Books about Zelinsky from Amazon.com

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"The wheels on the bus go round and round.... All over town." This traditional song, a favorite of children everywhere, is adapted and illustrated by Paul O. Zelinsky, winner of the Caldecott Medal for his lush version of Rapunzel, and Caldecott honors for Rumpelstiltskin, Hansel and Gretel, and Swamp Angel. Fantastic paper engineering with movable parts, flaps, and wheels that spin makes this an interactive book that young readers will love to pieces (maybe literally!). Pull one tab to make the "wipers on the bus go swish swish swish," and another to see the "babies on the bus cry Waah! Waah! Waah!" On closer inspection, children will be tickled to discover several subtle and humorous subplots, as well as a full-circle finale: the last stop on the bus is at the Overtown public library, where the day's program includes a folk singer. Guess what he's singing!

Zelinsky's warm, inviting illustrations are a perfect match for this classic play rhyme. Children who have learned the hand motions to the song will enjoy helping the characters in the book enact their own roles. The back cover includes the musical notation for "The Wheels on the Bus," so everyone can sing along. (Ages 3 to 7) --Emilie Coulter.
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Paul O. Zelinsky, 1998 Caldecott medalist for Rapunzel, also has three Caldecott Honor Books under his belt: Hansel and Gretel, Swamp Angel, and this fine edition of Rumpelstiltskin. Zelinsky's oil paintings are perfectly suited to the strange saga of the little man with the secret name who knows how to spin straw into gold. The golden light infusing the late medieval setting subtly reinforces the theme.

The visual characterization of Rumpelstiltskin is a triumph: an odd elfin man with bulbous eyes, a gigantic, flat black hat, impossibly skinny arms and legs, and long, pointed black shoes. This Rumpelstiltskin is not scary or horrid, but rather mischievous and weird. When the young queen finally guesses his name, and thus is able to keep her baby, he flies off on his huge cooking spoon (with a pout), true to the Grimms's 1819 version of the story. (Zelinsky provides notes on his text in the back of the book, indicating his careful research into various editions of the original Grimm tale.) Zelinsky's retelling is straightforward and smooth, with only a few lines of text on each page to complement the truly magnificent full-page illustrations. A delightful book worth its weight in gold! (Ages 3 to 7)

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Lumphy is a stuffed buffalo. StingRay is a stuffed stingray. And Plastic .. well, Plastic isn't quite sure what she is. They all belong to the Little Girl who lives on the high bed with the fluffy pillows A very nice person to belong to.

But outside of the Little Girl's room things can be confusing. Like when Lumphy gets sticky with peanut butter on a picnic, why is he called "dirty"? Or when StingRay jumps into the bathtub, what will happen to her fur? And where in the house can they find the Little Girl a birthday present that she will love the most?

Together is best for these three best friends. Together they look things up in the dictionary, explore the basement, and argue about the meaning of life. And together they face dogs, school, television commercials, the vastness of the sea and the terrifying bigness of the washing machine.

With all the appeal of a classic, here are six linked stories form Emily Jenkins, and illustrated by Caldecott winning Paul O. Zelinsky that showcase the unforgettable adventures--and misadventures-- of three extraordinary friends..
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In older versions of the classic tale Rapunzel, it always seemed improbable that a grown man could scale a tower using only his beloved's hair. Not so in Paul O. Zelinsky's Caldecott Medal-winning version of Rapunzel. Here, Rapunzel's reddish-blonde mane is thick with waves and braids, and cascades like a waterfall down the walls of her isolation tower. In Zelinsky's able hands it's easy to believe that a prince would harbor no hesitations about scrambling up our fair heroine's hair.

Of course, this is not the work of an amateur--Zelinsky's lush versions of Hansel and Gretel, Rumpelstiltskin, and Swamp Angel all earned him Caldecott Honors. His gorgeous, Italian Renaissance-styled illustrations are characterized by warm golden tones and the mesmerizing sensation of trompe l'oeuil. Not only does he have the touch of a world-class illustrator, Zelinsky has also proven himself a master storyteller. We are frightened when the sorceress demands to take the baby Rapunzel, we are alarmed when the flowing locks are cruelly shorn, and we rejoice when the prince and his now modest-haired love are reunited. The notes at the back of Rapunzel reveal his careful scholarship regarding the long history of the story (tracing its origins and transformations from Italy to France and finally to Germany and the Grimm brothers)--work that no doubt contributed to his clean, compelling version of the age-old tale. Children will be captivated by the magical story and evocative pictures and adults will delight in the fresh feel of a well-loved legend. (Click to see a sample spread. Illustration © 1997 by Paul O. Zelinsky, published by Dutton Children's Books, a division of Penguin Putnam Books for Young Readers.) (Ages 4 and older).
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Caldecott Medal winner Paul O. Zelinsky's first moving-parts book since the best-selling Wheels on the Bus is a beauty. To the verses of "This Old Man," an ingenious visual narrative follows a young boy as he ventures outside. Along the way, children can push tabs, turn wheels, or lift flaps to see ten different old men pop out of hiding to play Knick-Knack. Children (and critics) agree that Knick-Knack Paddywhack! takes the interactive book to a new level of imagination.

€ Smithsonian magazine Notable Book for Children 2002
€ Parenting magazine Book of the Year
€ Newsweek magazine Top Pick for Kids
€ New York Times Best Illustrated Book for 2002
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The first Grimm tale illustrated by 1998 Caldecott medalist Paul O. Zelinsky is once again available in hardcover Originally published in 1984, Zelinsky's paintings for Hansel and Gretel are as compelling as his later work and will captivate readers with their mysterious beauty, emotional power, and brilliant originality. Each spread brings to life a world as rich and real as our own—detailed, colorful, sensual—yet filled with the unearthly shadowed magic of the Hansel and Gretel folktale. Whether portraying the fear and anguish of children abandoned by their parents, the delicious sumptuousness of a candy house, or the joy of being reunited with one's family, the artist captures the subtle nuances of emotion and the tactile quality of the physical world with exquisite accuracy and elegance. The hauntingly spare retelling of this perennial favorite by the poet Rika Lesser perfectly complements the vivid storytelling of Zelinsky's artwork. Once again this gifted artist gives us a unique interpretation of a beloved fairy tale, allowing us to both see it anew and rediscover its eternal truths. .
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LUMPHY, STINGRAY, AND Plastic are back! In this sequel to the hugely successful Toys Go Out, the lovable trio finds that their little girl has left for winter vacation and taken a box of dominoes, a stegosaurus puzzle, and two Barbie dolls—but not them. Could she have forgotten them?

As the girl starts to grow up, the three best friends must join together to brave a blizzard, save the toy mice from the vacuum, and make sure that they’ll always have the little girl’s love. (And they still have time to throw an all-out dance party with the washing machine!).
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Nearly a hundred years after its original publication, The Railway Children is still one of E. Nesbit's most beloved and delightful stories. Roberta, Peter, and Phyllis were very happy living in a comfortable house surrounded by a cook and servants and two loving parents, until one evening when there was a knock at the door and their father was mysteriously taken away by two men. Suddenly alone, their mother moves the family to a small cottage in the countryside. There, the children begin a series of exciting adventures, from saving a train filled with passengers from a landslide, to rescuing a baby from a fire, to aiding a penniless Russian exile, to eventually unraveling the mystery of their father's disappearance. Featuring a new jacket illustration by Caldecott medalist Paul O. Zelinsky, as well as all nineteen of the original black-and-white line drawings by C. E. Brock, this classic story is perfect for home and classroom libraries..
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On the day of her birth, nothing about Angelica Longrider suggested that she would one day become the greatest woodswoman of Tennessee. In fact, the newborn was "scarcely taller than her mother and couldn't climb a tree without help." It's not long, though, before Angelica is vanquishing varmints such as Thundering Tarnation, a huge bear with a taste for settlers' winter rations, and swallowing entire lakes in a gulp.

This tallest of tall tales is an original from an intriguing newcomer to children's books, Anne Isaacs. In the tradition of Paul Bunyan and Pecos Bill, the story of a self-sufficient, tornado-wielding, unflappable heroine lopes along at a perfect pace. Paul O. Zelinsky's folksy oil illustrations are painted on cherry, maple, or birch veneers, with old-fashioned frames; the extravagant and fanciful paintings have garnered the distinguished illustrator yet another Caldecott Honor. (Zelinsky has already received one Caldecott Medal for Rapunzel and two Caldecott Honors for Hansel and Gretel and Rumpelstiltskin.) The dry and fantastically far-fetched humor of the author-illustrator team will make readers of all ages feel as though Angelica herself has tossed 'em in the air so high that they are still on the way up at nightfall. (Ages 4 and older) --Emilie Coulter.
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