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Hedi Slimane: Intermission
Brad Pitt was married in one of his suits, John Galliano dressed in one of his jackets to receive a prestigious award, Karl Lagerfeld never wears anything else, and women as dashing and fashionable as Madonna, Catherine Deneuve, and Cecilia Dean go drag to wear his designs. Hedi Slimane, the young designer who left Yves Saint Laurent to reinvent Christian Dior's menswear image, embraces "the cosmopolitanism of the old-school couturier" as well as "the conventional trappings of the modern-day berdesigner." He reconfigures classical pieces via subtle tailoring tricks, discreetly adding such dandified details as black leather carnation buttonholes, tiny emerald-cut diamond pins clipped to a pant fly, and clear sequins dispersed in the folds of pleats. He is the leader of an anti-technological, anti-velcro revolution that is striving to take men's fashions forward to the luxurious, armorial, sophisticated standards of time past. As Slimane himself has said, "For me, tradition is now." Intermission was conceived and built by Slimane himself as an artist's book. Published in collaboration with Pitti Immagine..
Price: $46.96
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intermission: poems
Poetry. African American Studies Tracie Morris has held Championship Titles in both the Nuyorican Grand Slam and the National Haiku Slam. Across these United States of Poetry, she is one of the most unforgettable, improvisational, harmelodic poets working today: "Drawn to what I like/ Can a deer stop headlights?/ Power is blinding" ("The Current Color"). These short pieces are street smart as well as book smart, at once visionary and down-to-earth. "Tracie Morris is a step into the next century, the verse of the new millennium in sight"-Miguel Algarin..
Price: $5.01
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First Intermissions: Twenty-One Great Operas Explored, Explained, and Brought to Life From the Met
Millions of opera fans tune in faithfully to the Metropolitan Opera's famous Saturday radio series. One of the program's highlights occurs during the first intermission, when invited speakers offer live, stimulating commentary on the opera aired that day. And for the last twelve years one of the most popular guests on this program has been M. Owen Lee, a Catholic priest and classics scholar, who has emerged as a brilliant and engaging speaker with a gift for making opera relevant to modern concerns. Now, in First Intermissions, Father Lee presents twenty-one of his finest radio talks, illuminating some of the best loved operas in the current repertoire, including masterworks by Mozart, Verdi, Wagner, Puccini, and Strauss. This is a book that brims with opera lore, with the love of fine music, and with an abundance of good humor. Father Lee writes brilliantly about the music itself, offering insights into composition that even a novice can grasp and enjoy. But for Father Lee, opera is more than beautiful music. Opera is about the human condition, our capacity for good and evil, our unconscious thoughts and conscious actions, our sorrows and our joys, our stories, our myths, and our personal triumphs and tragedies. It is great art confronting life head on: the conflict between fathers and children in Verdi, the irreversibility of time in Strauss, or the quest for self-realization in Wagner. Father Lee brings the real story of opera to life--great stories that make us see beyond the plot and feel the music as a blow to the heart. What also strikes the reader about Father Lee's style is that it is very intimate, not only sprinkled with personal anecdotes (such as saving pennies in Depression-era Detroit to buy sheet music from Sears and Roebuck), but informed throughout by his open-hearted response to opera's magic. Father Lee's love of opera shines through these pieces, and his enthusiasm is contagious, sending readers straight to their record collections--or the nearest record store--to savor once again the marvels of opera. When Father Owen Lee first appeared on the Metropolitan Opera broadcasts, he was given two criteria. "I could say anything I pleased," he recalls, "so long as (1) it was instantly intelligible to the little old lady in Dubuque and the little old gentleman in Des Moines and (2) it was something no one anywhere, of either sex or any age, had ever thought of before." Whether discussing Puccini's La Boheme or Strauss's Der Rosenkavalier or Gounod's Faust, Father Lee remains utterly original and always in touch with the little old lady in Dubuque..
Price: $11.40
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The Red Nichols Story: After Intermission, 1942-1965 (Studies in Jazz Series)
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No Intermissions: The Life of Agnes de Mille
Pioneering a distinctly American style that combined modern dance and ballet with a traditional folk idiom, Agnes de Mille popularized what had been an elitist art and irrevocably changed the American musical theater. During a life that spanned most of the twentieth century, de Mille worked and played with a fabulous cast of characters, from her uncle (the legendary Cecil B. de Mille) to Charlie Chaplin, Martha Graham, Cole Porter, Noël Coward, Rebecca West, Rodgers and Hammerstein, and Mikhail Baryshnikov. Drawing on unpublished papers and extensive interviews with friends, colleagues, relatives, and de Mille herself, Carol Easton takes us behind the scenes of de Mille's extraordinary life: struggling to establish a reputation, surviving a series of disastrous love affairs, meeting the conflicting demands of ambition and motherhood, and dealing with a devastating illness. She unforgettably brings to life the combination of intelligence, artistry, and humor that was Agnes de Mille. .
Price: $0.50
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