Books about Castles from Amazon.com

Jeannette Walls's father always called her "Mountain Goat" and there's perhaps no more apt nickname for a girl who navigated a sheer and towering cliff of childhood both daily and stoically In The Glass Castle, Walls chronicles her upbringing at the hands of eccentric, nomadic parents--Rose Mary, her frustrated-artist mother, and Rex, her brilliant, alcoholic father. To call the elder Walls's childrearing style laissez faire would be putting it mildly. As Rose Mary and Rex, motivated by whims and paranoia, uprooted their kids time and again, the youngsters (Walls, her brother and two sisters) were left largely to their own devices. But while Rex and Rose Mary firmly believed children learned best from their own mistakes, they themselves never seemed to do so, repeating the same disastrous patterns that eventually landed them on the streets. Walls describes in fascinating detail what it was to be a child in this family, from the embarrassing (wearing shoes held together with safety pins; using markers to color her skin in an effort to camouflage holes in her pants) to the horrific (being told, after a creepy uncle pleasured himself in close proximity, that sexual assault is a crime of perception; and being pimped by her father at a bar). Though Walls has well earned the right to complain, at no point does she play the victim. In fact, Walls' removed, nonjudgmental stance is initially startling, since many of the circumstances she describes could be categorized as abusive (and unquestioningly neglectful). But on the contrary, Walls respects her parents' knack for making hardships feel like adventures, and her love for them--despite their overwhelming self-absorption--resonates from cover to cover. --Brangien Davis.
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Tabloid reporter Sierra McIntyre wants a scoop when she interviews Ghost Hunter Guild boss John Fontana about the disappearances of retired, homeless hunters. She doesn’t want to trust the physically and psychically powerful man, but her intuition—and her dust bunny companion—give her the green light. To uncover the conspiracy within his own organization, Fontana proposes…marriage. And though it’s purely a business arrangement, there’s nothing pure about the attraction that sizzles between them..
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Readers can’t get enough of the #1 New York Times bestselling author.

A favor for Jason, vampire hunter Anita Blake’s werewolf lover, puts her in the center of a fullblown scandal that threatens master-vampire Jean- Claude’s reign—and makes her a pawn in an ancient vampire queen’s new rise to power..
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The New York Times-bestselling author of Sizzle and Burn has a brand-new Arcane Society novel.

Ex-cop Luther Malone, lifelong member of the secretive paranormal organization known as the Arcane Society, is waiting to meet Grace Renquist. Hired as an aura-reading consultant in the quest for a murder suspect, she’s got zero field experience. She’s from tiny Eclipse Bay, Oregon. She’s a librarian, for heaven’s sake.

As for Grace, she’s not expecting much either from Malone, who walks with a cane and isn’t so good with a gun. Nice résumé for a bodyguard . . .

But even before they reach their hotel in Maui—where they’ll be posing as honeymooners—Grace and Luther feel the electric charge between them. Problem is, they need to remain vigilant day and night, because it soon becomes clear there’s more going on here. Rogue sensitives—operatives for the underground group Nightshade—are pouring into the luxury resort like there’s a convention. Grace recognizes those dark spikes in their auras. She saw the same pattern in someone else in another life—a life she hasn’t revealed to Luther or anyone else. And she understands how dangerous these people can be . . . especially with those para-hunters at their sides.

While the pair’s employers at Jones & Jones scramble to get them backup, Luther and Grace have to think on their feet. The criminals in their midst aren’t just high-level sensitives: They’ve enhanced their talents with a potent—and unpredictable— drug. And as Grace knows all too well, if you don’t control your powers, your powers will control you. . . ..
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Charmain Baker is in over her head. Looking after Great-Uncle William's tiny cottage while he's ill should have been easy. But Great-Uncle William is better known as the Royal Wizard Norland, and his house bends space and time. Its single door leads to any number of places—the bedrooms, the kitchen, the caves under the mountains, the past, and the Royal Mansion, to name just a few.

By opening that door, Charmain has become responsible for not only the house, but for an extremely magical stray dog, a muddled young apprentice wizard, and a box of the king's most treasured documents. She has encountered a terrifying beast called a lubbock, irritated a clan of small blue creatures, and wound up smack in the middle of an urgent search. The king and his daughter are desperate to find the lost, fabled Elfgift—so desperate that they've even called in an intimidating sorceress named Sophie to help. And where Sophie is, can the Wizard Howl and fire demon Calcifer be far behind?

Of course, with that magical family involved, there's bound to be chaos—and unexpected revelations.

No one will be more surprised than Charmain by what Howl and Sophie discover.

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In the second of the "Merlin Missions"--hardback additions to Mary Pope Osborne's Magic Tree House series--plucky heroes Jack and Annie must once again must travel back in time to rescue Camelot from looming danger.

One wonders why Merlin can't handle this sort of thing himself, but then of course we wouldn't get a chance to see Jack and Annie have another seat-of-the-pants adventure, getting mixed up with shape-shifting magic, armies of birds, a puzzling gem of power, and all sorts of other trouble. With the help of their old pal Teddy (Morgan le Fay's apprentice, last seen in dog form in four earlier Tree House stories), the two "Master Librarians and Magicians of Everyday Magic" must solve the mystery behind a castle full of ghosts and a menacing army of ravens. Not surprisingly, half the trouble comes in unraveling Merlin's riddles and helping Teddy use his rhyming magic correctly.

Osborne doesn't challenge readers overmuch (including the constant restatement of plot elements, perhaps worried that kids might otherwise forget or lose interest) and many parts of the story barely convince (like Teddy's "period" dialogue, e.g., "'Tis cool indeed"), but fans of the Magic Tree House will no doubt love another installment. (Ages 6 to 9) --Paul Hughes.
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In this provocative book, one of our most eminent political scientists questions the extent to which the American Constitution furthers democratic goals. Robert Dahl reveals the Constitution's potentially antidemocratic elements and explains why they are there, compares the American constitutional system to other democratic systems, and explores how we might alter our political system to achieve greater equality among citizens. In a new chapter for this second edition, he shows how increasing differences in state populations revealed by the Census of 2000 have further increased the veto power over constitutional amendments held by a tiny minority of Americans. He then explores the prospects for changing some important political practices that are not prescribed by the written Constitution, though most Americans may assume them to be so..
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New York Times–bestselling author Amanda Quick’s new Arcane Society novel reveals the passionate— and paranormal—secrets of proper Victorian London.

Called “supremely addictive” by Booklist, the Arcane Society novels, written under both the Amanda Quick and Jayne Ann Krentz names, have pulled readers into a saga filled with steamy romance, drama, and dark intrigue. Her newest novel promises to mesmerize as well.

Leona Hewitt, disguised in men’s formal evening clothes, has secretly made her way into Lord Delbridge’s private museum to retrieve a relic stolen from her family. But someone else is in the dimly lit gallery on the same errand: a tall, blackcloaked man whose very voice is enough to cause her to fall into a trance.

Thaddeus Ware, a mesmerist with psychic gifts, is accustomed to fearful reactions from others—women, in particular. After all, a man who can control the minds of others could rob a lady of her virtue—completely unbeknownst to her. But Leona shows no trace of hysteria in his presence. A gifted crystal worker, she exerts a rather hypnotic power over the hypnotist himself. And she is determined to keep the coveted crystal they manage to recover by giving him the slip at a run-down London inn.

Thaddeus, on assignment for the Arcane Society, knows the menace Leona is courting by absconding with the crystal. A source of remarkable energy, it holds the potential for great destruction. Lord Delbridge has already killed to acquire the crystal, his key to membership in the elite, shadowy group known as the Third Circle. And, with the help of a ruthless hunter of preternatural skill—dubbed the Midnight Monster by the press—Delbridge intends to find Leona. With the stolen crystal in their possession, the danger is only beginning..
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Known in his lifetime primarily to readers of science fiction, Philip K. Dick (1928-82) is now seen as a uniquely visionary figure, a writer who, in editor Jonathan Lethem's words, "wielded a sardonic yet heartbroken acuity about the plight of being alive in the twentieth century, one that makes him a lonely hero to the readers who cherish him." Posing the questions "What is human?" and "What is real?" in a multitude of fascinating ways, Dick produced works-fantastic and weird yet developed with precise logic, marked by wild humor and soaring flights of religious speculation-that are startlingly prescient imaginative responses to 21st-century quandaries.

This Library of America volume brings together four of Dick's most original novels. The Man in the High Castle (1962), which won the Hugo Award, describes an alternate world in which Japan and Germany have won World War II and America is divided into separate occupation zones. The dizzying The Three Stigmata of Palmer Eldritch (1965) posits a future in which competing hallucinogens proffer different brands of virtual reality. Do Androids Dream of Electric Sheep? (1968), about a bounty hunter in search of escaped androids in a postapocalyptic future, was the basis for the movie Blade Runner. Ubik (1969), with its future world of psychic espionage agents and cryogenically frozen patients inhabiting an illusory "half-life," pursues Dick's theme of simulated realities and false perceptions to ever more disturbing conclusions. As with most of Dick's novels, no plot summary can suggest the mesmerizing and constantly surprising texture of these astonishing books..
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