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Edith Hamilton loved the ancient Western myths with a passion--and this classic compendium is her tribute "The tales of Greek mythology do not throw any clear light upon what early mankind was like," Hamilton explains in her introduction. "They do throw an abundance of light upon what early Greeks were like--a matter, it would seem, of more importance to us, who are their descendents intellectually, artistically, and politically. Nothing we learn about them is alien to ourselves." Fans of Greek mythology will find all the great stories and characters here--Perseus, Hercules, and Odysseus--each discussed in generous detail by the voice of an impressively knowledgeable and engaging (with occasional lapses) narrator. This is also an excellent primer for middle- and high-school students who are studying ancient Greek and Roman culture and literature. --Gail Hudson.
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The second edition of Five Dialogues presents G. M. A. Grube's distinguished translations, as revised by John Cooper for Plato, Complete Works. A number of new or expanded footnotes are also included along with an updated bibliography..
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The embattled Republic reels from the attacks of Grand Admiral Thrawn, who has marshaled the remnants of the Imperial forces and driven the Rebels back with an abominable technology recovered from the Emperor's secret fortress: clone soldiers. As Thrawn mounts his final siege, Han and Chewbacca struggle to form a coalition of smugglers for a last-ditch attack against the empire, while Leia holds the Alliance together and prepares for the birth of her Jedi twins. Overwhelmed by the ships and clones at Thrawn's command, the Republic has one last hope--sending a small force, led by Luke Skywalker, into the very stronghold that houses Thrawn's terrible cloning machines. There a final danger awaits, as the Dark Jedi C'baoth directs the battle against the Rebels and builds his strength to finish what he had already started: the destruction of Luke Skywalker..
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For 30 years Frank McCourt taught high school English in New York City and for much of that time he considered himself a fraud. During these years he danced a delicate jig between engaging the students, satisfying often bewildered administrators and parents, and actually enjoying his job. He tried to present a consistent image of composure and self-confidence, yet he regularly felt insecure, inadequate, and unfocused. After much trial and error, he eventually discovered what was in front of him (or rather, behind him) all along--his own experience. "My life saved my life," he writes. "My students didn't know there was a man up there escaping a cocoon of Irish history and Catholicism, leaving bits of that cocoon everywhere." At the beginning of his career it had never occurred to him that his own dismal upbringing in the slums of Limerick could be turned into a valuable lesson plan. Indeed, his formal training emphasized the opposite. Principals and department heads lectured him to never share anything personal. He was instructed to arouse fear and awe, to be stern, to be impossible to please--but he couldn't do it. McCourt was too likable, too interested in the students' lives, and too willing to reveal himself for their benefit as well as his own. He was a kindred spirit with more questions than answers: "Look at me: wandering late bloomer, floundering old fart, discovering in my forties what my students knew in their teens."

As he did so adroitly in his previous memoirs, Angela's Ashes and 'Tis, McCourt manages to uncover humor in nearly everything. He writes about hilarious misfires, as when he suggested (during his teacher's exam) that the students write a suicide note, as well as unorthodox assignments that turned into epiphanies for both teacher and students. A dazzling writer with a unique and compelling voice, McCourt describes the dignity and difficulties of a largely thankless profession with incisive, self-deprecating wit and uncommon perception. It may have taken him three decades to figure out how to be an effective teacher, but he ultimately saved his most valuable lesson for himself: how to be his own man. --Shawn Carkonen.
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Houston televangelist Joel Osteen is well qualified to write this book, having used the seven principles he shares to achieve his own "rags-to-riches" story. At the heart of Osteen's message is that achieving a successful, prosperous life of fulfillment can only occur when we stop worrying about the past or future to make the most of each present moment by using our God-given strengths and talents to achieve our goals. The key to doing so are the seven steps Osteen outlines: Enlarge Your Vision, Develop a Healthy Self-Image, Discover the Power of Your Thoughts and Words, Let go of the Past, Find Strength Through Adversity, Live to Give, and Choose to Be Happy. Mixing biblical teachings with his own personal experiences, Osteen explains each of these seven steps in an encouraging, optimistic manner that makes them accessible to anyone interested in principles of personal growth. Although written with a Christian slant, the seven steps Osteen shares will have value to anyone wanting to know more about practical steps of self-betterment, regardless of their denomination.--Larry Trivieri Jr..
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Many good books have been written about the history of hip-hop music and the generation that nurtured it. Can't Stop Won't Stop ranks among the best. Jeff Chang covers the music--from its Jamaican roots in the late 1960s to its birth in the Bronx; its eventual explosion from underground to the American mainstream--with style, including DJs, MCs, b-boys, graffiti art, Black Nationalism, groundbreaking singles and albums, and the street parties that gave rise to a genuine movement. But the book is about more than beats and rhymes. What distinguishes his book from the pack is Chang's examination of how hip-hop has shaped not only pop music, but American history and culture over the past 30 years. He shows how events such as urban flight, race riots, neighborhood reclamation projects, gang warfare in the Bronx and Los Angeles, and grassroots movements that influenced political agendas are as integral a part of the hip-hop story as the music itself. He also charts the concurrent rise of hip-hop activism and the commodification of the music and the ideological clashes that developed as a result.

Based on hundreds of interviews and over a decade of work as a respected music journalist, Chang offers colorful profiles of the lives and influences of "the trinity of hip-hop music"--Grandmaster Flash, Afrika Bambaataa, and DJ Kool Herc--along with many other artists, label executives, DJs, writers, filmmakers, and promoters. Impressive in its scope, Can't Stop Won't Stop is a lively and sharply written exploration of the power of hip-hop to unite people across generational, racial, and economic lines. --Shawn Carkonen.
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With The Da Vinci Code, Dan Brown masterfully concocts an intelligent and lucid thriller that marries the gusto of an international murder mystery with a collection of fascinating esoteria culled from 2,000 years of Western history.

A murder in the silent after-hour halls of the Louvre museum reveals a sinister plot to uncover a secret that has been protected by a clandestine society since the days of Christ. The victim is a high-ranking agent of this ancient society who, in the moments before his death, manages to leave gruesome clues at the scene that only his granddaughter, noted cryptographer Sophie Neveu, and Robert Langdon, a famed symbologist, can untangle. The duo become both suspects and detectives searching for not only Neveu's grandfather's murderer but also the stunning secret of the ages he was charged to protect. Mere steps ahead of the authorities and the deadly competition, the mystery leads Neveu and Langdon on a breathless flight through France, England, and history itself. Brown (Angels and Demons) has created a page-turning thriller that also provides an amazing interpretation of Western history. Brown's hero and heroine embark on a lofty and intriguing exploration of some of Western culture's greatest mysteries--from the nature of the Mona Lisa's smile to the secret of the Holy Grail. Though some will quibble with the veracity of Brown's conjectures, therein lies the fun. The Da Vinci Code is an enthralling read that provides rich food for thought. --Jeremy Pugh.
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If smoked salmon and cream cheese omelets, sautéed jumbo shrimp, and double-patty burgers suit your palate, belly up to the Protein Power diet: "Not a high protein diet" but "an adequate protein diet." Doctors Michael R. and Mary Dan Eades make a persuasive case in favor of "the diet we were meant to eat."

Similar to Dr. Robert Atkins's New Diet Revolution, the authors cite insulin as the main culprit in weight gain and expound the benefits of a diet extremely low in carbohydrates. Carbohydrates, which are changed into sugar during digestion, stimulate the body to store fat, making weight loss virtually impossible. The most revolutionary idea put forth in Protein Power is that the fat you eat has very little bearing on the fat you gain: in other words, we aren't what we eat after all. Researchers have found that eating larger portions of protein in conjunction with severely reduced portions of carbohydrates causes people to burn the excess fat stored in their bodies.

Protein Power is packed with helpful charts and formulas, so you can estimate your body-fat percentage and your ideal weight for your particular body composition. There are worksheets to calculate your protein need and carbohydrate and protein equivalency charts, as well as charts that allow you to track your fat and weight loss. But this book is not all grams and percentages: it also shows you what a day of eating on this diet would look like and includes sample menus and 70 pages of recipes. If you've been starving yourself for years and just can't seem to lose weight, this may be the diet for you. --Jhana Bach.
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