Books about Historians from Amazon.com

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Price: $9.13 [Notify me when price goes down.]

Wallace Stegner's Pulitzer Prize-winning novel is a story of discovery--personal, historical, and geographical Confined to a wheelchair, retired historian Lyman Ward sets out to write his grandparents' remarkable story, chronicling their days spent carving civilization into the surface of America's western frontier. But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family.

Like other great quests in literature, Lyman Ward's investigation leads him deep into the dark shadows of his own life. The result is a deeply moving novel that, through the prism of one family, illuminates the American present against the fascinating background of its past..
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"Literary critics make natural detectives," says Maud Bailey, heroine of a mystery where the clues lurk in university libraries, old letters, and dusty journals Together with Roland Michell, a fellow academic and accidental sleuth, Maud discovers a love affair between the two Victorian writers the pair has dedicated their lives to studying: Randolph Ash, a literary great long assumed to be a devoted and faithful husband, and Christabel La Motte, a lesser-known "fairy poetess" and chaste spinster. At first, Roland and Maud's discovery threatens only to alter the direction of their research, but as they unearth the truth about the long-forgotten romance, their involvement becomes increasingly urgent and personal. Desperately concealing their purpose from competing researchers, they embark on a journey that pulls each of them from solitude and loneliness, challenges the most basic assumptions they hold about themselves, and uncovers their unique entitlement to the secret of Ash and La Motte's passion.

Winner of the 1990 Booker Prize--the U.K.'s highest literary award--Possession is a gripping and compulsively readable novel. A.S. Byatt exquisitely renders a setting rich in detail and texture. Her lush imagery weaves together the dual worlds that appear throughout the novel--the worlds of the mind and the senses, of male and female, of darkness and light, of truth and imagination--into an enchanted and unforgettable tale of love and intrigue. --Lisa Whipple.
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This unprecedented book by one of Britain’s most admired historians describes the intellectual impact that the study and consideration of history has had in the Western world over the past 2,500 years.

Treating the practice of history not as an isolated pursuit but as an aspect of human society and an essential part of the culture of Europe and America, John Burrow magnificently brings to life and explains the distinctive qualities found in the work of historians from the ancient Egyptians and Greeks to the present, including Livy, Tacitus, Bede, Froissart, Clarendon, Gibbon, Macaulay, Michelet, Prescott and Parkman. The author sets out not to give us the history of academic discipline but a history of choices: the choice of pasts, and the ways they have been demarcated, investigated, presented and even sometimes learned from as they have changed according to political, religious, cultural, and (often most important) partisan and patriotic circumstances. Burrow aims, as well, to change our perceptions of the crucial turning points in the history of history, allowing the ideas that historians have had about both their own times and their founding civilizations to emerge with unexpected freshness.

Burrow argues that looking at the history of history is one of the most interesting ways we have to understand the past. Certainly, this volume stands alone in its ambition, scale and fascination.

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If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula--Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century--was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.

As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight--one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland--sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.

Although the book is appropriately suspenseful and a delight to read--even the minor characters are distinctive and vividly seen--its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words. --Regina Marler.
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Born out of a small research program that began in 1939, the Manhattan Project brought together the cream of the scientific community and the military to create and perfect a weapon more powerful than any the world had known. Racing against time as the war raged in Europe and Asia, and against our enemies, whom we feared were pursuing similar ends, the Project would eventually employ more than 125,000 people and cost a total of over $2 billion—and the entire operation was conducted under a shroud of secrecy, at remote sites around the country.

This groundbreaking book—the first of its kind—collects the writings and thoughts of the original participants in the Manhattan Project, along with pieces by the most important historians and interpreters of the subject. It is a rich and comprehensive compilation of documents, essays, articles, and excerpts from histories, biographies, plays, novels, letters, oral histories, and more, and is the freshest, most multi-faceted exploration yet of the topic. Including material by and about J. Robert Oppenheimer, Leo Szilard, Albert Einstein, Richard Feynman, Leslie Groves, Klaus Fuchs, Henry Stimson, Vannevar Bush, Harry S. Truman, Niels Bohr, and many other key figures, it also collects the writings and testimony of those in the trenches at the Project, their families, and local eyewitnesses. Finally, the book includes thoughts and concerns about the bomb, set down in the aftermath of its deployment, by politicians, writers, artists, and others who saw that the world would never again be the same.

Assembled with authority and care by the president of the Atomic Heritage Foundation—in cooperation with a team of advising historians that included the Pulitzer Prize-winning Richard Rhodes—The Manhattan Project is an invaluable addition to the historical record as well as a gripping narrative of scientific discovery, military strategy, and moral reflection..
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Set in the suburbs of New York in the 1950s, Wait Till Next Year is Doris Kearns Goodwin's touching memoir of growing up in love with her family and baseball She re-creates the postwar era, when the corner store was a place to share stories and neighborhoods were equally divided between Dodger, Giant, and Yankee fans.

We meet the people who most influenced Goodwin's early life: her mother, who taught her the joy of books but whose debilitating illness left her housebound: and her father, who taught her the joy of baseball and to root for the Dodgers of Jackie Robinson, Roy Campanella, Pee Wee Reese, Duke Snider, and Gil Hodges. Most important, Goodwin describes with eloquence how the Dodgers' leaving Brooklyn in 1957, and the death of her mother soon after, marked both the end of an era and, for her, the end of childhood..
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One perfect red rose, a one-way ticket to Stockholm, and a cryptic "message" consisting of two Latin words intrigue art historian Vicky Bliss -- as they were precisely intended to do. Beautiful, brilliant and, as always, dangerously inquisitive, Vicky recognizes the handiwork of her former lover, the daring jewel thief John Smythe. So she takes the bait, eagerly following Smythe's lead in the hope of finding a lost treasure. But the trail begins at a priceless fifth century chalice which will place Vicky at the mercy of a gang of ruthless criminals who have their eyes on an even more valuable prize. And the hunt threatens to turn deadly on a remote island, where a captive Vicky Bliss must lead an excavation into the distant past -- and where digging too deep for the truth could dig her own grave.

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