Books about Color but from Amazon.com

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Olives, trees, pickles, peas . . . What do they have in common? All of them are green! In her debut picture book, Laurie Rosenwald explores the world of color through humorous poetry and dynamic collages. Pink flamingos aspire to be ballerinas, yellow taxis screech to a halt at red stop signs, and black cats relax with the morning crossword puzzle.

More than just an introduction to basic colors, this book shows how colors interact and enrich our everyday lives. Clever rhyming text and bold, graphic illustrations are sure to make this book a favorite read-aloud..
Price: $6.75 [Notify me when price goes down.]

Born into slavery, Elizabeth Hobbs Keckley (ca. 1824-1907) rose to a position of respect as a talented dressmaker and designer to the political elite of Washington, D.C., and a confidante of First Lady Mary Todd Lincoln. In this unusual memoir, Keckley offers a rare, behind-the-scenes view of the formal and informal networks that African Americans established among themselves, as well as an insider's perspective of the men who made Civil War politics and the women who influenced them.

As an enslaved young woman, Keckley was moved to the rough frontier city of St. Louis, where she began working as a modiste, or dress designer. She eventually was able to buy her freedom and went to Washington, D.C., where she established herself as modiste to some of the wives and daughters of high-level politicians and officers. Before long, she was supplying not only beautiful clothing but also a sympathetic ear to Mary Todd Lincoln.

Keckley's descriptions of the Lincolns at home reveal touching, unguarded moments of laughter, discussion, and affection. She witnessed the grief of both parents at the death of their son Willie and Mary Todd's prostration after the president's assassination. In dire financial straits, Mary Todd turned to Keckley, who spent several months in New York helping the former First Lady sell her elegant clothing.

President of the Contraband Relief Association and a friend of Frederick Douglass and other prominent African-American leaders, Keckley emerges as a remarkable, resourceful, and principled woman who helped mediate between black and white communities. Frances Smith Foster's introduction traces the book's reception history and fills in biographical gaps in the text..
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How do adult children of interracial parents—where one parent is Jewish and one is Black—think about personal identity? This question is at the heart of Katya Gibel Azoulay’s Black, Jewish, and Interracial. Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities.
Beginning with an examination of the concept of identity as it figures in philosophical and political thought, Gibel Azoulay moves on to consider and compare the politics and traditions of the Black and Jewish experience in America. Her inquiry draws together such diverse subjects as Plessy v. Ferguson, the Leo Frank case, "passing," intermarriage, civil rights, and anti-Semitism. The paradoxical presence of being both Black and Jewish, she argues, leads questions of identity, identity politics, and diversity in a new direction as it challenges distinct notions of whiteness and blackness. Rising above familiar notions of identity crisis and cultural confrontation, she offers new insights into the discourse of race and multiculturalism as she suggests that identity can be a more encompassing concept than is usually thought. Gibel Azoulay adds her own personal history and interviews with eight other Black and Jewish individuals to reveal various ways in which interracial identities are being lived, experienced, and understood in contemporary America.
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"Whether you think he's wrong or right, you'll never find Charles Barkley dull, evasive or afraid. He's blunt, honest and funny as hell, a man with strong convictions and a determination to express them without fear of offending the sensibilities of more timid souls. He's got guts, and there's as much to admire in this book as there is in the man. In I May Be Wrong, But I Doubt It, Barkley refers to one of my campaigns as a rough experience. It might have been, but at least I never had to post up against Sir Charles. Now that would have been really hard."
-- Senator John McCain

"I find Charles to be great company on the golf course. Of course, he has never been shy about his opinions, and he has not changed for this book! Charles addresses issues that are important to all of us, not just people close to the game of basketball. Frank, funny and provocative, this is a book that will stir people to think."
-- Dean Smith
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Biography of famous black abolitionist and voting rights advocate, Robert Purvis..
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Legendary radio personality Tom Joyner comes out from behind the microphone to share the wit and wisdom that made him a star. Hall of Fame disc jockey Tom Joyner uses his signature brand of humor to discuss everything from business to careers to relationships as he shares the insights and lessons hes learned along the way. Now the host of a radio show that is the most popular media outlet ever among African Americans, Joyner started his career at a small AM radio station in his home state of Alabama, working his way across the midwest, and eventually landing in Chicago. In 1985, he made headlines as The Hardest Working Man in Radio when he worked a morning show in Dallas in addition to his afternoon show in Chicago. His daily commute earned him the nickname The Fly Jock. In 1994, he convinced ABC Radio to syndicate his program, and The Tom Joyner Showa mix of comedy music, and guests who range from Stevie Wonder to Tipper Gorewas born..
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White kids from the ’burbs are throwing up gang signs. The 2001 Grammy winner for best rap artist was as white as rice. And blond-haired sorority sisters are sporting FUBU gear. What is going on in American culture that’s giving our nation a racial-identity crisis?

Following the trail blazed by Norman Mailer’s controversial essay “The White Negro,” Everything but the Burden brings together voices from music, popular culture, the literary world, and the media speaking about how from Brooklyn to the Badlands white people are co-opting black styles of music, dance, dress, and slang. In this collection, the essayists examine how whites seem to be taking on, as editor Greg Tate’s mother used to tell him, “everything but the burden”–from fetishizing black athletes to spinning the ghetto lifestyle into a glamorous commodity. Is this a way of shaking off the fear of the unknown? A flattering indicator of appreciation? Or is it a more complicated cultural exchange? The pieces in Everything but the Burden explore the line between hero-worship and paternalism.

Among the book’s twelve essays are Vernon Reid’s “Steely Dan Understood as the Apotheosis of ‘The White Negro,’” Carl Hancock Rux’s “The Beats: America’s First ‘Wiggas,’” and Greg Tate’s own introductory essay “Nigs ’R Us.”

Other contributors include: Hilton Als, Beth Coleman, Tony Green, Robin Kelley, Arthur Jafa, Gary Dauphin, Michaela Angela Davis, dream hampton, and Manthia diAwara.



From the Hardcover edition..
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