Books about Bourgeoisie from Amazon.com

Howards End is a novel by E. M. Forster, first published in 1910, which tells a story of class struggle in turn-of-the-century England The main theme is the difficulties, and also the benefits, of relationships between members of different social classes.

The book is about three families in England at the beginning of the twentieth century. The three families represent different gradations of the Edwardian middle class: the Wilcoxes, who are rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who represent the intellectual bourgeoisie and have a lot in common with the real-life Bloomsbury Group; and the Basts, a couple who are struggling members of the lower-middle class. The Schlegel sisters try to help the poor Basts and try to make the Wilcoxes less prejudiced. The motto of the book is "Only connect..."

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Tracing the shifting fortunes and changing character of New York City's economic elite over half a century, Sven Beckert brings to light a neglected--and critical--chapter in the social history of the U.S.: the rise of an American bourgeoisie. The Monied Metropolis is the first comprehensive history of New York's economic elite, the most powerful group in nineteenth-century America. Beckert explains how a small and diverse group of New Yorkers came to wield unprecedented economic, social, and political power from 1850 to the turn of the twentieth century. He reveals the central role of the Civil War in realigning New York's economic elite, and how the New York bourgeoisie reoriented its ideology during Reconstruction, abandoning the free labor views of the antebellum years for laissez-faire liberalism. Sven Beckert is the Dunwalke Associate at Harvard University. He is the recipient of several honors and fellowships, including the Aby Warburg Foundation prize for academic excellence, a MacArthur Dissertation Fellowship and a Andrew W. Mellon fellowship. This is his first book..
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Who, exactly, were the French bourgeoisie? Unlike the Anglo-Americans, who widely embraced middle-class ideals and values, the French--even the most affluent and conservative--have always rejected and maligned bourgeois values and identity

In this new approach to the old question of the bourgeoisie, Sarah Maza focuses on the crucial period before, during, and after the French Revolution, and offers a provocative answer: the French bourgeoisie has never existed. Despite the large numbers of respectable middling town-dwellers, no group identified themselves as bourgeois. Drawing on political and economic theory and history, personal and polemical writings, and works of fiction, Maza argues that the bourgeoisie was never the social norm. In fact, it functioned as a critical counter-norm, an imagined and threatening embodiment of materialism, self-interest, commercialism, and mass culture, which defined all that the French rejected.

A challenge to conventional wisdom about modern French history, this book poses broader questions about the role of anti-bourgeois sentiment in French culture, by suggesting parallels between the figures of the bourgeois, the Jew, and the American in the French social imaginary. It is a brilliant and timely foray into our beliefs and fantasies about the social world and our definition of a social class.

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When department stores like Le Bon March first opened their doors in mid-nineteenth-century Paris, shoppers were offered more than racks of ready-made frock coats and crinolines They were given the chance to acquire a lifestyle as well--that of the bourgeoisie. Wearing proper clothing encouraged proper behavior, went the prevailing belief. Available now for the first time in English, Fashioning the Bourgeoisie was one of the first extensive studies to explain a culture's sociology through the seemingly simple issue of the choice of clothing. Philippe Perrot shows, through a delightful tour of the rise of the ready-made fashion industry in France, how clothing can not only reflect but also inculcate beliefs, values, and aspirations. By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family. The consumer pastime of shopping was born, as women spent their spare hours keeping up their middle-class appearance, or creating one by judicious purchases. As Paris became the fashion capital and bourgeois modes of dress and their inherent attitudes became the ruling lifestyle of Western Europe and America, clothing and its "civilizing" tendencies were imported to non-Western colonies as well. In the face of what Perrot calls this "leveling process," the upper classes tried to maintain their stature and right to elegance by supporting what became the high fashion industry. Richly detailed, entertaining, and provocative, Fashioning the Bourgeoisie reveals to us the sources of many of our contemporary rules of fashion and etiquette. In the years between 1900 and 1930, American psychiatrists transformed their profession from a marginal science focused primarily on the care of the mentally ill into a powerful discipline concerned with analyzing the common difficulties of everyday life. How did psychiatrists effect such a dramatic change in their profession's fortunes and aims? How did their new cultural authority affect their relationship with their patients? How did they treat social workers, all of them women, who were striving to develop their own professional identities? In answering these questions, Elizabeth Lunbeck focuses on the revelatory ideas of gender that structured the new "psychiatry of the normal," a field that grew to take the whole world of human endeavor as its object. Lunbeck locates her study in early twentieth-century Boston, providing a vivid picture not only of the Boston Psychopathic Hospital, upon whose patient records she has drawn extensively, but also of the increasingly urbanized society that shaped its goals and practices. As she tells a variety of fascinating stories about individual patients, psychiatrists, and social workers, Lunbeck shows that early twentieth-century Boston offered psychiatrists a vast reservoir of material with which to work. Psychiatrists made strenuous attempts to deal with the treatment of syphilis and with other newly urgent social issues, such as immigration, poverty, delinquency, and drunkenness. More significantly they gained unprecedented entre into the "private" realm of the home. Lunbeck follows psychiatrists as they turned the problems they identified there--sexuality, marriage, relations between the sexes--into the stuff of their science. In the process, issues of gender and personal identity assumed a new prominence in psychiatric thought. Lunbeck's sweeping narrative, in fact, deals not just with the development of psychiatry but with the uncertain and often stormy advent of sexual modernity, a modernity that many have suggested was enabled by psychiatry. The new psychiatry would continue to deal with recognized mental illness, but the question of what and who was normal increasingly would engage the psychiatrist's interest. As an explanation of how this came to be so, this book will interest students of the history of psychiatry and of science, as well as those readers concerned with gender issues and the development of American culture in general. When department stores like Le Bon March first opened their doors in mid-nineteenth-century Paris, shoppers were offered more than racks of ready-made frock coats and crinolines. They were given the chance to acquire a lifestyle as well--that of the bourgeoisie. Wearing proper clothing encouraged proper behavior, went the prevailing belief. Available now for the first time in English, Fashioning the Bourgeoisie was one of the first extensive studies to explain a culture's sociology through the seemingly simple issue of the choice of clothing. Philippe Perrot shows, through a delightful tour of the rise of the ready-made fashion industry in France, how clothing can not only reflect but also inculcate beliefs, values, and aspirations. By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family. The consumer pastime of shopping was born, as women spent their spare hours keeping up their middle-class appearance, or creating one by judicious purchases. As Paris became the fashion capital and bourgeois modes of dress and their inherent attitudes became the ruling lifestyle of Western Europe and America, clothing and its "civilizing" tendencies were imported to non-Western colonies as well. In the face of what Perrot calls this "leveling process," the upper classes tried to maintain their stature and right to elegance by supporting what became the high fashion industry. Richly detailed, entertaining, and provocative, Fashioning the Bourgeoisie reveals to us the sources of many of our contemporary rules of fashion and etiquette. In the years between 1900 and 1930, American psychiatrists transformed their profession from a marginal science focused primarily on the care of the mentally ill into a powerful discipline concerned with analyzing the common difficulties of everyday life. How did psychiatrists effect such a dramatic change in their profession's fortunes and aims? How did their new cultural authority affect their relationship with their patients? How did they treat social workers, all of them women, who were striving to develop their own professional identities? In answering these questions, Elizabeth Lunbeck focuses on the revelatory ideas of gender that structured the new "psychiatry of the normal," a field that grew to take the whole world of human endeavor as its object. Lunbeck locates her study in early twentieth-century Boston, providing a vivid picture not only of the Boston Psychopathic Hospital, upon whose patient records she has drawn extensively, but also of the increasingly urbanized society that shaped its goals and practices. As she tells a variety of fascinating stories about individual patients, psychiatrists, and social workers, Lunbeck shows that early twentieth-century Boston offered psychiatrists a vast reservoir of material with which to work. Psychiatrists made strenuous attempts to deal with the treatment of syphilis and with other newly urgent social issues, such as immigration, poverty, delinquency, and drunkenness. More significantly they gained unprecedented entre into the "private" realm of the home. Lunbeck follows psychiatrists as they turned the problems they identified there--sexuality, marriage, relations between the sexes--into the stuff of their science. In the process, issues of gender and personal identity assumed a new prominence in psychiatric thought. Lunbeck's sweeping narrative, in fact, deals not just with the development of psychiatry but with the uncertain and often stormy advent of sexual modernity, a modernity that many have suggested was enabled by psychiatry. The new psychiatry would continue to deal with recognized mental illness, but the question of what and who was normal increasingly would engage the psychiatrist's interest. As an explanation of how this came to be so, this book will interest students of the history of psychiatry and of science, as well as those readers concerned with gender issues and the development of American culture in general..
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With the collapse of the Soviet system, the long-neglected history of the early capitalists is being recovered and rewritten Once regarded as the "losers" in the Russian Revolution, these merchants can now be seen as early pioneers in Russia's transformation to a free market economy. This book is the first joint Russian-American collaborative project on the history of Russian entrepreneurship. Merchant Moscow puts a human face on early Russian capitalism. It presents thematic groupings of historic photographs paired with commentaries by contemporary Russian and American historians. The pictures provide a stunning, wide-ranging visual portrait of Imperial Russia's most influential entrepreneurial elite, the Moscow merchantry, while the accompanying articles interpret the photographs and place them in the larger cultural context of prerevolutionary Russia. Here is a surprising new view of the bourgeoisie during the Silver Age, revealed for the first time in this fascinating volume.

The fourteen contributing historians selected and ordered photographs that best illustrate their specialized knowledge of the period. They have framed their topics in a variety of ways. Some have chosen to pursue traditional topics, such as collective biography, institutional history, or the history of business practices. Others have approached the photographs in more experimental ways, emphasizing the semiotics of dress, discourses of identity, or the history of daily life. Together they offer fresh perspectives on the successes and failures of Russia's first experiment with entrepreneurial capitalism..
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Dear Reader: Please enjoy this brief summary of Chasing the 400 and a sneak peek look at the first chapter Brief Summary: The oldest of 10 plumber's children, sassy and sexy Vera Marshall wants to leave her working class Main Line neighborhood and secure a place in 'the 400"-1950's Philadelphia's black bourgeoisie. When hired as a department store model, Vera thinks she's on her way. Bobby Marshall dreams of college and a life different than his father's. But will Ned Daniels, the snobby son of their town's only Negro doctor, ruin their plans? Join the Marshalls and a cast of characters as they chase 'the 400" all over Philadelphia and the Main Line, hoping that the game is worth the chase. Introduction to the sneak peek first chapter: I want to give you a sneak peak into my novel, Chasing the 400, so I've included here the first chapter. Hopefully, this look into the world of Vera and Bobby Marshall will interest you in reading the entire book. Because. If you've ever wanted to change your life so that the abundance of your reality matched the size of your dreams, then this is the book for you. If you've ever wanted to rise above your circumstances and live your dreams big-especially if people tell you that you can't-then this is the book for you. And, if you want characters that you can cheer for, laugh with, sympathize with, grow with, and even loathe, then this is the book for you This is a work of fiction that is squarely placed in the very real towns of Philadelphia and Ardmore in Pennsylvania. The characters are fictional, too, but bits and pieces of the Marshalls are lovingly drawn from my own family. I didn't grow up in the period that I write about, but I heard all sorts of stories from the members of my family who did. Chasing the 400 doesn't recreate their reality; it pays homage to it. I hope you find that homage well deserved. Enjoy my book, and let me know what you thought of it. I would love to hear from you. Please email me at sheilahvance@TheElevatorGroup.com or write me at PO Box 207, Paoli, PA 19301. Love, Peace, and God Bless, Sheilah Vance Now, Chapter 1:.
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