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How to Read a Nautical Chart : A Complete Guide to the Symbols, Abbreviations, and Data Displayed on Nautical Charts
A PAPERBACK ORIGINALThe best handbook on chart usage, from one of the most trusted names in boating In 2000, the U.S. government ceased publication of Chart No. 1, the invaluable little book that generations of mariners have consulted to make sense of the complex system of signs, symbols, and graphic elements used in nautical charts. Now Chart No. 1 is not just reborn but expanded and improved in How to Read a Nautical Chart. The demand for a book like this has never been greater. Arranged and edited by Nigel Calder, one of today's most respected boating authorsand containing four-color illustrations throughoutHow to Read a Nautical Chart presents a number of original features that help readers make optimum use of the data found in Chart No. 1, including a more intuitive format, crucial background information, international chart symbol equivalents, electronic chart symbology, and thorough explanations of the practical aspects of nautical chart reading..
Price: $9.91
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Studio and Cube: On The Relationship Between Where Art is Made and Where Art is Displayed (FORuM Project Publications)
When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does it require the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence? Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space. That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it "the archetypal image of twentieth century art." In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University..
Price: $9.98
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The Botanical Magazine; or, Flower-Garden Displayed, Volume I (Illustrated Edition) (Dodo Press)
William Curtis (1746-1799) was an English botanist and entomologist, who was born at Alton, Hampshire Curtis began as an apothecary, before turning his attention to botany and other natural history. The publications he prepared effectively reached a wider audience than early works on the subject had intended. At the age of 25 he produced Instructions for Collecting and Preserving Insects; Particularly Moths and Butterflies. Curtis was demonstrator of plants and Praefectus Horti at the Chelsea Physic Garden from 1771 to 1777. He established his own London Botanic Garden at Lambeth in 1779, moving to Brompton in 1789. He published Flora Londinensis (6 volumes, 1777-1798), a pioneering work in that it devoted itself to urban nature. Financial success was not found, but he went on to publish The Botanical Magazine; or, Flower-Garden Displayed, in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby, Sydenham Edwards, and William Kilburn. The longest running botanical magazine, it has been published continuously ever since, with a change of name to The Kew Magazine from 1984 to 1994. In 1995 the name reverted to that of the widely cited, Curtis's Botanical Magazine..
Price: $8.92
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Edwards Air Force Base: Open House at the USAF Flight Test Center 1957-1966: A Photo Chronicle of Aircraft Displayed (Schiffer Military History)
The USAF Flight Test Center at Edwards AFB has long been one of the most interesting test sites in the world. This pictorial history covers all of the aircraft shown publicly between 1957 and 1966, with a chapter for each year listing all of the aircraft shown, giving the manufacturer, designation, popular name and serial number. Aircraft range from the X-1B and X-5 to the XB-70, F-111 and SR-71, including nearly all of the fighters from the F-80 through the Century series, plus the Navy types. Transports, including a few civil jets, attack aircraft, trainers, bombers, helicopters, and many unusual VTOL aircraft are also fully covered in the author's more than 600 color photographs..
Price: $34.20
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Sacred History of the World as Displayed in the Creation and Subsequent Events to the Deluge, Part 2
1834. Other volumes in this set include ISBN number(s): 0766180964, 0766180980. Volume 2 of 3. In this sacred history of the world, it was a constant endeavor to collect authenticated facts, to state them fairly, to reason correctly about them, to express the natural feelings which have arisen as they were contemplated, and to make the general composition perspicuous, readable and if possible, not uninteresting. The volumes are philosophically considered in a series of letters to a son..
Price: $31.23
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The Botanical Magazine; or, Flower-Garden Displayed, Volume VII (Illustrated Edition) (Dodo Press)
William Curtis (1746-1799) was an English botanist and entomologist, who was born at Alton, Hampshire Curtis began as an apothecary, before turning his attention to botany and other natural history. The publications he prepared effectively reached a wider audience than early works on the subject had intended. At the age of 25 he produced Instructions for Collecting and Preserving Insects; Particularly Moths and Butterflies. Curtis was demonstrator of plants and Praefectus Horti at the Chelsea Physic Garden from 1771 to 1777. He established his own London Botanic Garden at Lambeth in 1779, moving to Brompton in 1789. He published Flora Londinensis (6 volumes, 1777-1798), a pioneering work in that it devoted itself to urban nature. Financial success was not found, but he went on to publish The Botanical Magazine; or, Flower-Garden Displayed, in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby, Sydenham Edwards, and William Kilburn. The longest running botanical magazine, it has been published continuously ever since, with a change of name to The Kew Magazine from 1984 to 1994. In 1995 the name reverted to that of the widely cited, Curtis's Botanical Magazine..
Price: $6.88
[ Notify me when price goes down.]
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