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Callimachus of Cyrene, 3rd century BCE, became after 284 a teacher of grammar and poetry at Alexandria He was made a librarian in the new library there and prepared a catalogue of its books. He died about the year 240. Of his large published output, only 6 hymns, 63 epigrams, and fragments survive (the fragments are in Loeb no. 421). The hymns are very learned and artificial in style; the epigrams are good (they are also in the Loeb Greek Anthology volumes).

Lycophron of Chalcis in Euboea was a contemporary of Callimachus in Alexandria where he became supervisor of the comedies included in the new library. He wrote a treatise on these and composed tragedies and other poetry. We possess Alexandra or Cassandra wherein Cassandra foretells the fortune of Troy and the besieging Greeks. This poem is a curiosity—a showpiece of knowledge of obscure stories, names, and words.

Aratus of Soli in Cilicia, ca. 315–245 BCE, was a didactic poet at the court of Antigonus Gonatas of Macedonia, where he wrote his famous astronomical poem Phaenomena (Appearances). He was for a time in the court of Antiochus I of Syria but returned to Macedonia. Phaenomena was highly regarded in antiquity; it was translated into Latin by Cicero, Germanicus Caesar, and Avienus.

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Callimachus of Cyrene, born ca. 310 BCE, after studying philosophy at Athens, became a teacher of grammar and poetry at Alexandria Ptolemy II Philadelphus of Egypt (reigned 285–247) made him when still young a librarian in the new library at Alexandria; he prepared a great catalogue of its books.

Callimachus was author of much poetry and many works in prose, but not much survives. His hymns and epigrams are given with works by Aratus and Lycophron in another volume (no. 129) of the Loeb Classical Library. In the present volume are included fragments of the Aetia (Causes), aetiological legends concerning Greek history and customs; fragments of a book of Iambi; 147 fragments of the epic poem Hecale, which described Theseus's victory over the bull which infested Marathon; and other fragments.

We have no explicit information about the poet Musaeus, author of the short epic poem on Hero and Leander, except that he is given in some manuscripts the title Grammatikos, a teacher learned in the rhetoric, poetry and philosophy of his time. He was obviously a follower of the Egyptian poet Nonnus of Panopolis, of the fifth century AD, and his poem seems also to presuppose the Paraphrase of the Psalms of Pseudo-Apollinarius which can be dated to the period 460–470.

Musaeus takes up a subject whose first detailed treatment is preserved in Ovid's Heroides (Epistles 18 and 19), but he presents it in a quite different manner. Among the literary antecedents to which this learned grammatikos expressly alludes, the most prominent are Books 5 and 6 of the Odyssey and Plato's Phaedrus. He draws too on the Hymns of Proclus and the Metaphrasis of the Gospel of St. John by Nonnus. He was most probably a Christian Neoplatonist writing a Christian allegory.

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In this carefully argued and stimulating study, the author investigates the era in which the written work - the book - superseded the assumption of oral composition and performance. In this and in other respects, as this study demonstrates, Hellenistic poets saw themselves as now being part of a new world, remote from the great genres and achievements of the earlier literary tradition. That sense of distance from the past gave authors freedom to experiment. At the same time, it incited them to view their poetic heritage as something deserving intense scholarly study. The author examines one fundamental result of this attitude, the Hellenistic tendency toward learned allusion, and what this meant to a period pursuing a different literary approach. The Well-Read Muse concludes with an analysis of Callimachus' Hymn to Delos as a paradigmatic instance of the play between present and past, tradition and originality that typified the age. Here the author sheds important light on the poet's choice not to make Apollo his theme, as his models had, but to focus rather on the diminutive, slender island, through which the god of song was born. Accompanied by a new Introduction by the author and corrections to the text and notes, as well as by an extensive bibliography and indices of passages and subjects discussed, The Well-Read Muse provides an important understanding of this turning point in Greek poetical development. There was no escaping the new world of which these poets were a part: Peter Bing's impressive work examines the ways in which poets confronted this new reality..
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Callimachus was one of the most important and influential writers in the ancient world. He was the outstanding poet of the Hellenistic period, and had a profound effect on the subsequent course of Greek and Roman literature. The hymns are intricate, allusive and difficult poetry, and need elucidation for the modern reader. Dr Hopkinson has established a new text of Callimachus' Sixth Hymn, The Hymn to Demeter, which is printed here with a facing English translation. In his thorough analysis of the poem it is the editor's aim to show how Callimachus adapts and borrows from Homer and other early poetry to form a new type of poetic diction. The introduction has full discussions of the poem's ritual setting, of its extraordinary inset narrative, and of Callimachus' treatment of dialect and metre. The extensive commentary elucidates difficulties in the text and treats critical, linguistic and stylistic points with reference to the Latin and later Greek hexameter writers. This is the first full edition of and commentary on the work in English. It will be welcomed by Greek scholars and those interested in Greek and Roman poetry..
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This important new verse translation of the extant works and major fragments of Callimachus includes a full Introduction, covering the poet's life and times, the range of his achievements, and the difficulties in the way of appreciation. It does not offer, as other translations do, a mere selection of fragments but presents them as integral parts of the poetry books in which they originally figured, as these can be reconstructed in the light of modern research. Each fragment is introduced in relation to what precedes and follows it, enabling students and general readers, for the first time ever, to assess what Callimachus was like in his most important productions. In addition to this introductory help, the Notes take up individual points of difficulty, all proper names and adjectives are explained in the Glossary, and comparative tables facilitate identification of the translated fragments in the standard editions..
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This broad study of the Hellenistic poets of the 3rd century B.C. provides a much needed picture of the poetry of the period while demonstrating its quality and vitality. Hutchinson explores the work of such writers as Theocritus, Callimachus, and Apollonius of Rhodes--developing a general conception of poetry that centers around the poets' handling of tone, level, and form--and offers a fresh analysis of the influence of Hellenistic poetry on that of Rome..
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This edition presents and examines in detail the Hecale of Callimachus, perhaps the most brilliant, imaginative, and enjoyable example of Greek poetry in Ptolemaic Alexandria. Set in Attica and full of local color, the poem describes how the hero Theseus was entertained by an old woman, Hecale, on the night before he captured the monstrous bull at Marathon. Drawing on important new discoveries, this edition contains the most complete and up-to-date collection of texts and testimonia on the Hecale and discusses allusions to and imitations of the poem in later Greek and Latin poetry..
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