Books about Blackmail from Amazon.com

Brianna Wyatt may be a victim of her father's machinations, but one look is all it takes for Cole Masters and Tyler Cannon to offer her their own style of minage a trois blackmail Brianna Wyatt's father is blackmailing her into doing what he wants by threatening to send her brother to an institution. She would do anything to keep that from happening, including go along with his demented scheme of her getting pregnant by Cole Masters--a man who's been rumored to share a woman with his best friend, and who leaves Brianna's innocent senses in shambles. Cole is sure he's about to be blackmailed-why else would a man whore his daughter? But there's something about her that neither Cole nor his best friend, Tyler Cannon, can deny. They want her, and don't hesitate for a second on making their own offer. Her brother's protection for her body. When danger flirts with Brianna's life, there is nothing they won't do to keep her safe. Including listening to what their hearts are saying. Warning: this title contains graphic language, hot, explicit sex, bondage, domination/submission and minage a trois and is not for the faint of heart!.
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"If you really loved me..."

"After all I've done for you..."

"How can you be so selfish .."

Do any of the above sound familiar? They're all examples of emotional blackmail, a powerful form of manipulation in which people close to us threaten to punish us for not doing what they want. Emotional blackmailers know how much we value our relationships with them. They know our vulnerabilities and our deepest secrets. They are our mothers, our partners, our bosses and coworkers, our friends and our lovers. And no matter how much they care about us, they use this intimate knowledge to give themselves the payoff they want: our compliance.

Susan Forward knows what pushes our hot buttons. Just as John Gray illuminates the communications gap between the sexes in Men Are from Mars, Women Are from Venus, and Harriet Lerner describes an intricate dynamic in The Dance of Anger, so Susan Forward presents the anatomy of a relationship damaged by manipulation, and gives readers an arsenal of tools to fight back. In her clear, no-nonsense style, Forward provides powerful, practical strategies for blackmail targets, including checklists, practice scenarios and concrete communications techniques that will strengthen relationships and break the blackmail cycle for good..
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John Grisham's novels have all been so systematically successful that it is easy to forget he is just one man toiling away silently with a pen, experimenting and improving with each book. While not as gifted a prose stylist as Scott Turow, Grisham is among the best plotters in the thriller business, and he infuses his books with a moral valence and creative vision that set them apart from their peers.

The Brethren is in many respects his most daring book yet. The novel grows from two separate subplots. In the first, three imprisoned ex-judges (the "brethren" in the title), frustrated by their loss of power and influence, concoct an elaborate blackmail scheme that preys on wealthy, closeted gay men. The second story traces the rise of presidential candidate Aaron Lake, a puppet essentially created by CIA director Teddy Maynard to fulfill Maynard's plans for restoring the power of his beleaguered agency.

Grisham's tight control of the two meandering threads leaves the reader guessing through most of the opening chapters how and when these two worlds will collide. Also impressive is Grisham's careful portraiture. Justice Hatlee Beech in particular is a fascinating, tragic anti-hero: a millionaire judge with an appointment for life who was rendered divorced, bankrupt, and friendless after his conviction for a drunk-driving homicide.

The book's cynical view of presidential politics and criminal justice casts a somewhat gloomy shadow over the tale. CIA director Teddy Maynard is an all-powerful demon with absolute knowledge and control of the public will and public funds. Even his candidate, Congressman Lake, is a pawn in Maynard's egomaniacal game of ad campaigns, illicit contributions, and international intrigue. In the end, The Brethren marks a transition in Grisham's career toward a more thoughtful narrative style with less interest in the big-payoff blockbuster ending. But that's not to say that the last 50 pages won't keep your reading light turned on late. --Patrick O'Kelley.
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