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Interstices of the Sublime: Theology and Psychoanalytic Theory (Perspectives in Continental Philosophy)
Interstices of the Sublime represents a powerful theological engagement with psychoanalytic theory in Freud, Lacan, Kristeva and Zizek, as well as major expressions of contemporary Continental philosophy, including Deleuze, Derrida, Marion, and Badiou. Through creative and constructive psycho-theological readings of topics such as sublimation, schizophrenia, God, and creation ex nihilo, this book contributes to a new form of radical theological thinking that is deeply involved in the world. Here the idea of the Kantian sublime is read into Freud and Lacan, and compared with sublimation. The sublime refers to a conflict of the Kantian faculties of reason and imagination, and involves the attempt to represent what is intrinsically unrepresentable. Sublimation, by contrast, involves the expression and partial satisfaction of primal desires in culturally acceptable terms. The sublime is negatively expressed in sublimation, because it is both the "source" of sublimation as well as that which resists being sublimated. That is, the Freudian sublime is related to the process of sublimation, but it also distorts or disrupts sublimation, and invokes what Lacan calls the Real. The effects of the sublime are not just psychoanalytic but, importantly, theological, because the sublime is the main form that "God" takes in the modern world. A radical postmodern theology attends to the workings of the sublime in our thinking and living, and provides resources to understand the complexity of reality. This book is one of the first sustained theological readings of Lacan in English..
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interstices
The Holland Prize originated in 2005 to recognize the best unpublished book of poetry in American English. Larry Holland dedicated much of his life to reading and teaching those poets the world had yet to discover. His passion for honest poetry spoken in an original voice and his disinterest in poets du jour set him apart from most of his contemporaries. As editor of Elkhorn Review he sought to publish the best, the brightest and the freshest. As an essayist, he wrote of the geography poetry best inhabits. Horseman and outdoors enthusiast, he lived a life full and rich as only the best poetry can be. Laurelyn Whitt's book interstices is the 2005 Holland Series winner..
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Interstices, hybridity, and identity: Olaudah Equiano and the discourse of the African slave trade.(Critical Essay): An article from: Studies in the Literary Imagination
This digital document is an article from Studies in the Literary Imagination, published by Georgia State University Department of English on September 22, 2003. The length of the article is 4459 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser. Citation DetailsTitle: Interstices, hybridity, and identity: Olaudah Equiano and the discourse of the African slave trade.(Critical Essay) Author: Terry S. Bozeman Publication:Studies in the Literary Imagination (Refereed) Date: September 22, 2003 Publisher: Georgia State University Department of English Volume: 36 Issue: 2 Page: 61(10) Article Type: Critical Essay Distributed by Thomson Gale.
Price: $5.95
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L'image eprouvee : les enjeux de l'interactivite au sein du groupe Interstices.(Actualités/Débats): An article from: Etc. Montreal
This digital document is an article from Etc. Montreal, published by Revue d'Art Contemporain Etc. Inc. on March 1, 2004. The length of the article is 3058 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser. Citation DetailsTitle: L'image eprouvee : les enjeux de l'interactivite au sein du groupe Interstices.(Actualités/Débats) Author: Manon De Pauw Publication:Etc. Montreal (Refereed) Date: March 1, 2004 Publisher: Revue d'Art Contemporain Etc. Inc. Issue: 65 Page: 7(4) Distributed by Thomson Gale.
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