Books about Empties from Amazon.com

Praise for THE TRAVELS OF A T-SHIRT IN THE GLOBAL ECONOMY

"Engrossing . . . (Rivoli) goes wherever the T-shirt goes, and there are surprises around every corner . . . full of memorable characters and vivid scenes."
—Time

"An engaging and illuminating saga. . . . Rivoli follows her T-shirt along its route, but that is like saying that Melville follows his whale. . . . Her nuanced and fair-minded approach is all the more powerful for eschewing the pretense of ideological absolutism, and her telescopic look through a single industry has all the makings of an economics classic."
—The New York Times

"Rarely is a business book so well written that one would gladly stay up all night to finish it. Pietra Rivoli's The Travels of a T-Shirt in the Global Economy is just such a page-turner."
—CIO magazine

"Succeeds admirably . . . T-shirts may not have changed the world, but their story is a useful account of how free trade and protectionism certainly have."
—Financial Times

"[A] fascinating exploration of the history, economics, and politics of world trade . . . The Travels of a T-Shirt in the Global Economy is a thought-provoking yarn that exhibits the ugly, the bad, and the good of globalization, and points to the unintended positive consequences of the clash between proponents and opponents of free trade."
—Star-Telegram (Fort Worth)

"Part travelogue, part history, and part economics, The Travels of a T-Shirt in the Global Economy is ALL storytelling, and in the grand style. A must-read."
—Peter J. Dougherty, Senior Economics Editor, Princeton University Press author of Who's Afraid of Adam Smith?

"A readable and evenhanded treatment of the complexities of free trade . . . As Rivoli repeatedly makes clear, there is absolutely nothing free about free trade except the slogan."
—San Francisco Chronicle.
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It's not easy being NYPD detective Lincoln Rhyme, the world's foremost criminalist. First of all, he's a quadriplegic Secondly, he's forever being second-guessed and mother-henned by his ex-model-turned-cop protégé, Amelia Sachs, and his personal aide, Thom. And thirdly, it seems that he can't motor his wheelchair around a corner without bumping into one crazed psycho-killer after another.

In The Empty Chair, Jeffery Deaver's third Rhyme outing--after 1997's The Bone Collector and 1998's The Coffin Dancer--Rhyme travels to North Carolina to undergo an experimental surgical procedure and is, a jot too coincidentally, met at the door by a local sheriff, the cousin of an NYPD colleague, bearing one murder, two kidnappings, and a timely plea for help. It seems that 16-year-old Garrett Hanlon, a bug-obsessed orphan known locally as the Insect Boy, has kidnapped and probably raped two women, and bludgeoned to death a would-be hero who tried to stop one of the abductions.

Rhyme sets up shop, Amelia leads the local constabulary (easily recognized by their out-of-joint noses) into the field, and, after some Holmesian brain work and a good deal of exciting cat-and-mousing, the duo leads the cops to their prey. And just as you're idly wondering why the case is coming to an end in the middle of the book, Amelia breaks the boy out of jail and goes on the lam. Equally convinced of the boy's guilt and the danger he poses to Amelia, Rhyme has no choice but to aid the police in apprehending the woman he loves--no easy task, as she's the one human being who truly knows the methods of Lincoln Rhyme.

Rhyme's specialty combines the minute scientific analysis of physical evidence gathered from crime scenes and his arcane knowledge of, it would seem, every organic and inorganic substance on earth. Deaver combines engaging narration, believable characters, and his trademark ability to repeatedly pull the rug out from under the reader's feet. Lincoln Rhyme's back all right, and the smart money's betting that his run has just begun. --Michael Hudson.
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Peter Brook's career, beginning in the 1940s with radical productions of Shakespeare with a modern experimental sensibility and continuing to his recent work in the worlds of opera and epic theater, makes him perhaps the most influential director of the 20th century. Cofounder of the Royal Shakespeare Company and director of the International Center for Theater Research in Paris, perhaps Brook's greatest legacy will be The Empty Space. His 1968 book divides the theatrical landscape, as Brook saw it, into four different types: the Deadly Theater (the conventional theater, formulaic and unsatisfying), the Holy Theater (which seeks to rediscover ritual and drama's spiritual dimension, best expressed by the writings of Artaud and the work of director Jerzy Grotowski), the Rough Theater (a theater of the people, against pretension and full of noise and action, best typified by the Elizabethan theater), and the Immediate Theater, which Brook identifies his own career with, an attempt to discover a fluid and ever-changing style that emphasizes the joy of the theatrical experience. What differentiates Brook's writing from so many other theatrical gurus is its extraordinary clarity. His gentle illumination of the four types of theater is conversational, even chatty, and though passionately felt, it's entirely lacking in the sort of didactic bombast that flaws many similar texts. --John Longenbaugh.
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You're done . . . but you're not finished! And one more thing. You're not alone. Feeling unsure? Scared? Expectant? Maybe even giddy? Is your nest empty--except for a bundle of mixed emotions? As you grieve what's behind and daydream about possibilities, you'll feel young again, ready for new challenges and adventures Yet you may not know what to pursue or how to discover what's next. Many women in this season of life wonder: Who am I now? And what should I do? How will my marriage be affected? Does anyone need me? How do I relate to my children? Is it okay to feel sad? Or thrilled? What's next?

Barbara and Susan can be the friends you need to walk you through these new experiences. They'll guide you to answers, and together you'll discover a new purpose and passion for your next life adventure..
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The heartache of miscarriage, stillbirth, or infant death affects thousands of U.S. families every year. Empty Cradle, Broken Heart offers reassurance to parents who struggle with anger, guilt, and despair after such tragedy. Deborah Davis encourages grieving and makes suggestions for coping. The book includes information on issues such as the death of one or more babies from a multiple birth, pregnancy interruption, and the questioning of aggressive medical intervention. There is also a special chapter for fathers as well as a chapter on "protective parenting" to help anxious parents enjoy their precious living children. Doctors, nurses, relatives, friends, and other support persons can gain special insight. Most importantly, parents facing the death of a baby will find necessary support in this gentle guide. If reading this book moves you to cry, try to accept this reaction. Your tears merge with those of other grieving parents. You are not alon! e..
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For about two decades John W. Loftus was a devout evangelical Christian, an ordained minister of the Church of Christ, and an ardent apologist for Christianity With three degrees--in philosophy, theology, and philosophy of religion--he was adept at using rational argumentation to defend the faith. But over the years, as he ministered to various congregations and taught at Christian colleges, doubts about the credibility of key Christian tenets began to creep into his thinking. By the late 1990s he experienced a full-blown crisis of faith, brought on by emotional upheavals in his personal life as well as the gathering weight of the doubts he had long entertained.

In this honest appraisal of his journey from believer to atheist, Loftus carefully explains the experiences and the reasoning process that led him to reject religious belief. The bulk of the book is his "cumulative case" against Christianity. Here he lays out the philosophical, scientific, and historical reasons that can be raised against Christian belief. From the implications of religious diversity, the authority of faith vs. reason, and the problem of evil, to the contradictions between the Bible and the scientific worldview, the conflicts between traditional dogma and historical evidence, and much more, Loftus covers a great deal of intellectual terrain. For every issue he succinctly summarizes the various points of view and provides references for further reading. In conclusion, he describes the implications of life without belief in God, some liberating, some sobering.

This frank critique of Christian belief from a former insider will interest freethinkers as well as anyone with doubts about the claims of religion..
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This is volume I (first half) of the book, not the combined volume. Originally came with a CD..
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A heartwarming, wry, and often surprising collection of essays about the next rite of passage for Baby Boomers: what happens when the kids leave homeAs the baby boom generation ages -- the oldest are now turning sixty -- many of them are learning to deal with a whole new way of life, after the last child has finally moved out and they are, once again, alone. It's the same milestone their own parents faced, but as with so many other markers, this generation approaches it in a whole new way.In this fascinating collection, journalist Karen Stabiner has assembled essays from thirty-one writers about their own experience with the empty nest. Parents whose children left home last week join those with grandchildren to explore how life changes once the offspring leave (unless, of course, they move back in again later). They represent the full range of experience -- from traditional nuclear families to single parents to gay parents to grandparents -- with humor, grace, and poignancy..
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