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Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called “the problem of the twentieth century.” Du Bois’s prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed—including double consciousness, the color line, the Veil, and second sight—available to visual culture and African American studies scholars in powerful new ways.

Smith reads Du Bois’s photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois’s exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States..
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The Early American Women Writers series offers rare works of fiction by eighteenth- and nineteenth-century women, each reprinted in its entirety, each introduced by Cathy N. Davidson, who places the novel in an historical and literary perspective. Ranging from serious cautionary tales about
moral corruption to amusing and trenchant social satire, these books provide today's reader with a unique window into the earliest American popular fiction and way of life.
First published in 1801, Female Quixotism is a boisterous, rollicking anti-romance and literary satire. It takes place in the fictional village of L---, Pennsylvania, where its central character Dorcas Sheldon--who styles herself the romantic "Dorcasina"--sets out on a quixotic quest for the
kind of romantic love portrayed in her favorite English novels. Having rejected the prosaic yet honorable advances of her first suitor, "Lysander," Dorcasina narrowly escapes marriage to a series of unscrupulous rogues interested mostly in her considerable fortune. Moving from one misadventure to
another, the heroine's journey ends in a lonely old age bereft of romantic illusion.
Female Quixotism was written during a period of self-definition for the fledgling American republic, and offers a telling glimpse of gender, race, and class issues--as volatile then as they are today. Its woman's-eye view of the life and literature of the age provides a tragicomic parody of
the limited choices available to women in a society dedicated to the principle that all men are created equal..
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This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program..
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This volume is produced from digital images from the Cornell University Library Samuel J. May Anti-Slavery Collection.
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This Elibron Classics book is a facsimile reprint of a 1841 edition by Baudry, Paris..
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In Three Volumes This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature..
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This volume is produced from digital images created through the University of Michigan University LibraryÕs preservation reformatting program..
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