Books about Convicts from Amazon.com

American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.

Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.

Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.

More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton.
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In the bold and heartbreaking My Friend Leonard, James Frey picks up the story of his extraordinary life pretty much where things left off in his breakout bestseller and Amazon.com Best Book of 2003, A Million Little Pieces, the fierce, in-your-face memoir about Frey's kamikaze run of self-destruction and his days in rehab. Fresh from a stint in jail from pre-rehab-related charges ("On my first day in jail, a three hundred pound man named Porterhouse hit me in the back of the head with a metal tray."), clean-living Frey returns to Chicago and gets sucker-punched with a cruel blow that will leave readers ducking for cover in anticipation of the blinding bender that's sure to come. But then the titular Leonard, the larger-than-life Vegas mobster ("West Coast Director of a large Italian finance firm") whom James befriended in rehab, steps into the story and serves equal parts unlikely life coach, guardian angel, and father figure for the grief-stricken author, adopting him as his "son" and schooling him in the fine art of "living boldly":

Be not bold, be f-cking BOLD. Every time you meet someone, make a f-cking impression. Make them think you're the hottest shit in the world. Make them think they're gonna lose their job if they don't give you one. Look 'em in the eye, and never look away. Be confident and calm, be f-cking bold.

Hurricane Leonard storms into James's life, showering his young charge with multi-course feasts at steakhouses and Italian restaurants, courtside seats at Bulls' games, Cuban cigars, and an elaborate Super Bowl party in Los Angeles, all the while doling out wisdom on life and love and motivating James to stick to his burgeoning writing career. James even has a brief stint as an employee of Leonard's, though occupational hazards--like having a nine millimeter shoved in his face--prove too much for the novice bag man (though he does make enough to invest his earnings in a Picasso drawing). When Leonard drops out of sight for an extended period, his absence leaves readers aching to hear the familiar refrain of "My Son!" just one more time.

Frey sticks to the taut, staccato style that shot through A Million Little Pieces with such raw electricity. Surprisingly, the tone feels equally at home with this book's focus on friendship and extreme loyalty, and works to intensify the always-looming, adrenaline-rush threat of violence and the lure of the Fury that courses like a riptide throughout the book. Ultimately, it's a sense of hope, and humor even, that prevails and makes My Friend Leonard a stand-alone success. Despite his shady pedigree, you'll long to have a friend like Leonard just a phone call away. --Brad Thomas Parsons

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Each Norton Critical Edition includes an authoritative text, contextual and source materials, and a wide range of interpretations-from contemporary perspectives to the most current critical theory-as well as a bibliography and a chronology of the author's life and work..
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Anyone who doubts the power of the written word to transform a life will know better after reading poet Jimmy Santiago Baca's wrenching memoir of his troubled youth and the five-year jail stint that turned him around.

When he enters New Mexico's Florence State Prison in 1973, convicted on a drug charge, Baca is 21 and has a long history of trouble with the law. There's no reason to think jail will do anything but turn him into a hardened criminal, and standing up for himself with guards and menacing fellow cons quickly gains him a reputation as a troublemaker. But there have already been hints that this turbulent young man is looking for a way out, as he painstakingly spells out a poem from a clerk's college textbook while awaiting trial or unsuccessfully tries to get permission to take classes in prison.

When a volunteer from a religious group sends him a letter, contact with the written word unleashes something in Baca, who starts writing letters and poems with the aid of a dictionary. Reading literature shows him possibilities for understanding his painful family background and expressing his feelings. Poetry literally saves him from being a murderer, as Baca stands over another convict with an illegal weapon, ready to finish him off, and hears "the voices of Neruda and Lorca... praising life as sacred and challenging me: How can you kill and still be a poet?" Baca has a year to go on his sentence, but the reader knows at that point he has made a choice that will alter his destiny.

Without softening the brutality of life in jail, Baca expresses great tenderness for the men there who helped him and affirms his commitment to writing poetry for them, "telling the truth about the life that prisoners have to endure." --Wendy Smith.
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The Ankh-Morpork Post Office is running like . . . well, not at all like a government office. The mail is delivered promptly; meetings start and end on time; five out of six letters relegated to the Blind Letter Office ultimately wend their way to the correct addresses. Postmaster General Moist von Lipwig, former arch-swindler and confidence man, has exceeded all expectations—including his own. So it's somewhat disconcerting when Lord Vetinari summons Moist to the palace and asks, "Tell me, Mr. Lipwig, would you like to make some real money?"

Vetinari isn't talking about wages, of course. He's referring, rather, to the Royal Mint of Ankh-Morpork, a venerable institution that haas run for centuries on the hereditary employment of the Men of the Sheds and their loyal outworkers, who do make money in their spare time. Unfortunately, it costs more than a penny to make a penny, so the whole process seems somewhat counterintuitive.

Next door, at the Royal Bank, the Glooper, an "analogy machine," has scientifically established that one never has quite as much money at the end of the week as one thinks one should, and the bank's chairman, one elderly Topsy (née Turvy) Lavish, keeps two loaded crossbows at her desk. Oh, and the chief clerk is probably a vampire.

But before Moist has time to fully consider Vetinari's question, fate answers it for him. Now he's not only making money, but enemies too; he's got to spring a prisoner from jail, break into his own bank vault, stop the new manager from licking his face, and, above all, find out where all the gold has gone—otherwise, his life in banking, while very exciting, is going to be really, really short. . . .

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"I find myself moving like a knife, carving my way around people, cutting myself out of their picture and leaving nothing of myself behind but a hole." A gaping hole of misery is what popular young adult author Jack Gantos remembers when he thinks back to 1972, "the bleakest year of my life." Just 20 years old, Gantos was in a medium security prison for his participation in a get-rich-quick drug scam. Scared silly by the violence he saw around him daily, Gantos's only lifeline was a battered copy of The Brothers Karamazov, which he painstakingly turned into an impromptu journal by scratching his own thoughts into the tiny spaces between the lines. There, he recorded both his fears and his dream of someday writing a book of his own. Before prison, Gantos had penned a scattered myriad of journals, but had never been able to pull them together into a cohesive narrative. It was during his time behind bars that he found himself growing into a focused, diligent writer who eschewed drugs for the bigger high of watching his words fill the hole once and for all.

Gantos, best known for his award-winning Joey Pigza titles, mines darker material here that is as deeply compelling as his lighter fare. Using short, meaty sentences, Gantos manages to write in a way that dismisses the dubious "romance" of prison, drugs, and "life on the edge" without ever sounding didactic or heavy-handed. Older teens will appreciate his candor and sheer willingness to give them the straight story. Vigorously recommended. (Ages 13 and older) --Jennifer Hubert.
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Jailbird takes us into a fractured and comic, pure Vonnegut world of high crimes and misdemeanors in government...and in the heart. This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentary as Watergate's least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portrait of power and politics in our times..
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From the moment Emma Sutton walks into the esteemed FitzCoopers auction house, the one-time media darling knows exactly what she wants: an exquisite antique dining table. What she doesn't realize is what she's getting: the chance to set things right.

Fresh from a year-long stretch in prison and the public bloodletting that accompanied her fall, Emma needs a clean slate. She finds her life just as she left it, filled with glittering business successes and bruising personal defeats—rolling television cameras and chauffeured limousines, followed by awkward Sunday dinners at home. She knows, deep down, that she needs a change, though she can't imagine where it might come from or where it will lead.

Enter Benjamin Blackman, a terminally charming social worker who moonlights for Emma on the weekends, and Gracie Santiago, an overweight little girl from Queens, one of Benjamin's most heartbreaking wards. Together with an eclectic supporting cast—including Emma's prodigal ex-husband, a bossy yoga teacher, and a tiny Japanese diplomat—the unlikely trio is whisked into a fleet-footed story of unforeseen circumstance and delicious opportunity, as their solitary searching for better paths leads them all, however improbably, straight to Park Avenue and the dynamic woman at the novel's center.

Sophisticated yet accessible, lighthearted but also telling, Emma's Table is a thoroughly winning and surprisingly affecting tale of second chances.

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