Books about Fielding from Amazon.com

Charles "Chaz" Perrone fancies himself a take-charge kind of guy. So when this "biologist by default" suspects that his curvaceous wife, Joey, has stumbled onto a profitable pollution scam he's running on behalf of Florida agribusiness mogul Red Hammernut, he sets out right away to solve the problem--by heaving Joey off the deck of a luxury cruise liner and into the Atlantic Ocean, far from Key West. But--whoops!--Joey, a former swimming champ, doesn't drown. Instead, as Carl Hiaasen tells in his 10th adult novel, Skinny Dip, she makes her way back to shore, thanks both to a wayward bale of Jamaican marijuana and lonerish ex-cop Mick Stranahan (Skin Tight, 1989), and then launches a bogus blackmail campaign that's guaranteed to drive her lazy, libidinous hubby into a self-protective frenzy.

You've got to hand it to Hiaasen: He's perfected a formula for crisply written, satirical crime fiction that makes the best use of imaginatively repulsive villains, as well as less thoroughly venal scoundrels and victims who ultimately overcome their antagonists, all while stumping for the preservation of Florida's environment, particularly the Everglades. In Skinny Dip, we find Chaz (who'd rather be golfing than puttering around the "hot, buggy, funky-smelling and treacherous" reaches of nature) falsifying water samples to help Hammernut turn the 'Glades into "God's septic tank." That scheme, though, is endangered not just by Joey's sudden disappearance, but by the suspicions of a python-loving police detective and Chaz's own outstanding inability to tame his Viagra-enhanced tumescence. Even by assigning Chaz a baby-sitter--the hulking, hirsute, and painkiller-addicted Tool--Hammernut can't keep his pet biologist out of trouble. As Joey and Stranahan unfold their revenge plot, and Tool's conscience grows in competition with Chaz's ego, the reader can only marvel at the extent of the train wreck ahead.

As much fun as Hiaasen has delivering Chaz his climactic comeuppance, what's missing from Skinny Dip is a more complex, more credible development of Mick Stranahan's character and the relationship he builds with the much younger Joey Perrone. Like Erin Grant, from Strip Tease, Joey has far more going for her than her bra-cup size; but "hero" Stranahan is of far less interest here than any of his fellow players. --J. Kingston Pierce.
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It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the all-powerful editor of Vogue magazine Now she's written a book, and this is its theme: narrator Andrea Sachs goes to work for Miranda Priestly, the all-powerful editor of Runway magazine. Turns out Miranda is quite the bossyboots. That's pretty much the extent of the novel, but it's plenty. Miranda's behavior is so insanely over-the-top that it's a gas to see what she'll do next, and to try to guess which incidents were culled from the real-life antics of the woman who's been called Anna "Nuclear" Wintour. For instance, when Miranda goes to Paris for the collections, Andrea receives a call back at the New York office (where, incidentally, she's not allowed to leave her desk to eat or go to the bathroom, lest her boss should call). Miranda bellows over the line: "I am standing in the pouring rain on the rue de Rivoli and my driver has vanished. Vanished! Find him immediately!"

This kind of thing is delicious fun to read about, though not as well written as its obvious antecedent, The Nanny Diaries. And therein lies the essential problem of the book. Andrea's goal in life is to work for The New Yorker--she's only sticking it out with Miranda for a job recommendation. But author Weisberger is such an inept, ungrammatical writer, you're positively rooting for her fictional alter ego not to get anywhere near The New Yorker. Still, Weisberger has certainly one-upped Me Times Three author Alex Witchel, whose magazine-world novel never gave us the inside dope that was the book's whole raison d' etre. For the most part, The Devil Wears Prada focuses on the outrageous Miranda Priestly, and she's an irresistible spectacle. --Claire Dederer.
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In Joseph Andrews (1742), Fielding's first novel, footboy Joseph loses his place when he rejects Lady Booby's advances, commencing a comic odyssey of robbery, poverty, and sexual viciousness Also included is Shamela (1741), a shorter work, which extends the parody of Samuel Richardson's immensely successful Pamela (1740) begun in Joseph Andrews..
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New York Times bestselling and award-winning author Joy Fielding tells the story of an ambitious journalist whose foray into the mind of a killer puts her own family in jeopardy

Charley Webb is a beautiful single mother who writes a successful and controversial column for the Palm Beach Post. She's spent years building an emotional wall against scathing critics, snooty neighbors, and her disapproving family. But when she receives a letter from Jill Rohmer, a young woman serving time on death row for the murders of three small children, her boundaries slowly begin to fade. Jill wants Charley to write her biography so that she can share the many hidden truths about the case that failed to surface during her trial. Seeing this as a once-in-a-lifetime opportunity, Charley begins her jour-ney into the mind of this deeply troubled woman.

Her path takes a twisted turn, however, when the anonymous letters she's recently received from an angry reader evolve into threats, targeting her son and daughter. As Charley races against time to save her family, she begins to understand the value of her seemingly intru-sive neighbors, friends, and relatives. As she discovers, this network of flawed but loving people might just be her only hope of getting out alive.

Filled with complex characters and a plot rich with intrigue, Charley's Web is Joy Fielding at her heart-skipping, mesmerizing best..
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In the course of the year recorded in Bridget Jones's Diary, Bridget confides her hopes, her dreams, and her monstrously fluctuating poundage, not to mention her consumption of 5277 cigarettes and "Fat units 3457 (approx.) (hideous in every way)." In 365 days, she gains 74 pounds. On the other hand, she loses 72! There is also the unspoken New Year's resolution--the quest for the right man. Alas, here Bridget goes severely off course when she has an affair with her charming cad of a boss. But who would be without their e-mail flirtation focused on a short black skirt? The boss even contends that it is so short as to be nonexistent.

At the beginning of Helen Fielding's exceptionally funny second novel, the thirtyish publishing puffette is suffering from postholiday stress syndrome but determined to find Inner Peace and poise. Bridget will, for instance, "get up straight away when wake up in mornings." Now if only she can survive the party her mother has tricked her into--a suburban fest full of "Smug Marrieds" professing concern for her and her fellow "Singletons"--she'll have made a good start. As far as she's concerned, "We wouldn't rush up to them and roar, 'How's your marriage going? Still having sex?'"

This is only the first of many disgraces Bridget will suffer in her year of performance anxiety (at work and at play, though less often in bed) and living through other people's "emotional fuckwittage." Her twin-set-wearing suburban mother, for instance, suddenly becomes a chat-show hostess and unrepentant adulteress, while our heroine herself spends half the time overdosing on Chardonnay and feeling like "a tragic freak." Bridget Jones's Diary began as a column in the London Independent and struck a chord with readers of all sexes and sizes. In strokes simultaneously broad and subtle, Helen Fielding reveals the lighter side of despair, self-doubt, and obsession, and also satirizes everything from self-help books (they don't sound half as sensible to Bridget when she's sober) to feng shui, Cosmopolitan-style. She is the Nancy Mitford of the 1990s, and it's impossible not to root for her endearing heroine. On the other hand, one can only hope that Bridget will continue to screw up and tell us all about it for years and books to come. --Kerry Fried.
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Henry Fielding wrote both Joseph Andrews (1742) and Shamela (1741) in response to Samuel Richardson's book Pamela (1740), of which Shamela is a splendidly bawdy travesty. Joseph Andrews begins as a parody, too, but soon outgrows its origins, and its deepest roots lie in Cervantes and Marivaux. In both stories, Fielding demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste.
This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from the second edition of Richardson's Pamela and Conyers Middleton's Life of Cicero, which is also closely parodied in Shamela. This Oxford World's Classics edition also features a new introduction by Thomas Keymer which situates Fielding's works in their critical and historical contexts..
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The Language of School design is a seminal work because it defines a new graphic vocabulary that synthesizes learning research with best practice in school planning and design. But it is more than a book about ideas. It is also a practical tool and a must-have resource for all school stakeholders involved in planning, designing and constructing new and renovated schools and evaluating the educational adequacy of existing school facilities..
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A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature..
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