Books about Academia from Amazon.com

All students and professors need to write, and many struggle to finish their stalled dissertations, journal articles, book chapters, or grant proposals Writing is hard work and can be difficult to wedge into a frenetic academic schedule. In this practical, lighthearted and encouraging book, Paul J Silvia explains that writing productively doesnot require innate skills or special traits but specific tactics and actions. Drawing examples from his own field: psychology, he shows readers how to overcome motivational roadblocks and become prolific without sacrificing evenings, weekends and vactions. After describing strategies for writing productively, the author gives advise from the trenches on how to write, submit, revise, and resubmit articles: how to improve writing quality; and how to write and publish academic work..
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"Fifteen minutes!" you say. "That's too good to be true!" Okay, author Joan Bolker admits she gave her book the title Writing Your Dissertation in Fifteen Minutes a Day to get the reader's attention And she admits that it's unlikely you'll actually finish a dissertation at that speed. As she tells her clients, however, a mere 15 minutes is much better than no writing at all when they're stuck. As a clinical psychologist who cofounded the Harvard Writing Center, Bolker has helped hundreds of writers complete their dissertations. She offers suggestions on how to create a writing addiction so that you feel incomplete if you don't write every day and stresses the need to set reasonable goals and deadlines for yourself to keep from getting discouraged. She also offers strategies for dealing with both internal and external distractions and for fending off writer's block. Even more important is the advice on some of the more awkward issues related to dissertation writing, such as how to choose your adviser carefully. (For example, when faced with the tradeoff between a famous advisor who is inaccessible and a less famous advisor who is willing to make time for you, Bolker advises, "If choosing a politically advantageous, famous advisor makes it unlikely that you'll complete your degree, it's clearly not worth it.") The book even includes a helpful appendix for advisers that could become the basis for an honest discussion of what student and adviser can expect from each other. Throughout this excellent book, Bolker acts as a therapist, cheerleader, and drill sergeant, all rolled into one.

While some of the book's advice is of interest only to dissertation writers, much of the information--on battling writer's block, for instance--is valuable to anybody engaged in writing. Rather than being filled with rules defining how to become a great writer, Writing Your Dissertation in Fifteen Minutes a Day is about finding the process by which you can be the most productive--it's a set of exercises that you can use to find out more about you and the way you write. Along the way, you'll do a bit of writing. And that's what matters, especially when you experience writer's block--as Bolker says, "Write anything, because writing is writing." With its helpful advice and supportive tone, Writing Your Dissertation in Fifteen Minutes a Day should be required reading for anyone considering writing a dissertation. --C.B. Delaney.
Price: $7.00 [Notify me when price goes down.]

“Dazzling,” (People) “Exuberant,” (Vogue) “marvelously entertaining,” (The Dallas Morning News) Marisha Pessl’s mesmerizing debut has critics raving and heralds the arrival of a vibrant new voice in American fiction. At the center of this “cracking good read”4 is clever, deadpan Blue van Meer, who has a head full of literary, philosophical, scientific, and cinematic knowledge. But she could use some friends. Upon entering the elite St. Gallway school, she finds some—a clique of eccentrics known as the Bluebloods. One drowning and one hanging later, Blue finds herself puzzling out a byzantine murder mystery. Nabokov meets Donna Tartt (then invites the rest of the Western Canon to the party) in this novel—with “visual aids” drawn by the author—that has won over readers of all ages..
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First Jane Smiley came out of the comedy closet with Moo, a campus satire par excellence, and now Richard Russo has gotten in on the groves-of-academe game. Straight Man is hilarious sport, with a serious side. William Henry Devereaux Jr., is almost 50 and stuck forever as chair of English at West Central Pennsylvania University. It is April and fear of layoffs--even among the tenured--has reached mock-epic proportions; Hank has yet to receive his department budget and finds himself increasingly offering comments such as "Always understate necrophilia" to his writing students. Then there are his possible prostate problems and the prospect of his father's arrival. Devereaux Sr., "then and now, an academic opportunist," has always been a high-profile professor and a low-profile parent.

Though Hank tries to apply William of Occam's rational approach (choose simplicity) to each increasingly absurd situation, and even has a dog named after the philosopher, he does seem to cause most of his own enormous difficulties. Not least when he grabs a goose and threatens to off a duck (sic) a day until he gets his budget. The fact that he is also wearing a fake nose and glasses and doing so in front of a TV camera complicates matters even further. Hank tries to explain to one class that comedy and tragedy don't go together, but finds the argument "runs contrary to their experience. Indeed it may run contrary to my own." It runs decidedly against Richard Russo's approach in Straight Man, and the result is a hilarious and touching novel..
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In an author's note at the end of On Beauty, Zadie Smith writes: "My largest structural debt should be obvious to any E.M. Forster fan; suffice it to say he gave me a classy old frame, which I covered with new material as best I could." If it is true that imitation is the sincerest form of flattery, Forster, perched on a cloud somewhere, should be all puffed up with pride. His disciple has taken Howards End, that marvelous tale of class difference, and upped the ante by adding race, politics, and gender. The end result is a story for the 21st century, told with a perfect ear for everything: gangsta street talk; academic posturing, both British and American; down-home black Floridian straight talk; and sassy, profane kids, both black and white.

Howard Belsey is a middle-class white liberal Englishman teaching abroad at Wellington, a thinly disguised version of one of the Ivies. He is a Rembrandt scholar who can't finish his book and a recent adulterer whose marriage is now on the slippery slope to disaster. His wife, Kiki, a black Floridian, is a warm, generous, competent wife, mother, and medical worker. Their children are Jerome, disgusted by his father's behavior, Zora, Wellington sophomore firebrand feminist and Levi, eager to be taken for a "homey," complete with baggy pants, hoodies and the ever-present iPod. This family has no secrets--at least not for long. They talk about everything, appropriate to the occasion or not. And, there is plenty to talk about.

The other half of the story is that of the Kipps family: Monty, stiff, wealthy ultra-conservative vocal Christian and Rembrandt scholar, whose book has been published. His wife Carlene is always slightly out of focus, and that's the way she wants it. She wafts over all proceedings, never really connecting with anyone. That seems to be endemic in the Kipps household. Son Michael is a bit of a Monty clone and daughter Victoria is not at all what Daddy thinks she is. Indeed, Forster's advice, "Only connect," is lost on this group.

The two academics have long been rivals, detesting each other's politics and disagreeing about Rembrandt. They are thrown into further conflict when Jerome leaves Wellington to get away from the discovery of his father's affair, lands on the Kipps' doorstep, falls for Victoria and mistakes what he has going with her for love. Howard makes it worse by trying to fix it. Then, Kipps is granted a visiting professorship at Wellington and the whole family arrives in Massachusetts.

From this raw material, Smith has fashioned a superb book, her best to date. She has interwoven class, race, and gender and taken everyone prisoner. Her even-handed renditions of liberal and/or conservative mouthings are insightful, often hilarious, and damning to all. She has a great time exposing everyone's clay feet. This author is a young woman cynical beyond her years, and we are all richer for it. --Valerie Ryan.
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Advice for New Faculty Members: Nihil Nimus is a unique and essential guide to the start of a successful academic career. As its title suggests (nothing in excess), it advocates moderation in ways of working, based on the single-most reliable difference between new faculty who thrive and those who struggle. By following its practical, easy-to-use rules, novice faculty can learn to teach with the highest levels of student approval, involvement, and comprehension, with only modest preparation times and a greater reliance on spontaneity and student participation. Similarly, new faculty can use its rule-based practices to write with ease, increasing productivity, creativity, and publishability through brief, daily sessions of focused and relaxed work. And they can socialize more successfully by learning about often-misunderstood aspects of academic culture, including mentoring. Each rule in Advice for New Faculty Members has been tested on hundreds of new faculty and proven effective over the long run -- even in attaining permanent appointment. It is the first guidebook to move beyond anecdotes and surmises for its directives, based on the author's extensive experience and solid research in the areas of staff and faculty development. For new teachers..
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* Detailed information plus examples of successful practice
* Step-by-step guide to planning and implementing good design management
* Must-have for design students, architects, business managers, moreDesign Management considers the relationship between design and management and reveals how that relationship contributes to business. A clear, step-by-step guide to planning and implementing a project from conception to delivery, it focuses on the underlying strategy and process of good design management. Author Kathryn Best, a world-renowned authority, gives examples of successful practice from her own casebooks. Indispensable to design students and anyone involved in design management, marketing, media communications, and business study, as well as everyone interested in the balance between design and creativity, Design Management is an essential purchase..
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In this international bestseller, originally published in 1959, Jacques Barzun, acclaimed author of From Dawn to Decadence, takes on the whole intellectual -- or pseudo-intellectual -- world, attacking it for its betrayal of Intellect. "Intellect is despised and neglected," Barzun says, "yet intellectuals are well paid and riding high." He details this great betrayal in such areas as public administrations, communications, conversation and home life, education, business, and scholarship.

In this edition's new Preface, Jacques Barzun discussess the intense -- and controversial -- reaction the world had to The House of Intellect..
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