Books about Antiquity from Amazon.com



1491: New Revelations of the Americas Before Columbus
1491 is not so much the story of a year, as of what that year stands for: the long-debated (and often-dismissed) question of what human civilization in the Americas was like before the Europeans crashed the party. The history books most Americans were (and still are) raised on describe the continents before Columbus as a vast, underused territory, sparsely populated by primitives whose cultures would inevitably bow before the advanced technologies of the Europeans. For decades, though, among the archaeologists, anthropologists, paleolinguists, and others whose discoveries Charles C. Mann brings together in 1491, different stories have been emerging. Among the revelations: the first Americans may not have come over the Bering land bridge around 12,000 B.C. but by boat along the Pacific coast 10 or even 20 thousand years earlier; the Americas were a far more urban, more populated, and more technologically advanced region than generally assumed; and the Indians, rather than living in static harmony with nature, radically engineered the landscape across the continents, to the point that even "timeless" natural features like the Amazon rainforest can be seen as products of human intervention.

Mann is well aware that much of the history he relates is necessarily speculative, the product of pot-shard interpretation and precise scientific measurements that often end up being radically revised in later decades. But the most compelling of his eye-opening revisionist stories are among the best-founded: the stories of early American-European contact. To many of those who were there, the earliest encounters felt more like a meeting of equals than one of natural domination. And those who came later and found an emptied landscape that seemed ripe for the taking, Mann argues convincingly, encountered not the natural and unchanging state of the native American, but the evidence of a sudden calamity: the ravages of what was likely the greatest epidemic in human history, the smallpox and other diseases introduced inadvertently by Europeans to a population without immunity, which swept through the Americas faster than the explorers who brought it, and left behind for their discovery a land that held only a shadow of the thriving cultures that it had sustained for centuries before. --Tom Nissley

A 1491 Timeline

Europe and AsiaDatesThe Americas
25000-35000 B.C.Time of paleo-Indian migration to Americas from Siberia, according to genetic evidence. Groups likely traveled across the Pacific in boats.
Wheat and barley grown from wild ancestors in Sumer.6000
5000In what many scientists regard as humankind's first and greatest feat of genetic engineering, Indians in southern Mexico systematically breed maize (corn) from dissimilar ancestor species.
First cities established in Sumer.4000
3000The Americas' first urban complex, in coastal Peru, of at least 30 closely packed cities, each centered around large pyramid-like structures
Great Pyramid at Giza2650
32First clear evidence of Olmec use of zero--an invention, widely described as the most important mathematical discovery ever made, which did not occur in Eurasia until about 600 A.D., in India (zero was not introduced to Europe until the 1200s and not widely used until the 1700s)
800-840 A.D.Sudden collapse of most central Maya cities in the face of severe drought and lengthy war
Vikings briefly establish first European settlements in North America.1000
Reconstruction of Cahokia, c. 1250 A.D.*
Abrupt rise of Cahokia, near modern St. Louis, the largest city north of the Rio Grande. Population estimates vary from at least 15,000 to 100,000.
Black Death devastates Europe.1347-1351
1398Birth of Tlacaélel, the brilliant Mexican strategist behind the Triple Alliance (also known as the Aztec empire), which within decades controls central Mexico, then the most densely settled place on Earth.
The Encounter: Columbus sails from Europe to the Caribbean.1492The Encounter: Columbus sails from Europe to the Caribbean.
Syphilis apparently brought to Europe by Columbus's returning crew.1493
Ferdinand Magellan departs from Spain on around-the-world voyage.1519
Sixteenth-century Mexica drawing of the effects of smallpox**
Cortes driven from Tenochtitlán, capital of the Triple Alliance, and then gains victory as smallpox, a European disease never before seen in the Americas, kills at least one of three in the empire.
1525-1533The smallpox epidemic sweeps into Peru, killing as much as half the population of the Inka empire and opening the door to conquest by Spanish forces led by Pizarro.
1617Huge areas of New England nearly depopulated by epidemic brought by shipwrecked French sailors.
English Pilgrims arrive at Patuxet, an Indian village emptied by disease, and survive on stored Indian food, renaming the village Plymouth.1620
*Courtesy Cahokia Mounds State Historic Site, Collinsville, Ill., painting by Michael Hampshire. **Courtesy Museum of Indian Arts and Culture, Santa Fe, N.M. (Bernardino de Sahagún, Historia General de las Cosas de Nueva España, 1547-77).
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The Machu Picchu Guidebook: A Self-Guided Tour
This revised edition includes newly discovered sites. New photos and maps with full-color illustrations of real life scences from National Geographic Magazine..
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The 6 Sacred Stones: A Novel

THE END OF THE WORLD IS HERE

Unlocking the secret of the Seven Ancient Wonders was only the beginning ..

After their thrilling exploits in Matthew Reilly's rampaging New York Times bestseller, 7 Deadly Wonders, supersoldier Jack West Jr. and his loyal team of adventurers are back, and now they face an all-but-impossible challenge.

A mysterious ceremony in an unknown location has unraveled their work and triggered a catastrophic countdown that will climax in no less than the end of all life on Earth.

But there is one last hope.

If Jack and his team can find and rebuild a legendary ancient device known only as the "Machine," they might be able to ward off the coming armageddon. The only clues to locating this Machine, however, are held within the fabled Six Sacred Stones, long lost in the fog of history.

And so the hunt begins for the Six Sacred Stones and the all-important knowledge they possess, but in the course of this wild adventure Jack and his team will discover that they are not the only ones seeking the Stones and that there might just be other players out there who don't want to see the world saved at all.

From Stonehenge in England to the deserts of Egypt to the spectacular Three Gorges region of China, The 6 Sacred Stones will take you on a nonstop roller-coaster ride through ancient history, modern military hardware, and some of the fastest and most mind-blowing action you will ever read..
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Dragon Bones: A Red Princess Mystery (Red Princess Mysteries)
In a magnificent land where myth mixes treacherously with truth, one woman is in charge of telling them apart. Liu Hulan is the Inspector in China’s Ministry of Public Security whose tough style rousts wrongdoers and rubs her superiors the wrong way. Now her latest case finds her trapped between her country’s distant past and her own recent history.

The case starts at a rally for a controversial cult that ends suddenly in bloodshed, and leads to the apparent murder of an American archaeologist, which officials want to keep quiet. And haunting Hulan’s investigation is the possible theft of ancient dragon bones that might alter the history of civilization itself.

Getting to the bottom of ever-spiraling events, Hulan unearths more scandals, confronts more murderers, and revives tragic memories that shake her tormented marriage to its core. In the end, she solves a mystery as big, unruly, and complex as China itself..
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Alfred Kropp: The Thirteenth Skull (Alfred Kropp)

Alfred Kropp lost—then found—the legendary sword Excalibur Then he defeated King Paimon, arguably the nastiest of demons ever to roam the earth. What could possibly be in store for him now? Plenty. Not only is a dangerous new enemy tracking Alfred’s every move, even the people who have sworn to protect him no longer seem trustworthy. Who, or what, is "Sofia," and is there a connection between Sofia and the mysterious Thirteen Skull? The reluctant hero who has always narrowly avoided death may not be getting out of this adventure alive. Just right for fans of Alex Rider and Stephen King, this third installment in Rick Yancey’s acclaimed series is a compulsive page turner readers won’t soon forget.

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The Complete World of Greek Mythology
A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games.

This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed—their themes, their relevance to Greek religion and society, and their relationship to the landscape.

  • "Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.
  • "Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.
  • "The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.
  • "Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.
  • "Family sagas" explores the dramas and catastrophes that befall heroes and heroines.
  • "A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.
  • "Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.
Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks. 250 illustrations, 120 in color..
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Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage

Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders."

Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial.

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Egyptology
Discover the wonders of ancient Egypt through a fascinating journal from a lost expedition — a treasure trove of fact and fantasy featuring a novelty element on every spread.


Who can resist the allure of ancient Egypt — and the thrill of uncovering mysteries that have lain hidden for thousands of years? Not the feisty Miss Emily Sands, who in 1926, four years after the discovery of King Tut's tomb, led an expedition up the Nile in search of the tomb of the god Osiris. Alas, Miss Sands and crew soon vanished into the desert, never to be seen again. But luckily, her keen observations live on in the form of a lovingly kept journal, full of drawings, photographs, booklets, foldout maps, postcards, and many other intriguing samples. Here are just a few of EGYPTOLOGY's special features:

— an extravagantly gilded cover, featuring a raised Horus hawk pendant with three encrusted gems
— a playable game of Senet — ancient Egyptian checkers — including board, pieces, original-style dice, and rules
— a souvenir booklet showing how to read simple hieroglyphs
— a scrap of textured "mummy cloth"
— a facsimile of the gilded mummy mask of King Tut
— a gilded eye-of-Horus amulet with a "jewel" at the end

Rich with information about life in ancient Egypt and peppered with Miss Sands's lively narration, EGYPTOLOGY concludes with a letter from the former Keeper of Antiquities at the British Museum, explaining which parts of this unique tale may be accepted as fact, which are guided by legend, and which reflect the author's delightful sense of fancy..
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The Nature of Paleolithic Art
The cave paintings and other preserved remnants of Paleolithic peoples shed light on a world little known to us, one so deeply embedded in time that information about it seems unrecoverable While art historians have wrestled with these images and objects, very few scientists have weighed in on Paleolithic art as artifacts of a complex, living society. R. Dale Guthrie is one of the first to do so, and his monumental volume The Nature of Paleolithic Art is a landmark study that will change the shape of our understanding of these marvelous images.

With a natural historian's keen eye for observation, and as one who has spent a lifetime using bones and other excavated materials to piece together past human behavior and environments, Guthrie demonstrates that Paleolithic art is a mode of expression we can comprehend to a remarkable degree and that the perspective of natural history is integral to that comprehension. He employs a mix of ethology, evolutionary biology, and human universals to access these distant cultures and their art and artifacts. Guthrie uses innovative forensic techniques to reveal new information; estimating, for example, the ages and sexes of some of the artists, he establishes that Paleolithic art was not just the creation of male shamans.

With more than 3,000 images, The Nature of Paleolithic Art offers the most comprehensive representation of Paleolithic art ever published and a radical (and controversial) new way of interpreting it. The variety and content of these images—most of which have never been available or easily accessible to nonspecialists or even researchers—will astonish you. This wonderfully written work of natural history, of observation and evidence, tells the great story of our deepest past.
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The Jesus Mysteries: Was the "Original Jesus" a Pagan God?
“Whether you conclude that this book is the most alarming heresy of the millennium or the mother of all revelations, The Jesus Mysteries deserves to be read.”
-- Fort Worth Star -Telegram

What if . . .
* there were absolutely no evidence for the existence of a historical Jesus?
* for thousands of years Pagans had also followed a Son of God?
* this Pagan savior was also born of a virgin on the twenty-fifth of December before three shepherds, turned water into wine at a wedding, died and was resurrected, and offered his body and blood as a Holy Communion?
* these Pagan myths had been rewritten as the gospel of Jesus Christ?
* the earliest Gnostic Christians knew that the Jesus story was a myth?
* Christianity turned out to be a continuation of Paganism by another name?.
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