Books about Gamblers from Amazon.com

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The amazing inside story about a gambling ring of M.I.T.students who beat the system in Vegas -- and lived to tell how.

Robin Hood meets the Rat Pack when the best and the brightest of M.I.T.'s math students and engineers take up blackjack under the guidance of an eccentric mastermind. Their small blackjack club develops from an experiment in counting cards on M.I.T.'s campus into a ring of card savants with a system for playing large and winning big. In less than two years they take some of the world's most sophisticated casinos for more than three million dollars. But their success also brings with it the formidable ire of casino owners and launches them into the seedy underworld of corporate Vegas with its private investigators and other violent heavies.

Filled with tense action, high stakes, and incredibly close calls, Bringing Down the House is a nail-biting read that chronicles a real-life Ocean's Eleven. It's one story that Vegas does not want you to read..
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Semyon Dukach couldn't believe how easy the money was. In one weekend, the MIT math genius and his team of geeks had made $200,000 playing the blackjack tables in Las Vegas. They hadn't cheated Instead, they had discovered one of humanity's greatest holy grails: a system to beat the casino. They had rendered obsolete the old saying that the house always wins. Dukach and his friends made millions during the 1990s playing blackjack in the world's top casinos, right under the noses of pit bosses and security consultants who thought they had seen it all. Dukach's story is told in author Ben Mezrich's vividly narrated book Busting Vegas.

Mezrich, the author of previous bestsellers about MIT gamblers and a colorful Ivy League trader in Japan, tells how Dukach's crew used a system that Vegas had never seen before. Dukach, the son of Russian immigrants who grew up in the poorest neighborhoods of New Jersey and Houston, was determined to climb out of poverty and help his family. His system didn't involve the commonly used techniques of card counting. Posing as an arms dealer or dentist, Dukach deliberately sought out blackjack dealers with small hands or thin fingers who frequently didn't conceal the bottom card when they shuffled the cards. Dukach would often manage to get a glimpse at the bottom card. This was highly significant because it was the card the dealer would hand the player to cut the deck. Dukach had practiced a technique to insert the card in a precise spot in the deck and then make big bets when the card was dealt. Dukach and his team ended up barred from casinos, threatened at gunpoint, and beaten in Vegas's notorious back rooms. This is a riveting yarn. —Alex Roslin.
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Oscar Hopkins is a high-strung preacher's kid with hydrophobia and noisy knees. Lucinda Leplastrier is a frizzy-haired heiress who impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. In the early parts of this lushly written book, author Peter Carey renders the seminal turning points in his protagonists' childhoods as exquisite 19th-century set pieces. Young Oscar, denied the heavenly fruit of a Christmas pudding by his cruelly stern father, forever renounces his father's religion in favor of the Anglican Church. "Dear God," Oscar prays, "if it be Thy will that Thy people eat pudding, smite him!" Lucinda's childhood trauma involves a beautiful doll bought by her struggling mother with savings from the jam jar; in a misguided attempt to tame the doll's unruly curls, young Lucinda mutilates her treasure beyond repair. Neither of these coming-of-age stories quite explains how the grownup Oscar and Lucinda each develop a guilty passion for gambling. Oscar plays the horses while at school, and Lucinda, now an orphaned heiress, finds comfort in a game of cards with an odd collection of acquaintances. When the two finally meet, on board a ship bound for New South Wales, they are bound by their affinity for risk, their loneliness, and their awkwardly blossoming (but unexpressed) mutual affection. Their final high-stakes folly--transporting a crystal palace of a church across (literally) godforsaken terrain--strains plausibility, and events turn ghastly as Oscar plays out his bid for Lucinda's heart. Yet even the unconvincing plot turns are made up for by Carey's rich prose and the tale's unpredictable outcome. Although love proves to be the ultimate gamble for Oscar and Lucinda, the story never strays too far from the terrible possibility that even the most thunderstruck lovers can remain isolated in parallel lives..
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Renowned storyteller Gaelen Foley unfurls the seductive tale of the rakish Lord Alec Knight, who never looked for love–until it was right in front of him. . . .

Lord Alec Knight, the most daring and handsome rogue in all of London, is a smooth-talking aristocrat with an abundance of high-society lady admirers. With his irresistible wit, lucky hand at the gaming tables, and enticing charisma, he can have any woman he wants. But when the only girl he would have considered marrying ties the knot with someone else, Alec realizes he doesn’t want to be with just any lady–he wants to find the love of his life.

The boldly spirited, beautiful Miss Becky Ward takes his life by storm after he rescues her from peril. Alec soon learns that she is on the run from her cousin, the murderous Prince Mikhail Kurkov. Becky has uncovered a menacing secret about the prince–now nothing will stop him from hunting her down. In the midst of danger, Alec and Becky find themselves deeply drawn to each other. After the two spend an all-consuming night of sin, Becky’s knight in shining armor vows on his honor to protect her until the end. But before long, Alec is protecting her with more than honor–and it seems the once untamed rake of London just may have found what he has been searching for all along . . . true love..
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Seven Stories Press is proud to release the first critical edition of Nelson Algren's masterpiece on the 50th anniversary of its publication in November 1949. Considered Algren's finest work, The Man with the Golden Arm recounts one man's self-destruction in Chicago's Polish ghetto. The novel's protagonist, Frankie Machine, remains a tragic American hero half a century after Algren created this gritty and relentlessly dark tale of modern urban society..
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A gloriously written memoir of growing up in a family of hard- core gamblers-Martha Frankel thought the gambling gene had passed her by, until she found herself addicted to online poker and knee-deep in debt.

Most weekends when Martha Frankel was a kid, her mother had a mah-jongg game going in the kitchen with her girlfriends while their husbands were in the living room playing poker. Once Frankel reached adulthood, however, while her cousins were making their way in the world as bookies and drug dealers, gambling didn't much factor into her life.

In the tradition of Five-Finger Discount by Helene Stapinski and Dry by Augusten Burroughs, Hats & Eyeglasses traces Frankel's love affair with poker. It was a passion that bit her in her mid-forties and remained harmless enough when she stuck to real cards. But everything changed one evening in 1998 in Atlantic City, when Frankel overheard one dealer bemoan the fact that his tips that evening were going to be small what with the meager crowd assembled. Another dealer mentioned that everyone must be playing online-"Why leave the house when you can play in your pajamas?" the dealer said. Why indeed? thought Frankel, who couldn't wait to get back to her computer. The next morning she took a deep breath, typed in her credit card number, and entered the world of online gambling. It was the beginning of what one of her uncles called "hats and eyeglasses," a term used to describe those times when you're losing so bad you're drowning (so all one can see is the poker player's hat and eyeglasses floating on the surface of the water). By turns hilarious and heartbreaking, Hats & Eyeglasses is a tale of passion, addiction-and those times in life when we almost lose our shirt..
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The sound of Little Nell clattering hurriedly over cobblestones immediately sets the stage by bringing to mind the narrow and dangerous streets of Victorian London. No fewer than 20 performers are called upon to conjure up the Dickensian world of wanderers, ne'er-do-wells, con artists, and kind Samaritans--and each performance is excellent. Tom Courtenay plays the sadistic Quilp, "the ugliest dwarf that could be seen anywhere for a penny" with magnificent sarcastic glee, and Teresa Gallagher's silvery, childlike voice is ideally suited for the role of the angelic Little Nell.

Nell is on her way home to the dusty shop where she and her grandfather live a rather mysterious life. The old man disappears every night--visiting gambling dens with the naive hope of winning a fortune. Instead he sinks deeper and deeper into debt. Enter Daniel Quilp, moneylender, who becomes furious upon learning that the grandfather is a pauper and will never be able to repay his tremendous debt. Quilp seizes the curiosity shop and begins making lecherous overtures to Nell, so she and her grandfather steal away one morning to seek their fortunes elsewhere. But the demonic dwarf is never far behind.

Sound effects are employed judiciously and serve mainly as a springboard for the listener's imagination. The sound of a crying baby is enough to convey the image of crowded lodgings and genteel Victorian poverty, while raucous laughter and high-pitched squawks evoke the barely controlled chaos of an outdoor Punch and Judy show. The dramatization pares Dickens's weighty novel down to two and one-half hours, but does so skillfully, retaining Dickens's wit, marvelous dialogue, and delightful characterizations. (Running time: 155 minutes, 2 cassettes) --Elizabeth Laskey.
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