Books about Grasses from Amazon.com

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With this new book, William Cullina completes his three-book series on native plants. Like Wildflowers and Native Trees, Shrubs and Vines, Native Ferns, Moss and Grasses combines encyclopedic information about North American species with specific instructions on how to grow and propagate them, all written in a fresh and entertaining style.

Cullina compares a garden made up of nothing but bright flowers to the detergent shelves in a supermarket, where every package screams for attention. What makes a true garden out of a collection of flowering plants are the ferns, moss, and grasses that are the verdant canvas on which nature paints its portraits -- dark green, medium green, forest green, light green, lime green, yellow-green, blue-green, gray-green, chartreuse, emerald, teal, puce, and every shade of green in between. These plants, Cullina says, bring to the garden a level of refinement and sophistication unmatched by any flower.

On the practical side, Native Ferns, Moss and Grasses contains a thorough discussion, with several maps, of what plant hardiness means in the light of global warming. For each species, he also gives the natural range, type of soil, and habitat in which the plant thrives. In the back he provides complete information on where to buy these plants and list of the best species for various uses..
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Whitman's masterpiece According to Wikipedia: "Walter Whitman (May 31, 1819 â€" March 26, 1892) was an American poet, essayist, journalist, and humanist He was a part of the transition between Transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse.".
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From steel workers, Teamsters, and coal miners to teachers, actors, and civil servants, union members once accounted for more than one third of the American workforce. At a mere 12 percent, union membership today is a shadow of what it once was. What happened to organized labor in America and what can be done to restore it to its role of the defender of middle-class values and economic well-being?

Award-winning investigative reporter Philip M. Dine takes us on a riveting journey through America's cities and back roads, its factories and union halls, to answer those questions. From the health care crisis to massive job flight overseas, from rampant home foreclosures to illegal immigration, he clearly shows how virtually every major economic, political, and social trend impacting our way of life is tied to the state of America's unions.

Combining a compelling narrative with expert analysis, Dine offers firsthand accounts of the union members striving to make their voices heard in a political landscape increasingly shaped by corporate interests, including how:

• The women of Delta Pride-a major player in the multi-billion dollar catfish industry-went up against generations of racial and economic prejudice
• Iowa's firefighters union flexed its collective muscle to score a major political victory in the 2004 caucus
• The American Federation of Teachers and the AFL-CIO played a key role in bringing down the Iron Curtain
• The Teamsters enlisted community support to temporarily stop a move by Mr. Coffee to relocate to Mexico and saved nearly 400 manufacturing jobs in the Cleveland area

A reporter who has covered labor for two decades, Dine not only details where labor has gone wrong, but he also offers sage advice on how it can adapt to a global economy to recover the ground it lost over the last quarter century.

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Hook-and-bullet adventures had by tough guys such as Teddy Roosevelt and Papa Hemingway may be out of favor in these times of eco-awareness, but Peter Hathaway Capstick's account of big-game hunting in Africa remains a classic. With humor, grace, and supreme tension, Capstick takes the reader on safari, eloquently stating his case for blood sport while portraying the intensity of the hunt. .
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Out of Africa is Karin Blixen's love letter to the country she called home for nearly 20 years. Arriving in British East Africa (now Kenya) from Denmark in 1914, Blixen--Isak Dinesen was her pen name--was immediately seduced by the landscape of the Ngong hill country, not to mention the animals and people who inhabited it. Her descriptions bring this wonderland alive for readers: out on safari, she recalls the movements of a group of giraffes, "in their queer, inimitable, vegetative gracefulness, as if it were not a herd of animals but a family of rare, long-stemmed, speckled gigantic flowers slowly advancing." Blixen laces into her reverie the account of her coffee plantation--which ultimately succumbed to high altitude, droughts, and tumbling international coffee prices--and tales of her friendships with other colonials in Nairobi. But one should read her memoir for the stories she tells of cooking with her Kikuyu chef (who almost never ate any of the European delicacies he so expertly created), adopting an abandoned infant antelope, flying over the countryside in her lover's plane--"the greatest, most transporting pleasure of my life on the farm"--and watching the children of her tenant farmers collect at her house each day at noon for the spectacle of her cuckoo clock.

Though some of her references to native Africans will likely make today's readers uncomfortable, Blixen can also be perceptive, particularly in her articulation of the differences between European and African culture and her excitement over what she learns from "her" Africans. It is not long before she is attuned to the rhythms of nature: she can foresee when the rains will come, can spot the new moon before anyone else on the farm, and knows exactly what the silence of night should sound like. Though her sorrow is almost unbearably palpable when at last--after the collapse of the farm, the loss of her lover, and the war looming--Blixen leaves Africa, the reader will close the book richer for her sojourn. --Jordana Moskowitz.
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Meet Oskar Matzerath, "the eternal three-year-old drummer " On the morning of his third birthday, dressed in a striped pullover and patent leather shoes, and clutching his drumsticks and his new tin drum, young Oskar makes an irrevocable decision: "It was then that I declared, resolved, and determined that I would never under any circumstances be a politician, much less a grocer; that I would stop right there, remain as I was--and so I did; for many years I not only stayed the same size but clung to the same attire." Here is a Peter Pan story with a vengeance. But instead of Never-Never Land, Günter Grass gives us Danzig, a contested city on the Polish-German border; instead of Captain Hook and his pirates, we have the Nazis. And in place of Peter himself is Oskar, a twisted puer aeternis with a scream that can shatter glass and a drum rather than a shadow. First published in 1959, The Tin Drum's depiction of the Nazi era created a furor in Germany, for the world of Grass's making is rife with corrupt politicians and brutal grocers in brown shirts:

There was once a grocer who closed his store one day in November, because something was doing in town; taking his son Oskar by the hand, he boarded a Number 5 streetcar and rode to the Langasser Gate, because there as in Zoppot and Langfuhr the synagogue was on fire. The synagogue had almost burned down and the firemen were looking on, taking care that the flames should not spread to other buildings. Outside the wrecked synagogue, men in uniform and others in civilian clothes piled up books, ritual objects, and strange kinds of cloth. The mound was set on fire and the grocer took advantage of the opportunity to warm his fingers and his feelings over the public blaze.

As Oskar grows older (though not taller), portents of war transform into the thing itself. Danzig is the first casualty when, in the summer of 1939, residents turn against each other in a pitched battle between Poles and Germans. In the years that follow, Oskar goes from one picaresque adventure to the next--he joins a troupe of traveling musicians; he becomes the leader of a group of anarchists; he falls in love; he becomes a recording artist--until some time after the war, he is convicted of murder and confined to a mental hospital.

The Tin Drum uses savage comedy and a stiff dose of magical realism to capture not only the madness of war, but also the black cancer at the heart of humanity that allows such degradations to occur. Grass wields his humor like a knife--yes, he'll make you laugh, but he'll make you bleed, as well. There have been many novels written about World War II, but only a handful can truly be called great; The Tin Drum, without a doubt, is one. --Alix Wilber.
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Will Lee has returned to his roots to kick off his campaign for the Senate. A prominent lawyer, he has come back to his hometown of Delano, Georgia, to plan his strategies, and to argue an explosively controversial case that could seriously damage his fledgling political career. For Delano is a town with a dark secret -- a smoldering hotbed of racial hatred and moral outrage, held in the thrall of a sinister group called The Elect. Its violent, evil forces will stop at nothing to keep the candidate out of office. But Will Lee isn't about to back down, even though it may cost him his career -- and his life..
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