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The Lone Ranger and Tonto Fistfight in Heaven
When it was first published in 1993, The Lone Ranger and Tonto Fistfight in Heaven established Sherman Alexie as a stunning new talent of American letters. The basis for the award-winning movie Smoke Signals, it remains one of his most beloved and widely praised books. In this darkly comic collection, Alexie brilliantly weaves memory, fantasy, and stark realism to paint a complex, grimly ironic portrait of life in and around the Spokane Indian Reservation. These twenty-two interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and, most poetically, modern Indians and the traditions of the past. .
Price: $6.50
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On the Road: 50th Anniversary Edition
A 50th anniversary hardcover edition of Kerouac's classic novel that defined a generation Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac's classic novel of freedom and longing defined what it meant to be "beat" and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that "set them free." Based on Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose four cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naïveté and wild abandon, and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changed anyone who has ever picked it up. This hardcover edition commemorates the fiftieth anniversary of the first publication of the novel in 1957 and will be a must-have for any literature lover. Celebrating 50 Years of On the Road  | In three weeks in a Manhattan apartment in April 1951, Jack Kerouac wrote his first satisfactory draft of On the Road as a single, 120-foot scroll. On the Road: The Original Scroll prints the text of this remarkable literary artifact in book form. | |
|  | Why Kerouac Matters: The Lessons of On the Road (They're Not What You Think): John Leland, author of Hip: A History, argues that On the Road still matters not for its youthful rebellion but because it is full of lessons about how to grow up. | |
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From the back cover of On the Road: The Original Scroll: Jack Kerouac displaying one of his later scroll manuscripts, most likely The Dharma Bums | | | 
Kerouac's map of his first hitchhiking trip, July-October 1947 (click image to see the full map) | |
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Original New York Times review of On the Road (click image to see the full review) |
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Price: $8.98
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Make Love the Bruce Campbell Way
What you're reading right now is known as the “flap copy.” This is where the 72,444 words of my latest book, Make Love the Bruce Campbell Way, are cooked down to fit in a 3 ½-by-9 ½-inch column. But how does one do that with a fictional story about a B movie actor’s disastrous attempt to finally star in a big-budget Hollywood movie? Do you tantalize readers with snappy zingers like the one in chapter six where Biff the Wonder Boy says, “You may be bred in ol’ Kentucky, but you're only a crumb up here”? Or do you reveal pivotal plot points like the one at the end of the book where the little girl on crutches points an accusing finger and shouts, “The killer is Mr. Potter!” I have too much respect for you as an attention-deficient consumer to attempt such an obvious ruse. But let’s not play games here. You’ve already picked up the book, so you either: A. Know who I am B. Like the cool smoking jacket I’m wearing on the cover C. Have just discovered that the bookstore restroom is out of toilet paper Is this a relationship book? Well, if by “relationship book” you mean that the characters in it have relationships or are related to someone, then yes, absolutely. Will you learn how to pick up chicks? Good heavens, I can only hope so, though for best results in that department you should both read this book and be Brad Pitt. Is it a sequel to my autobiography, If Chins Could Kill: Confessions of a B Movie Actor? Sadly, no, which made it much harder to write. According to my publisher, I haven't “done” enough since 2001 to warrant another memoir. Is it an “autobiographical novel”? Yes. I'm the lead character in the story and I'm a real person and everything in the book actually happened, except for all the stuff that didn’t. Mostly, the action revolves around my preparations for a pivotal role in director Mike Nichols’s A-list relationship film Let's Make Love!, starring Richard Gere, Renée Zellweger, and Christopher Plummer. This is the kind of break most actors can only dream of. But my Homeric attempt to break through the glass ceiling of B-grade genre fare is hampered by a vengeful studio executive and a production that becomes infected by something called the “B movie virus,” symptoms of which include excessive use of cheesy special effects, slapstick, and projectile vomiting. When someone fingers me as the guy responsible for the virus, thus ruining my good standing in the entertainment industry (hey, I said it was fiction, okay?), I become a fugitive racing against the clock, an innocent patsy battling the shadowy forces of the studio system to clear my name, save my career, and destroy the Death Star. In a jaw-dropping twist worthy of Hitchcock (page 274), you'll gasp as I turn the tables on Hollywood and attempt to salvage my reputation in a town where you’re only as good as your last remake. From a violent fistfight with a Buddhist to a life-altering stint in federal prison, this novel has it all. If you like John Grisham, Tom Clancy, or one too many run-on sentences, you'll absolutely love Make Love the Bruce Campbell Way. And if the 72,444 words are too time-consuming, there are lots and lots of cool graphics. Regards, Bruce “Don't Call Me Ash” Campbell ~ Bruce Campbell's first book, If Chins Could Kill, was a major sleeper hit and became a New York Times and national bestseller. His immense energy and sharp wit are in evidence again in Make Love the Bruce Campbell Way, a novel that will have readers laughing out loud. .
Price: $5.49
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Junky: The Definitive Text of Junk (50th Anniversary Edition)
Before his 1959 breakthrough, Naked Lunch, an unknown William S. Burroughs wrote Junk, his first book, a candid, eyewitness account of times and places that are now long gone. This book brings them vividly to life again; it is an unvarnished field report from the American postwar underground. For this definitive 50th-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly re-created the author's original text, word by word, from archival typescripts. Here for the first time are Burroughs's own unpublished Introduction and an entire omitted chapter, along with many "lost" passages and auxiliary texts by Allen Ginsberg and others. Harris's comprehensive Introduction reveals the composition history of Junk's text and places its contents against a lively historical background..
Price: $7.98
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What Is Life?: with "Mind and Matter" and "Autobiographical Sketches"
Nobel laureate Erwin Schrödinger's What is Life? is one of the great science classics of the twentieth century. A distinguished physicist's exploration of the question which lies at the heart of biology, it was written for the layman, but proved one of the spurs to the birth of molecular biology and the subsequent discovery of the structure of DNA. The philosopher Karl Popper hailed it as a 'beautiful and important book' by 'a great man to whom I owe a personal debt for many exciting discussions'. It appears here together with Mind and Matter, his essay investigating a relationship which has eluded and puzzled philosophers since the earliest times. Schrodinger asks what place consciousness occupies in the evolution of life, and what part the state of development of the human mind plays in moral questions. Brought together with these two classics are Schrödinger's autobiographical sketches, published and translated here for the first time. They offer a fascinating fragmentary account of his life as a background to his scientific writings, making this volume a valuable additon to the shelves of scientist and layman alike..
Price: $10.00
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Prozac Nation
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The Berlin Stories: The Last of Mr. Norris and Goodbye to Berlin (New Directions Book)
Christopher Isherwood was a diverse writer whose accomplishments included The Mortmere Stories (Edward Upward Series), A Single Man and a translation of The Song of God (Bhagavad Gita). But many critics hailed The Berlin Stories, the reissue of two of his best novels, as his finest. In the book, a man named Christopher Isherwood, who is and is not the author, writes a story of exile, combining the best of Isherwood's real life with the best of the life he imagined..
Price: $8.89
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In Our Time
No writer has been more efficiently overshadowed by his imitators than Ernest Hemingway From the moment he unleashed his stripped-down, declarative sentences on the world, he began breeding entire generations of miniature Hemingways, who latched on to his subtractive style without ever wondering what he'd removed, or why. And his tendency to lapse into self-parody during the latter half of his career didn't help matters. But In Our Time, which Hemingway published in 1925, reminds us of just how fresh and accomplished his writing could be--and gives at least an inkling of why Ezra Pound could call him the finest prose stylist in the world. In his first commercially published book (following the small-press appearance of Three Stories and Ten Poems in 1924), Hemingway was still wearing his influences on his sleeve. The vignettes between each story smack of Gertrude Stein, whose minimalist punctuation and clodhopping rhythms he was happy to borrow. "My Old Man" sounds like Huck Finn on the Grand Tour: "Well, we went to live at Maisons-Lafitte, where just about everybody lives except the gang at Chantilly, with a Mrs. Meyers that runs a boarding house. Maisons is about the swellest place to live I've ever seen in all my life." But in the "The Battler" or "Indian Camp" or "Big Two-Hearted River," Hemingway finds his own voice, shunning the least hint of rhetorical inflation and sticking to just the facts, ma'am. His reluctance to traffic in high-flown abstraction has often been chalked up to postwar disillusion--as though he were too much of a simpleton to make deliberate stylistic decisions. Still, nobody can read "Soldier's Home" without drawing a certain connection between the two. Returning home to Oklahoma, the hero finds that his tales of combat are now a bankrupt genre: Even his lies were not sensational at the pool room. His acquaintances, who had heard detailed accounts of German women found chained to machine guns in the Argonne forest and who could not comprehend, or were barred by their patriotism from interest in, any German machine gunners who were not chained, were not thrilled by his stories. If we are to believe Michael Reynolds and Ann Douglas, this passage reflects the author's own dreary homecoming as a member of the lost generation. It's also a fine example of a surprisingly rare phenomenon, at least at this point in his career: Hemingway being funny. --James Marcus.
Price: $2.95
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The Sunroom
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