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The Greatest Manhunt in American History

For 12 days after his brazen assassination of Abraham Lincoln, John Wilkes Booth was at large, and in Manhunt, historian James L. Swanson tells the vivid, fully documented tale of his escape and the wild, massive pursuit. Get a taste of the daily drama from this timeline of the desperate search.

April 14, 1865 Around noon, Booth learns that Lincoln is coming to Ford's Theatre that night. He has eight hours to prepare his plan. 10:15 pm: Booth shoots the president, leaps to the stage, and escapes on a waiting horse. Secretary of War Edwin Stanton orders the manhunt to begin. April 15 About 4:00 am: Booth seeks treatment for a broken leg at Dr. Samuel Mudd's farm near Beantown, Maryland. Cavalry patrol heads south toward Mudd farm. Confederate operative Thomas Jones hides Booth in a remote pine thicket for five days, frustrating the manhunters. April 19 Tens of thousands watch the procession to the U.S. Capitol, where President Lincoln lies in state. Wild rumors and stories of false sightings of Booth spread.
April 20 Stanton offers a $100,000 reward for the assassins, and threatens death to any citizen who helps them. After hiding Booth in Maryland, Jones puts him in a rowboat on the Potomac River, bound for Virginia. More than a thousand manhunters are still searching in Maryland. In the dark, Booth rows the wrong way and first ends up back in Maryland. April 20-24 Booth lands in the northern neck of Virginia, and Confederate agents and sympathizers guide him to Port Conway, Virginia. April 24 Booth befriends three Confederate soldiers who help him cross the Rappahannock River to Port Royal and then guide him further southwest to the Garrett farm. Union troops in Washington receive a report of a Booth sighting. They board a U.S. Navy tug and steam south, right past Booth's hideout at the Garrett farm. April 25 The 16th New York Calvary, realizing their error, turns around and surrounds the Garrett farm after midnight that night.
April 26 When Booth refuses to surrender, troops set the barn on fire, and Boston Corbett shoots the assassin. Booth dies a few hours later, at sunrise. April 26-27 Booth's body is brought back to Washington, where it is autopsied, photographed, and buried in a secret grave.

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Readers of Black Hawk Down know Mark Bowden can tell an exciting story about as well as any writer at work today. Killing Pablo is further proof. It describes the rise and fall of Pablo Escobar, a notorious Colombian drug lord who became one of the narcotic trade's first billionaires Pablo--Bowden refers to him by his first name throughout the book--started out as a petty thief and wound up running a massive smuggling empire. At his height in the 1980s, he owned fleets of boats and planes, plus 19 separate residences in Medellin, each with its own helipad. Violence marked everything he did: "He wasn't an entrepreneur, and he wasn't even an especially talented businessman. He was just ruthless." He bought off police, politicians, and judges throughout his country, and killed many others who wouldn't cooperate. The Colombian government tried to capture him, but without much luck; he evaded them time after time. "Now and then the police achieved enough surprise to catch him, literally, with his pants down. In [1988], about one thousand national police raided one of his mansions," writes Bowden. "Pablo fled in his underwear, avoiding the police cordon on foot." He got away, again, but his days were numbered. He was making powerful enemies in both Colombia and the United States. The final straw probably came when Pablo's men murdered a popular politician and, three months later, planted a bomb on a plane, killing 110 people, including two Americans.

The bulk of Killing Pablo describes what happened when the U.S. government put its resources behind the hunt for Pablo. Bowden describes the search in gripping detail, from the massive electronic-surveillance effort to bureaucratic infighting between rival U.S. agencies. This is an outstanding work of reportorial journalism, too: in the epilogue, Bowden drops tantalizing hints that it was an American--not a Colombian--who delivered the killing shot to Pablo in 1993. Readers looking for a real-life thriller--or any kind of thriller, for that matter--won't do much better than Killing Pablo. .
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"Scuttling down the mountain with the thing on his back he looked like a man beset by some ghast succubus, the dead girl riding him with legs bowed akimbo like a monstrous frog." Child of God must be the most sympathetic portrayal of necrophilia in all of literature The hero, Lester Ballard, is expelled from his human family and ends up living in underground caves, which he peoples with his trophies: giant stuffed animals won in carnival shooting galleries and the decomposing corpses of his victims. Cormac McCarthy's much-admired prose is suspenseful, rich with detail, and yet restrained, even delicate, in its images of Lester's activities. So tightly focused is the story on this one "child of God" that it resembles a myth, or parable. "You could say that he's sustained by his fellow men, like you.... A race that gives suck to the maimed and the crazed, that wants their wrong blood in its history and will have it." .
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From the New York Times-bestselling author of The Color of Water comes a powerful page-turner about a runaway slave and a determined slave catcher

Nowhere has the drama of American slavery played itself out with more tension than in the dripping swamps of Maryland's eastern shore, where abolitionists such as Frederick Douglass and Harriet Tubman, born less than thirty miles apart, faced off against nefarious slave traders in a catch-me-if-you-can game that fueled fear and brought economic hardship to both white and black families. Trapped in the middle were the watermen, a group of America's most original and colorful pioneers, poor oystermen who often found themselves caught between the needs of rich plantation owners and the roaring Chesapeake, which often claimed their lives.

The powerful web of relationships in a small Chesapeake Bay town collapses as two souls face off in a gripping page-turner. Liz Spocott, a young runaway who has odd dreams about the future of the colored race, mistakenly inspires a breakout from the prison attic of a notorious slave thief named Patty Cannon. As Cannon stokes revenge, Liz flees into the nefarious world of the underground railroad with its double meanings and unspoken clues to freedom known to the slaves of Dorchester County as "The Code." Denwood Long, a troubled slave catcher and eastern shore waterman, is coaxed out of retirement to break "The Code" and track down Liz.

Filled with rich history-much of the story is drawn from historical events-and told in McBride's signature lyrical storytelling style, Song Yet Sung brings into full view a world long misunderstood in American fiction: how slavery worked, and the haunting, moral choices that lived beneath the surface, pressing both whites and blacks to search for relief in a world where both seemed to lose their moral compass. This is a story of tragic triumph, violent decisions, and unexpected kindness..
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It's rare to find a travel guide and a memoir joined neatly together in a single, highly readable 176-page volume. But Chuck Palahniuk (Fight Club, Choke, Lullaby) is a writer of rare talent and his home of Portland, Oregon, is a city of rare wonders In Strangers and Refugees: A Walk in Portland, Oregon, Palahniuk goes beyond the AAA handbooks to reveal the places, people, and legends of Portland that have long been known only to locals. The reader learns the location of the legendary Self Cleaning House, where to find the restless ghost of the founder of Powell's Books, and why feral cats are such an important part of Portland baseball. Portland, it seems, is also a highly sexual city and Palahniuk dutifully dissects the specialties of each strip joint as well as discussing Mochika, a zoo penguin with a real fetish for black boots. Along the way, he includes "postcards" from his life in the Rose City dating back to 1981 when, as a 19-year-old, he dropped acid and accidentally ate part of a woman's fur coat during a laser show of Pink Floyd's The Wall. As Palahniuk matures, the postcards reveal the author becoming increasingly a part of the city's scene, culminating with a wild and wooly Millennium Eve celebration at the Bagdad Theater that featured a screening of the film version of Fight Club. Fugitives and Refugees is a must for anyone who may, in their lives, go to Portland. But its appeal should reach beyond Oregonians. Palahniuk's love of the city is so great, and his stories so weirdly wonderful, it makes one want to get out of the house, get in the car, and drive to Portland right away. Just remember to pack the book. --John Moe.
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In a society where unwanted teens are salvaged for their body parts, three runaways fight the system that would "unwind" them

Connor's parents want to be rid of him because he's a troublemaker. Risa has no parents and is being unwound to cut orphanage costs. Lev's unwinding has been planned since his birth, as part of his family's strict religion. Brought together by chance, and kept together by desperation, these three unlikely companions make a harrowing cross-country journey, knowing their lives hang in the balance. If they can survive until theireighteenth birthday, they can't be harmed -- but when every piece of them, from their hands to their hearts, are wanted by a world gone mad, eighteen seems far, far away.

In Unwind, Boston Globe/Horn Book Award winner Neal Shusterman challenges readers' ideas about life -- not just where life begins, and where it ends, but what it truly means to be alive..
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Anne Michaels, an accomplished poet, has already published two collections of poetry in her native Canada. She turns her hand to fiction in an impressive debut novel, Fugitive Pieces. This is the story of Jakob Beer, a Polish Jew, translator, and poet who, as a child, witnessed his family's slaughter at the hands of the Nazis. Beer himself was found and smuggled out of Poland by Athos Roussos, a Greek archaeologist who carried him back to Greece and kept him there in precarious safety. After the war they emigrated together to Canada. Jakob's story is told through diaries discovered by Ben, a young man whose parents are Holocaust survivors and who is a vessel for their memories just as Jakob is the bearer of his own.

Fugitive Pieces is a book about memory and forgetting. How is it possible to love the living when our hearts are still with the dead? What is the difference between what historical fact tells us and what we remember? More than that, the novel is a meditation on the power of language to free our souls and allow us to find our own destinies..
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This is the first edition of Huckleberry Finn ever to be based on Mark Twain's entire original manuscript--including its first 663 pages, which had been lost for more than a hundred years when they were discovered in 1990 in a Los Angeles attic. The text of the Mark Twain Library edition (first published in 1985) has been re-edited using this manuscript, restoring thousands of details of wording, spelling, and punctuation that had been corrupted by Mark Twain's typist, typesetters, and proofreaders. The revised Mark Twain Library Huckleberry Finn is sure to become the standard edition for all students and readers of Mark Twain.
The authoritative new edition of this beloved work includes all of the 174 first-edition illustrations by Edward Windsor Kemble, which the author called "rattling good." It also contains a new gathering of manuscript pages, photographically reproduced, and an appendix of passages from the manuscript, including the long-lost "ghost story," which illustrate how extensively Mark Twain revised his work. The editors have also revised and updated their explanatory notes, the maps of the Mississippi River valley, and the glossary of slang and dialect words.
The story of Huck and his companion Jim, a runaway slave, as they travel down the Mississippi to escape from slavery and "sivilization" has been delighting readers around the world since Twain first published it in 1885. Simply put, it is a masterpiece: revolutionary in its narrative method, surpassingly funny, and at the same time deeply perceptive about human nature. No other American novel of the nineteenth century still commands so vast an audience, and certainly no other retains the capacity to stir controversy with its sharp satire on American racism.
A Responsible Critical Text
To produce this authoritative critical text, the editors studied all aspects of Mark Twain's manuscript, working notes, proof sheets, and letters. To judge the authority of every variant, they created a unique electronic database that made it possible to analyze--by speaker and date of composition--every word in the manuscript and first edition.
An Inside View of How Mark Twain Wrote Huckleberry Finn
The new appendixes of "Three Passages" and "Manuscript Facsimiles" will give teachers and students as well as the general reader a close-up view of Mark Twain's writing process. They can follow the evolution of three key passages, as the author searched for the right word, the truest dialect, and the most telling description..
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Crime and punishment, passion and loyalty, betrayal and redemption are only a few of the ingredients in Shantaram, a massive, over-the-top, mostly autobiographical novel. Shantaram is the name given Mr. Lindsay, or Linbaba, the larger-than-life hero. It means "man of God's peace," which is what the Indian people know of Lin. What they do not know is that prior to his arrival in Bombay he escaped from an Australian prison where he had begun serving a 19-year sentence. He served two years and leaped over the wall. He was imprisoned for a string of armed robberies peformed to support his heroin addiction, which started when his marriage fell apart and he lost custody of his daughter. All of that is enough for several lifetimes, but for Greg Roberts, that's only the beginning.

He arrives in Bombay with little money, an assumed name, false papers, an untellable past, and no plans for the future. Fortunately, he meets Prabaker right away, a sweet, smiling man who is a street guide. He takes to Lin immediately, eventually introducing him to his home village, where they end up living for six months. When they return to Bombay, they take up residence in a sprawling illegal slum of 25,000 people and Linbaba becomes the resident "doctor." With a prison knowledge of first aid and whatever medicines he can cadge from doing trades with the local Mafia, he sets up a practice and is regarded as heaven-sent by these poor people who have nothing but illness, rat bites, dysentery, and anemia. He also meets Karla, an enigmatic Swiss-American woman, with whom he falls in love. Theirs is a complicated relationship, and Karla's connections are murky from the outset.

Roberts is not reluctant to wax poetic; in fact, some of his prose is downright embarrassing. Throughought the novel, however, all 944 pages of it, every single sentence rings true. He is a tough guy with a tender heart, one capable of what is judged criminal behavior, but a basically decent, intelligent man who would never intentionally hurt anyone, especially anyone he knew. He is a magnet for trouble, a soldier of fortune, a picaresque hero: the rascal who lives by his wits in a corrupt society. His story is irresistible. Stay tuned for the prequel and the sequel. --Valerie Ryan.
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