Books about Depressing from Amazon.com

Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including the bestselling No Country for Old Men, and The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham

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Guest Reviewer: Dennis Lehane

Dennis Lehane, master of the hard-boiled thriller, generated a cult following with his series about private investigators Patrick Kenzie and Angela Gennaro, wowed readers with the intense and gut-wrenching Mystic River, blew fans all away with the mind-bending Shutter Island, and switches gears with Coronado, his new collection of gritty short stories (and one play).

Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. --Dennis Lehane

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Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster..
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You Are Worthless is the self-help book from hell. This bracing blast of negativity takes aim at the impossibly cheerful "inspirational self-help" books flooding the market and hits the bullseye, with chapters such as "Your Good-for-Nothing Friends," "Your Miserable Job," and "Life: What's the Use'"

This hilarious parody collects hundreds of tidbits of painful reality such as "You're no good, you're not great-looking, and you're going to die someday and it's probably going to hurt." Who among us isn't sick to death of the gushy, new-agey inspirational books that blindly assert that everyone is worthy' We all know the truth, and this book is as refreshing as a slap to the face.

Just some of the depressingly humorous nuggets of truth include:* You don't really have any outstanding qualities. It's safe to say you're pretty much just like everybody else.* The only reason your pet likes you is because you feed it.* As you get older, you are going to have less and less control over your bladder.* If you take a big risk and follow your dream, chances are you're going to fall flat on your face.

You Are Worthless also features a section called "Hopeless Role Models from History," including Helen Keller ("I've had it"), and Abraham Lincoln ("Theonly thing I'm good at is losing").

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From the days of Bobby Darin to the era of Evanescence, maudlin songs have been topping the chartsand tormenting our eardrumssince the birth of pop music. Finally, heres the book that explores (and pokes fun at) 52 of the most heart-wrenching and earsplitting songs of all timeand explains the reasons we continue to listen to them. Complete with a ranked countdown of doom and wonderfully dreary black-and-white line drawings throughout, I Hate Myself and Want to Die is a must-have compilation of melodic misery. Tom Reynoldss Most Depressing Songs include: lGoodbye to Love by the Carpenters lMy Immortal by Evanescence lThe Rose by Bette Midler lMandy by Barry Manilow lIn the Air Tonight by Phil Collins lTotal Eclipse of the Heart by Bonnie Tyler lHurt by Nine Inch Nails.
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In 1993, Scott Smith wowed readers with A Simple Plan, his stunning debut thriller about what happens when three men find a wrecked plane and bag stuffed with over 4 million dollars--a book that Stephen King called "Simply the best suspense novel of the year!" Now, thirteen years after writing a novel that turned into a pretty great movie featuring Bill Paxton and Billy Bob Thornton, Smith is back, with The Ruins, a horror-thriller about four Americans traveling in Mexico who stumble across a nightmare in the jungle. Who better to tell readers if Smith has done it again than the undisputed King of Horror (and champion of Smith's first book)? We asked Stephen King to read The Ruins and give us his take. Check out his review below. --Daphne Durham

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Guest Reviewer: Stephen King

Stephen King is the author of too many bestselling books to name here, but some of our favorites include: Cell, The Stand, On Writing, The Shining, and the entire Dark Tower series. King also received the National Book Foundation 2003 Medal for Distinguished Contribution to American Letters, has had many movies and television miniseries adapted from his novels, short stories, and screenplays, and is a regular columnist for Entertainment Weekly. Keep your eyes peeled for Lisey's Story (October 2006), a new television series on TNT based on Nightmares & Dreamscapes (July 2007), and a graphic novel series based on the Dark Tower books coming from Marvel (2007).

When I heard that Scott Smith was publishing a new novel this summer, I felt the way I did when my kids came in an hour or two late from their weekend dates: a combination of welcoming relief (thank God you're back) mingled with exasperation and anger (where the hell have you been?). Well, it's only a book, you say, and maybe that's true, but Scott Smith is a singularly gifted writer, and it seems to me that the twelve years between his debut--the cult smash A Simple Plan--and his return this summer with The Ruins is cause for exasperation, if not outright anger. Certainly Smith, who has been invisible save for his Academy Award-nominated screenplay for the film version of A Simple Plan, will have some 'splainin to do about how he spent his summer vacation. Make that his last twelve summer vacations.

But enough. The new book is here, and the question devotees of A Simple Plan will want answered is whether or not this book generates anything like Plan's harrowing suspense. The answer is yes. The Ruins is going to be America's literary shock-show this summer, doing for vacations in Mexico what Jaws did for beach weekends on Long Island. Is it as successful and fulfilling as a novel? The answer is not quite, but I can live with that, because it's riskier. There will be reviews of this book by critics who have little liking or understanding for popular fiction who'll dismiss it as nothing but a short story that has been bloated to novel length (I'm thinking of Michiko Kakutani, for instance, who microwaved Smith's first book). These critics, who steadfastly grant pop fiction no virtue but raw plot, will miss the dazzle of Smith's technique; The Ruins is the equivalent of a triple axel that just misses perfection because something's wrong with the final spin.

It's hard to say much about the book without giving away everything, because the thing is as simple and deadly as a leg-hold trap concealed in a drift of leaves…or, in this case, a mass of vines. You've got four young American tourists--Eric, Jeff, Amy, and Stacy--in Cancun. They make friends with a German named Mathias whose brother has gone off into the jungle with some archeologists. These five, plus a cheerful Greek with no English (but a plentiful supply of tequila), head up a jungle trail to find Mathias's brother…the archaeologists…and the ruins.

Well, two out of three ain't bad, according to the old saying, and in this case; what's waiting in the jungle isn't just bad, it's horrible. Most of The Ruins's 300-plus pages is one long, screaming close-up of that horror. There's no let-up, not so much as a chapter-break where you can catch your breath. I felt that The Ruins did draw on a trifle, but I found Scott Smith's refusal to look away heroic, just as I did in A Simple Plan. It's the trappings of horror and suspense that will make the book a best seller, but its claim to literature lies in its unflinching naturalism. It's no Heart of Darkness, but at its suffocating, terrifying, claustrophobic best, it made me think of Frank Norris. Not a bad comparison, at that.

One only hopes Mr. Smith won't stay away so long next time.--Stephen King

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This digital document is an article from St. Louis Journalism Review, published by SJR St. Louis Journalism Review on March 1, 2003. The length of the article is 792 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Times are tough even in sports. (Sports/Media).(author discussing depressing sporting events news )
Author: Joe Pollack
Publication:St. Louis Journalism Review (Magazine/Journal)
Date: March 1, 2003
Publisher: SJR St. Louis Journalism Review
Volume: 33 Issue: 254 Page: 10(1)

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This digital document is an article from Government Finance Review, published by Government Finance Officers Association on June 1, 1998. The length of the article is 1057 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

From the supplier: The act of manipulating Treasury security yields with inflated sales prices purchased by state and local governments is known as 'yield burning.' Individuals who sell securities to state or local governments obtain arbitrage profit through this practice. It is observed that the IRS often accuses the state and local governments of causing problems in the audits of bond issues. The IRS is urged to punish violators instead and focus on protecting the interests of market participants through acceptable settlements.

Citation Details
Title: Yield burning: federal agencies should pursue violators instead of victims. (artificially depressing yields on Treasury securities sold to state and local governments)(Editorial)
Author: Jeffrey L. Esser
Publication:Government Finance Review (Magazine/Journal)
Date: June 1, 1998
Publisher: Government Finance Officers Association
Volume: v14 Issue: n3 Page: p5(1)

Article Type: Editorial

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