Books about Beacons from Amazon.com

Psychiatrist Viktor Frankl's memoir has riveted generations of readers with its descriptions of life in Nazi death camps and its lessons for spiritual survival. Between 1942 and 1945 Frankl labored in four different camps, including Auschwitz, while his parents, brother, and pregnant wife perished. Based on his own experience and the experiences of those he treated in his practice, Frankl argues that we cannot avoid suffering but we can choose how to cope with it, find meaning in it, and move forward with renewed purpose. Frankl's theory—known as logotherapy, from the Greek word logos ("meaning")—holds that our primary drive in life is not pleasure, as Freud maintained, but the discovery and pursuit of what we personally find meaningful.

At the time of Frankl's death in 1997, Man's Search for Meaning had sold more than 10 million copies in twenty-four languages. A 1991 reader survey by the Library of Congress and the Book-of-the-Month Club that asked readers to name a "book that made a difference in your life" found Man's Search for Meaning among the ten most influential books in America.

Born in Vienna in 1905 Viktor E. Frankl earned an M.D. and a Ph.D. from the University of Vienna. He published more than thirty books on theoretical and clinical psychology and served as a visiting professor and lecturer at Harvard, Stanford, and elsewhere. In 1977 a fellow survivor, Joseph Fabry, founded the Viktor Frankl Institute of Logotherapy. Frankl died in 1997.

Harold S. Kushner is rabbi emeritus at Temple Israel in Natick, Massachusetts, and the author of several best-selling books, including When Bad Things Happen to Good People.

William J. Winslade is a philosopher, lawyer, and psychoanalyst at the University of Texas Medical School in Galveston..
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"Red bird came all winter / firing up the landscape / as nothing else could." So begins Mary Oliver's twelfth book of poetry, and the image of that fiery bird stays with the reader, appearing in unexpected forms and guises until, in a postscript, he explains himself: "For truly the body needs / a song, a spirit, a soul. And no less, to make this work, / the soul has need of a body, / and I am both of the earth and I am of the inexplicable / beauty of heaven / where I fly so easily, so welcome, yes, / and this is why I have been sent, to teach this to your heart."

This collection of sixty-one new poems, the most ever in a single volume of Oliver's work, includes an entirely new direction in the poet's work: a cycle of eleven linked love poems—a dazzling achievement. As in all of Mary Oliver's work, the pages overflow with her keen observation of the natural world and her gratitude for its gifts, for the many people she has loved in her seventy years, as well as for her disobedient dog, Percy. But here, too, the poet's attention turns with ferocity to the degradation of the Earth and the denigration of the peoples of the world by those who love power. Red Bird is unquestionably Mary Oliver's most wide-ranging volume to date.

"Mary Oliver has done it again. She has assembled a collection of poems that is moving, intense and evocative in its engagement of the natural world. Yet this latest book by the Pulitzer Prize– and National Book Award–winner is distinctive among her 17 volumes for the dark undercurrent that runs through the poems . . . the hard lesson that this earth is fallen and fragile, now more than ever, and unless we learn to cherish the world, we will destroy it . . . The song Mary Oliver sings in Red Bird is the song she has always sung, but now more urgent, more needful, more true."
—Angela O'Donnell, America magazine, April 28, 2008

"Last April, Book Sense's poetry bestseller list included two titles by Billy Collins. This year the Top 5 can be summed up in six words: Mary Oliver, Mary Oliver, Mary Oliver. Oliver's impressive feat reflects both an enduring popularity and an unparalleled ability to touch readers on a deep, almost primal level."
—Elizabeth Lund, The Christian Science Monitor, April 15, 2008

"Mary Oliver celebrates the creatures she observes on Cape Cod in "Red Bird" (Beacon), her 17th book of poetry. A longtime resident of Provincetown, Oliver, at 72, is among the nation's most popular poets . . . Oliver's grief ripples through the book, as does an unwavering sense of gratitude for the moment, the memories, and her trusty dog, Percy."
—Jan Gardner, Boston Globe, April 13, 2008

"Mary Oliver is 70 years old and still 'in love with life' and 'still full of beans' as she notes in 'Self-Portrait.' She savors the ocean, visits a graveyard, salutes a red bird in winter, heeds the invitation of a group of goldfinches to attend their performance, and finds lessons in teachings of an owl and a mockingbird. We depend on this poet for her hallowings in the animal kingdoms. We look to her for a reverence that lifts up and celebrates the little things in nature."
—Frederic and Mary Ann Brussat, Spirituality & Practice, April 9, 2008

"In Red Bird, Oliver maintains the lyrical connection to the natural world that has made her work so popular. But in the new book she speaks even more loudly than usual against mankind's growing list of abuses of the planet, while celebrating such seemingly ordinary creatures as crows."
—Poets & Writers, March/April 2008

"One of few avidly read living poets, Oliver revels in the beauty of the living world, and takes to heart its lessons in patience and pleasure, cessation and renewal. As piercingly observant as ever in this substantial and forthright collection, Oliver is rhapsodic."
—Donna Seaman, Booklist, March 1, 2008

"Mary Oliver, who won the Pultizer Prize in poetry, is my choice for her joyous, accessible, intimate observations of the natural world . . . She teaches us the profound act of paying attention—a living wonder that makes it possible to appreciate all the others."
—Renee Loth, Boston Globe

"It has always seemed . . . that Mary Oliver might leave us any minute. Even a 1984 Pulitzer Prize couldn't pin her to the ground. She'd change quietly into a heron or a bear and fly or walk off forever."
—Susan Salter Reynolds, Los Angeles Times

"'My work is loving the world,' Oliver tells us . . . She has always done that work . . . in poems of considerable beauty. Now she rises, not above the world, but through it."
—Jay Parini, The Guardian.
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Gandhi's nonviolent struggles in South Africa and India had already brought him to such a level of notoriety, adulation, and controversy that when asked to write an autobiography midway through his career, he took it as an opportunity to explain himself. Although accepting of his status as a great innovator in the struggle against racism, violence, and, just then, colonialism, Gandhi feared that enthusiasm for his ideas tended to exceed a deeper understanding. He says that he was after truth rooted in devotion to God and attributed the turning points, successes, and challenges in his life to the will of God. His attempts to get closer to this divine power led him to seek purity through simple living, dietary practices (he called himself a fruitarian), celibacy, and ahimsa, a life without violence. It is in this sense that he calls his book The Story of My Experiments with Truth, offering it also as a reference for those who would follow in his footsteps. A reader expecting a complete accounting of his actions, however, will be sorely disappointed.

Although Gandhi presents his episodes chronologically, he happily leaves wide gaps, such as the entire satyagraha struggle in South Africa, for which he refers the reader to another of his books. And writing for his contemporaries, he takes it for granted that the reader is familiar with the major events of his life and of the political milieu of early 20th-century India. For the objective story, try Yogesh Chadha's Gandhi: A Life. For the inner world of a man held as a criminal by the British, a hero by Muslims, and a holy man by Hindus, look no further than these experiments. --Brian Bruya.
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The twenty-fifth-anniversary edition of the classic novel that has sold over 250,000 copies

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back again and again for Rufus, yet each time the stay grows longer and more dangerous until it is uncertain whether or not Dana's life will end, long before it has even begun.

"In Kindred Octavia Butler creates a road for the impossible, and a balm for the unbearable. It is everything the literature of science fiction can be."
—Walter Mosley

"[Kindred] is a shattering work of art with much to say about love, hate, slavery and racial dilemmas, then and now."
—Los Angeles Herald Examiner

"Truly terrifying. . . . A book you'll find hard to put down."
¯Essence

"Butler's books are exceptional. . . . She is a realist, writing the most detailed social criticism and creating some of the most fascinating female characters in the genre . . . real women caught in impossible situations."
¯The Village Voice

"Butler's literary craftsmanship is superb."—The Washington Post Book World.
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A world-renowned actress falls victim to a terrifying explosion in Paris—and begins a courageous journey of survival, memory, and self-discovery in Danielle Steel’s mesmerizing new novel.

Carole Barber has come to Paris, with its rain-slick slate roofs and winding streets, to work on her novel—and to find herself after a lifetime in the spotlight. A legend of film and stage, Carole has set a standard of beauty and grace, devoting herself to her family and causes around the world. But on this cool November evening, as her taxi speeds into a tunnel just past the Louvre, a fiery instant of terror shatters hundreds of lives—and leaves Carole alone, unconscious and unidentified in a Paris emergency room.

At the Ritz, they wonder where their famous, incognito guest has gone. From California to London, Carole’s friends and family begin to make inquiries. Then comes a moment of shock as they all realize that Carole is far from home and fighting for her life.

In the days that follow, the paparazzi swarm. A mysterious stranger, a man famous in his own realm, quietly visits the hospital to see the woman he once loved and never forgot. Carole’s two grown children rush to her bedside, waiting and praying—until the miraculous begins to happen.…But as a woman who the whole world knows slowly awakens, she knows nothing of herself. Every detail must be pieced back together—from a childhood in rural Mississippi to the early days of her career, from the unintentional hurt inflicted on her daughter to a fifteen year-old secret love affair that went tragically wrong. But for Carole an extraordinary opportunity has arisen in a life-threatening crisis: a second chance to count her blessings, heal wounded hearts, recapture lost love… and to live a life that will truly honor others—beginning with herself.

A tale of survival and dignity, of small miracles and big surprises,Honor Thyself creates an unforgettable portrait of a public figure whose hopes, fears, and heartbreaks are as real as our own. Her courageous journey inspires us all..
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Miracle of Mindfulness is a sly commentary on the Anapanasati Sutra, the Sutra on Breath to Maintain Mindfulness. "Sly" because it doesn't read like a dry commentary at all. One of Thich Nhat Hanh's most popular books, Miracle of Mindfulness is about how to take hold of your consciousness and keep it alive to the present reality, whether eating a tangerine, playing with your children, or washing the dishes. A world-renowned Zen master, Nhat Hanh weaves practical instruction with anecdotes and other stories to show how the meditative mind can be achieved at all times and how it can help us all "reveal and heal." Nhat Hanh is a master at helping us find a calm refuge within ourselves and teaching us how to reach out from there to the rest of the world. --Brian Bruya.
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But payback has its price, and the Sisterhood's last assignment almost landed them in jail. Now the women are fugitives with a bounty on their heads, but they're not planning on hiding out for long-not when good friends need the kind of help only they can give..
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Now in paperback: the national bestseller from the Pulitzer Prize–winning poet

"To read Thirst, Mary Oliver's most recent book of poems, is to feel gratitude for the simple fact of being alive." —Angela O'Donnell, America Magazine

Thirst, a collection of forty-three new poems from Pulitzer Prize–winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of her beloved partner of over forty years, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the first time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades.

"Mary Oliver moves by instinct, faith, and determination. She is among our finest poets, and still growing."
—Alicia Ostriker, The Nation

"It has always seemed, across her [many] books of poetry, . . . that Mary Oliver might leave us at any minute. Even a 1984 Pulitzer Prize couldn't pin her to the ground. She'd change quietly into a heron or a bear and fly or walk on forever."
—Susan Salter Reynolds, Los Angeles Times

"'My work is loving the world,' Oliver tells us….She has always done that work…in poems of considerable beauty. Now she rises, not above the world, but through it."
—Jay Parini, The Guardian, 10/6/2007

"Mary Oliver is, to my mind, one of the most gifted American poets working in English today. In her hands, the language acquires a lucidity approaching translucence; the accuracy of her vision and the precision of her voice are unique in their refreshing simplicity. Perhaps most singular is the tendency of her poems to be at once powerful and appealing; an affection for the natural world and a sympathy toward the reader abide."
—Katherine Hollander, Pleiades, Fall 2007

"To read Thirst is to feel gratitude for the simple fact of being alive. This is not surprising, as it is the effect [Oliver's] best work has produced in readers for the past 43 years."
—Angela O'Donnell, America magazine

"'My work is loving the world.' That first line of 'Messenger,' the first poem in Mary Oliver's new collection Thirst (Beacon Press), names what she does better than any other poet writing today. Just as Joan Didion's memoir The Year of Magical Thinking, which had a similar 'occasion,' was arguably her best work ever, so is Thirst Oliver's."
—Tim Pfaff, Bay Area Reporter, 1/11/07.
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A New York Times Bestseller and 2007 Book Sense Selection

Meredith Hall's moving but unsentimental memoir begins in 1965, when she becomes pregnant at sixteen. Shunned by her insular New Hampshire community, she is then kicked out of the house by her mother. Her father and stepmother reluctantly take her in, hiding her before they finally banish her altogether. After giving her baby up for adoption, Hall wanders recklessly through the Middle East. She returns to New England and stitches together a life that encircles her silenced and invisible grief. When he is twenty-one, her lost son finds her. Hall learns that he grew up in gritty poverty with an abusive father—in her own father's hometown. Their reunion is tender, turbulent, and ultimately redemptive. What sets Without a Map apart is the way in which loss and betrayal evolve into compassion, and compassion into wisdom.

"Hall emerges as a brave writer of tumultuous beauty."
—Alanna Nash, Entertainment Weekly

"First-time author Hall pens a haunting meditation on love, loss, and family . . . Hall colors outside the lines with this memoir, full of unexpected twists and turns."
—Caroline Leavitt, People (rated 4 out of 4 stars)

"Beautifully rendered."
—Elle (a nonfiction readers' pick)

"A modern-day Scarlet Letter."
—Susan Salter Reynolds, Los Angeles Times

"A poignant, unflinchingly assured memoir . . . exquisite."
—Robert Braile, Boston Globe

"Meredith Hall's magnificent book held me in its thrall from the moment I began reading the opening pages . . . a fluid, beautifully written, hard-won piece of work that belongs on the shelf next to the best modern memoirs."
—Dani Shapiro, author of Black and White

"An unusually elegant memoir that feels as though it's been carved straight out of Meredith Hall's capacious heart. The story is riveting, the words perfect."
—Lauren Slater, author of Welcome to My Country and Opening Skinner's Box

"Hall's memoir is a sobering portrayal of how punitive her close-knit New Hampshire community was in 1965 when, at the age of 16, she became pregnant in the course of a casual summer romance . . . Hall offers a testament to the importance of understanding and even forgiving the people who, however unconscious or unkind, have made us who we are."
—Francine Prose, O Magazine

"Meredith Hall's long journey from an inexcusably betrayed girlhood to the bittersweet mercies of womanhood is a triple triumph-of survival; of narration; and of forgiveness. Without a Map is a masterpiece."
—David James Duncan, author of The Brothers K and God Laughs and Plays

"Each chapter of Without a Map is polished and elegantly written . . . the structure is shapely and the book yields poignant insights."
—Juliet Wittman, Washington Post

"Hall's memoir, Without a Map, is a devastating story of what happens when a person is exiled from her own life."
—Frances Lefkowitz, Body + Soul

"I'm awed by Meredith Hall's wisdom and integrity, by her gorgeous prose that deepens my understanding of resilience and love, of loss and forgiveness. A courageous and brilliant memoir."
—Ursula Hegi, author of The Worst Thing I've Done

"Without a Map tells an important and perceptive story about loss, about aloneness and isolation in a time of great need, about a life slowly coming back into focus and the calm that finally emerges. Meredith Hall is a brave new writer who earns our attention."
—Annie Dillard, author of Pilgrim at Tinker Creek and For the Time Being

"Elegant pprosed make Without a Map an evocative, thought-provoking read. But Hall's heartrending candor on love, loss and hope turn this first-time author's book into a one-sided coversation among new friends."
—Jennifer DeCamp, St. Petersburg Times

"A compelling, painful, hopeful story."
—Barbara Jones, More Magazine

"Without a Map tells a stunning story of exile and ostracization . . . Her memoir is a rare and clear glimpse into the social mores of the mid '60s, and reveals the state of shame many families faced when an unmarried daughter became pregnant."
—Liz Bulkley, The Front Porch, NHPR

"An unbelievable read."
—Robin Young, Here and Now, NPR

"Meredith Hall's memoir is so well written that it was hard for me to accept that the book had to end."
—Tina Ristau, Des Moines Register

"Painfully honest and beautifully written . . . Meredith Hall has managed to distill courage from raw pain, and then somehow write this gem of a book about the experience . . . A stunning book . . . You must read it."
—Lola Furber, Maine Women's Journal

"Meredith Hall is like a Geiger counter ticking along the radium edge of these recent decades. She gives us self as expert witness—Without a Map is smart, sharp, and redemptively honest."
—Sven Birkerts, author of The Gutenberg Elegies and My Sky Blue Trades.
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New York Times bestselling author Lisa Jackson delivers her most harrowing novel yet as a young woman's determined hunt for a serial killer draws her into a twisted psychopath's unspeakable crimes.

Twenty-seven-year-old Kristi Bentz is lucky to be alive. Not many people her age have nearly died twice at the hands of a serial killer, and lived to tell about it. Her dad, New Orleans detective, Rick Bentz, wants Kristi to stay in New Orleans and out of danger. But if anything, Kristi's experiences have made her even more fascinated by the mind of the serial killer. She hasn't given up her dream of being a true-crime writer--of exploring the darkest recesses of evil--and now she just may get her chance.

Four girls have disappeared at All Saints College in less than two years. All four were "lost souls"--troubled, vulnerable girls with no one to care about them, no one to come looking if they disappeared. The police think they're runaways, but Kristi senses there's something that links them, something terrifying. She decides to enroll, following their same steps. All Saints has changed a lot since Kristi was an undergraduate. The stodgy Catholic college has lured edgy new professors to its campus and gained a reputation for envelope-pushing, with classes like the very popular "The Influence of Vampirism in Modern Culture and Literature," and elaborately staged morality plays that feel more like the titillating entertainment of some underground club than religious spectacles. And there are whispers of a dark cult on campus whose members wear vials of blood around their necks and meet in secret chambers--rituals to which only the elite have access. To find the truth, Kristi will need to become part of the cult's inner circle, to learn their secrets, and play the part of lost soul without losing herself in the process. It's a dangerous path, and Kristi is skating on its knife-thin edge.

The deeper she goes, the more Kristi begins to wonder if she is the hunter or the prey. She's certain she's being watched and followed--studied, even--as yet another girl disappears, and another. And when the bodies finally begin to surface--in ways that bring fear to the campus and terror to the hearts of even hardened cops like Detective Bentz and his partner Reuben Montoya--Kristi realizes with chilling clarity that she has underestimated her foe. She is playing a game with a killer more cunning and bloodthirsty than anyone can imagine, one who has personally selected her for membership in a cult of death from which there will be no escape..
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