Books about Funerals from Amazon.com

For Katherine Givens and the four women about to become her best friends, the adventure begins with a UPS package Inside is a pair of red sneakers filled with ashes and a note that will forever change their lives. Katherine’s oldest and dearest friend, the irrepressible Annie Freeman, left one final request–a traveling funeral–and she wants the most important women in her life as “pallbearers.”

From Sonoma to Manhattan, Katherine, Laura, Rebecca, Jill, and Marie will carry Annie’s ashes to the special places in her life. At every stop there’s a surprise encounter and a small miracle waiting, and as they whoop it up across the country, attracting interest wherever they go, they share their deepest secrets–tales of broken hearts and second chances, missed opportunities and new beginnings. And as they grieve over what they’ve lost, they discover how much is still possible if only they can unravel the secret Annie left them.....
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Imagine that as you leave your body at death, you hear the voice of a loved one whispering in your ear explanations of everything you see in the world beyond. Unlike other translations of Bar do thos grol (or The Tibetan Book of the Dead), Robert Thurman's takes literally the entire gamut of metaphysical assumptions. Thurman translates Bar do thos grol as The Great Book of Natural Liberation through Understanding in the Between. It is one of many mortuary texts of the Nyingma sect of Tibetan Buddhism and is commonly recited to or by a person facing imminent death. Thurman reproduces it for this purpose, explaining in some depth the Tibetan conception of postmortem existence. Over as many as 12 days, the deceased person is given explanations of what he or she sees and experiences and is guided through innumerable visions of the realms beyond to reach eventual liberation, or, failing that, a safe rebirth. Like a backpacker's guide to a foreign land, Thurman's version is clear, detailed, and sympathetic to the inexperienced voyager. It includes background and supplementary information, and even illustrations (sorry, no maps). Don't wait until the journey has begun. Every page should be read and memorized well ahead of time. --Brian Bruya.
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The Optimist's Daughter is a compact and inward-looking little novel, a Pulitzer Prize winner that's slight of page yet big of heart. The optimist in question is 71-year-old Judge McKelva, who has come to a New Orleans hospital from Mount Salus, Mississippi, complaining of a "disturbance" in his vision. To his daughter, Laurel, it's as rare for him to admit "self-concern" as it is for him to be sick, and she immediately flies down from Chicago to be by his side. The subsequent operation on the judge's eye goes well, but the recovery does not. He lies still with both eyes heavily bandaged, growing ever more passive until finally--with some help from the shockingly vulgar Fay, his wife of two years--he simply dies. Together Fay and Laurel travel to Mount Salus to bury him, and the novel begins the inward spiral that leads Laurel to the moment when "all she had found had found her," when the "deepest spring in her heart had uncovered itself" and begins to flow again.

Not much actually happens in the rest of the book--Fay's low-rent relatives arrive for the funeral, a bird flies down the chimney and is trapped in the hall--and yet Welty manages to compress the richness of an entire life within its pages. This is a world, after all, in which a set of complex relationships can be conveyed by the phrase "I know his whole family" or by the criticism "When he brought her here to your house, she had very little idea of how to separate an egg." Does such a place exist anymore? It is vanishing even from this novel, and the personification of its vanishing is none other than Fay--petulant, graceless, childish, with neither the passion nor the imagination to love. Welty expends a lot of vindictive energy on Fay and her kin, who must be the most small-minded, mean-mouthed clan since the Snopeses hit Frenchman's Bend. There's more than just class snobbery at work here (though that surely comes into it too). As Welty sees it, they are a special historical tribe who exult in grieving because they have come to be good at it, and who seethe with resentment from the day they are born. They have come "out of all times of trouble, past or future--the great, interrelated family of those who never know the meaning of what has happened to them."

Fay belongs to the future, as she makes clear; it's Laurel who belongs to the past--Welty's own chosen territory. In her fine memoir, One Writer's Beginnings, Welty described the way art could shine a light back "as when your train makes a curve, showing that there has been a mountain of meaning rising behind you on the way you've come." Here, in one of her most autobiographical works, the past joins seamlessly with the present in a masterful evocation of grief, memory, loss, and love. Beautifully written, moving but never mawkish, The Optimist's Daughter is Eudora Welty's greatest achievement--which is high praise indeed. --Mary Park.
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Christie at her plot twisting best.

Poirot unravels a deadly family mystery .
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Now that Russell's teacher's done passed away, maybe Hominy Ridge School will be shut down for good and he can light out for the endless skies of the Dakotas to join a team of harvesters working the new 1904 all-steel threshing machines No such luck. Russell and his schoolmates are about to be ruled by a new teacher who is Russell's worst nightmare—his sister. Russell's going to do whatever it takes to sink the school, even if it means resorting to stealing supplies, rustic vandalism, torching a boy's privy, and rustling up more snakes than you can shake a stick at..
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Jennifer Graham--mother, student, and embalmer's apprentice--could use a friend. She finds one in McLane Larson, a newcomer to Mt. Dora, and is delighted to learn that the young woman is expecting a baby. While McLane's soldier-husband serves overseas, Jen promises to support McLane and then learns that her tie to this woman goes far deeper than friendship. When a difference of opinion threatens their relationship, Jennifer discovers weaknesses in her own character . . . and a faith far stronger than she had imagined..
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Helps little Flower Girls understand their important role in wedding celebrations. Color illustrations of wedding accessories throughout are suitable for many cultures..
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Death is a way of life for the Snowberger family, since they run a funeral parlor out of their Mississippi home with the motto "We live to serve." Still, when 94-year-old Great-great-aunt Florentine Snowberger dies in the vegetable garden, no one can truly be prepared, even though she'd been bidding "good night and good-bye" to the family every night since she turned 90. Florentine's death is hard on 10-year-old Comfort, since the two were so close, even co-writing the Fantastic (and Fun) Funeral Food for Family and Friends. It's no surprise, then, when the annoyingly overwrought emotional displays of her young cousin Peach Shuggars and the sudden iciness of her alleged best friend Declaration Johnson send Comfort over the edge. Thank goodness for her shaggy "feel-good" dog Dismay who can eradicate all bad feelings with a single slobbery lick.

When a dangerous flash flood comes to Snapfinger on the day of Florentine's funeral, Comfort learns again that life is full of surprises, good and bad, and that, ultimately, it's just good to be alive. This warm, witty novel, told in Comfort's voice (and a mix of letters, recipes, articles, and helpful hints), celebrates the joys of family, of prune bread, of freshly sharpened pencils, and of "each little bird that sings." The fairly constant philosophizing about life and death, the unusual character names (Tidings, Comfort, Joy), and the narrator's oft-precocious voice may fray a nerve or two, but readers will find more than enough humor and good old-fashioned storytelling here to make up for it. (Ages 8 to 12) --Karin Snelson.
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