Books about Cathedrals from Amazon.com

Ken Follett had long been a staple of the bestseller lists for his novels of intrigue and espionage Then came The Pillars of the Earth, a grand novel of epic storytelling that readers and critics quickly hailed as his crowning achievement. Now, The Pillars of the Earth is available for the first time to a new audience of readers, in this attractive new trade paperback edition.

In 12th-century England, the building of a mighty Gothic cathedral signals the dawn of a new age. This majestic creation will bond clergy and kings, knights and peasants together in a story of toil, faith, ambition and rivalry. A sweeping tale of the turbulent middle ages, The Pillars of the Earth is a masterpiece from one of the world's most popular authors.

"A novel of majesty and power...Will hold you, fascinate you, surround you." --Chicago Sun-Times

"A towering tale...There's murder, arson, treachery, torture, love, and lust...A good time can be had by all." --New York Daily News

"Touches all human emotions...truly a novel to get lost in." --Cosmopolitan.
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Filippo Brunelleschi's design for the dome of the cathedral of Santa Maria del Fiore in Florence remains one of the most towering achievements of Renaissance architecture. Completed in 1436, the dome remains a remarkable feat of design and engineering. Its span of more than 140 feet exceeds St Paul's in London and St Peter's in Rome, and even outdoes the Capitol in Washington, D.C., making it the largest dome ever constructed using bricks and mortar. The story of its creation and its brilliant but "hot-tempered" creator is told in Ross King's delightful Brunelleschi's Dome.

Both dome and architect offer King plenty of rich material. The story of the dome goes back to 1296, when work began on the cathedral, but it was only in 1420, when Brunelleschi won a competition over his bitter rival Lorenzo Ghiberti to design the daunting cupola, that work began in earnest. King weaves an engrossing tale from the political intrigue, personal jealousies, dramatic setbacks, and sheer inventive brilliance that led to the paranoid Filippo, "who was so proud of his inventions and so fearful of plagiarism," finally seeing his dome completed only months before his death. King argues that it was Brunelleschi's improvised brilliance in solving the problem of suspending the enormous cupola in bricks and mortar (painstakingly detailed with precise illustrations) that led him to "succeed in performing an engineering feat whose structural daring was without parallel." He tells a compelling, informed story, ranging from discussions of the construction of the bricks, mortar, and marble that made up the dome, to its subsequent use as a scientific instrument by the Florentine astronomer Paolo Toscanelli. --Jerry Brotton, Amazon.co.uk.
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Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this time, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?

Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason.

By embedding the cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true "first renaissance," one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon.

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At last: The international bestseller— which has already sold nearly 2 million copies worldwide—comes to America!

Cathedral of the Sea, Ildefonso Falcones’s mesmerizing historical novel about medieval Barcelona, was Spain’s #1 bestseller for a full year. Rights have sold in thirtytwo countries to date, and comparisons to Ken Follett’s The Pillars of the Earth are being made. Who better to bring you this international sensation than Follett’s own publisher?

Cathedral of the Sea follows the fortunes of the Estanyol family, from their peasant roots to a son, Arnau, who flees the land only to realize spectacular wealth and devastating problems. During Arnau’s lifetime Barcelona becomes a city of light and darkness, dominated by the construction of the city’s great pride—the cathedral of Santa Maria del Mar—and by its shame, the deadly Inquisition. A s a young man, Arnau joins the powerful guild of stone-workers and helps to build the church with his own hands, while his best friend and adopted brother Joan studies to become a priest. When Arnau, who secretly loves a forbidden Jewish woman named Mar, is betrayed and hauled before the Inquisitor, he finds himself faceto- face with his own brother. Will he lose his life just as his beloved Cathedral of the Sea is finally completed?

An unforgettable fresco of a golden age in fourteenth-century Barcelona, Cathedral of the Sea is a story of friendship and revenge, of love and war..
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The Gothic cathedral is one of humanity's greatest masterpieces--an architectural feast that couldn't help but attract the attention of renowned author-illustrator David Macaulay. Once an architectural student at the Rhode Island School of Design, Macaulay glories in the intricacies and beauty of structure, as evidenced in his masterful pen-and-ink drawings in critically acclaimed children's books such as Castle, Pyramid, and Rome Antics. He begins Cathedral in 1252, when the people of a fictitious French town named Chutreaux decide to build a cathedral after their existing church is struck by lightning. We first meet the craftspeople, then examine the tools, study their cathedral plans, and watch the laying of the foundation. Week by week we witness the construction of this glorious temple to God. Macaulay intuitively hones in on the details about which we are the most curious: How were those enormously high ceilings built and decorated? How were those 60-foot-high windows made and installed in the 13th century? And how did people haul those huge, heavy bells up into the skyscraper-high towers? Thanks to Macaulay's thorough, thoughtful tribute to the Gothic cathedral, not a stone, turret, or pane of stained glass is left unexamined or unexplained. (Ages 9 and older) --Gail Hudson.
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St. Patrick's Day, New York City. Everyone is celebrating, but everyone is in for the shock of his life. Born into the heat and hatred of the Northern Ireland conflict, IRA man Brian Flynn has masterminded a brilliant terrorist act the seizure of Saint Patrick's Cathedral. Among his hostages: the woman Brian Flynn once loved, a former terrorist turned peace activist. Among his enemies: an Irish-American police lieutenant fighting against a traitor inside his own ranks and a shadowy British intelligence officer pursuing his own cynical, bloody plan. The cops face a booby-trapped, perfectly laid out killing zone inside the church. The hostages face death. Flynn faces his own demons, in an electrifying duel of nerves, honor, and betrayal.......
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It was morning in America when Raymond Carver's Cathedral came out in 1983, but the characters in this dry collection of short stories from the forgotten corners of land of opportunity didn't receive much sunlight. Nothing much happens to the subjects of Carver's fiction, which is precisely why they are so harrowing: nothingness is a daunting presence to overcome. And rarely do they prevail, but the loneliness and quiet struggle the characters endure provide fertile ground for literary triumph, particularly in the hands of Carver, who was perhaps in his best form with this effort..
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It may be foolish to consider Eric Raymond's recent collection of essays, The Cathedral and the Bazaar, the most important computer programming thinking to follow the Internet revolution. But it would be more unfortunate to overlook the implications and long-term benefits of his fastidious description of open-source software development considering the growing dependence businesses and economies have on emerging computer technologies.

The Cathedral and the Bazaar takes its title from an essay Raymond read at the 1997 Linux Kongress. The essay documents Raymond's acquisition, re-creation, and numerous revisions of an e-mail utility known as fetchmail. Raymond engagingly narrates the fetchmail development process while elaborating on the ongoing bazaar development method he uses with the help of volunteer programmers. The essay smartly spares the reader from the technical morass that could easily detract from the text's goal of demonstrating the efficacy of the open-source, or bazaar, method in creating robust, usable software.

Once Raymond has established the components and players necessary for an optimally running open-source model, he sets out to counter the conventional wisdom of private, closed-source software development. Like superbly written code, the author's arguments systematically anticipate their rebuttals. For programmers who "worry that the transition to open source will abolish or devalue their jobs," Raymond adeptly and factually counters that "most developer's salaries don't depend on software sale value." Raymond's uncanny ability to convince is as unrestrained as his capacity for extrapolating upon the promise of open-source development.

In addition to outlining the open-source methodology and its benefits, Raymond also sets out to salvage the hacker moniker from the nefarious connotations typically associated with it in his essay, "A Brief History of Hackerdom" (not surprisingly, he is also the compiler of The New Hacker's Dictionary). Recasting hackerdom in a more positive light may be a heroic undertaking in itself, but considering the Herculean efforts and perfectionist motivations of Raymond and his fellow open-source developers, that light will shine brightly. --Ryan Kuykendall.
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Historians, write Frances and Joseph Gies, have long tended to view the Middle Ages as a period of intellectual and scientific stagnation, a long era of backwardness, ignorance, and inertia. Many scholars of the Renaissance era, however, thought otherwise; the mathematician Jerome Cardan, for one, held that three medieval inventions--the magnetic compass, the printing press, and gunpowder--were of such significance that "the whole of antiquity has nothing equal to show."

In their lively history of medieval technology, the Gies team writes of such advances as the heavy plow, the Gothic flying buttress, linen undergarments, water pumps, and the lateen sail. During the medieval millennium, they suggest, a great technological and social revolution occurred "with the disappearance of mass slavery, the shift to water- and wind-power, the introduction of the open-field system of agriculture, and the importation, adaptation, or invention of an array of devices, from the wheelbarrow to double-entry bookkeeping." Many of those inventions or adaptations, brought into Europe from China and the Middle East, have scarcely been improved on today.

The medieval technological revolution, the authors conclude, came at a cost: much of Europe was deforested to make room for cropland and to fire kilns and furnaces, and mechanization made obsolete many handicraft skills. Yet, they add, the workers and inventors of the Middle Ages "all transformed the world, on balance very much to the world's advantage." --Gregory McNamee.
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