, theorizing and representing the family in all its many forms. In Family Ties, the relationships that bind families are explored via nearly 60 contemporary artists. Alice Neel paints mother daughter portraits; Nicholas Nixon photographs his wife and her three sisters every year for 25 years; Larry Fink documents the blue-collar Sabatines; Sanford Biggers and Jennifer Zackin, who grew up, respectively, in middle-class black Christian and white Jewish families, run parallel slide shows of their childhood Kodak moments; and Roger Shimomura renders pop images from the Japanese internment camps where his family spent part of his childhood. Published in conjunction with Peabody Essex Museum, Salem, Massachusetts and an exhibition opening there in June 2003. (Jun 21 - Sep 21.03).
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Street photography has a long and varied history, encompassing such artists as Walker Evans from the 1930s, Robert Frank from the 1950s, and Garry Winogrand from the 1970s, each of whom, along with other practitioners, siezed the medium as their own and extended it, creating something new. Open City brings together the work of 19 artists to examine the history of street photography over the course of the last half-century. It takes as its starting point photographers such as Lee Friedlander and William Klein, who were instrumental in the development of a radical new approach to documentary photography, aided by the increasing portablility of camera equipment. For these and subsequent artists, the street has continued to hold an inherent fascination as a theater of human activity. Open City reflects the diversity of the work stimulated by this revolution: from Terry Donovan's advertising and fashion photography, to Susan Meiselas's photographs of war-torn Nicaragua and Raghubir Singh's vibrant and colorful images of his native India. Color, now considered a key tool for photographers, has only in recent years been legitimized, in part thanks to the work of American photographer William Eggleston during the late 1970s. Open City also includes the work of a newer generation of photographers, including the Turner Prize-winning Wolfgang Tillmans, and examines the the way in which contemporary practice continues to react to and build upon the tradition of street photography..
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Garry Winogrand (1928-1984) was a native New Yorker whose photography epitomizes the indigenous pulse and social complexity of the urban scene after World War II. This collection of 175 photographs shot by Winogrand in a single year records an America in transition. Each picture is a strange, unforgettable surprise, documenting the artist's comedic, almost palpable empathy for his subjects, and crystallizing his influence as a photographic interpreter of the 1960s. Most of the images in this collection are previously unpublished..
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This digital document, covering the life and work of Garry Winogrand, is an entry from Contemporary Authors, a reference volume published by Thompson Gale. The length of the entry is 1343 words. The page length listed above is based on a typical 300-word page. Although the exact content of each entry from this volume can vary, typical entries include the following information:

• Place and date of birth and death (if deceased)
• Family members
• Education
• Professional associations and honors
• Employment
• Writings, including books and periodicals
• A description of the author's work
• References to further readings about the author

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Man beholds in the animal a part of himself and a proxy in his relation to the world; his art portrays them alternately as true friends, tools, dignified beings and monstrous beasts. There are innumerable occasions to photograph animals, for research and as trophies, to document the creatures one has grown fond of or has killed, to arouse emotions or to create a work of art. The Photographed Animal presents images from the medium's beginnings up to the present in a depth and variety never seen in one place before, each reflecting the circumstances in which it was made, whether a nineteenth century big-game hunt or a twenty-first century cat food commercial. This unique selection brings together work from the daguerreotype to modern publicity photographs, from amateur snapshots to the work of celebrated photographers including William Eggleston, Elliot Erwitt, Garry Winogrand and many others..
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