Books about Inventing from Amazon.com

"The majority of historians seem to suggest that the founders knew just what to do--and did it, creating a government that would endure for centuries," writes CUNY historian Carol Berkin in the introduction to A Brilliant Solution. Sitting atop the pedestals we've placed them on, these figures would be "amused" by such notions, she says, because in reality the Constitutional Convention was gripped by "a near-paranoid fear of conspiracies" and might easily have succumbed to "a collective anxiety" over its daunting task. The story of the birth of the U.S. Constitution has been told many times, perhaps best by Catherine Drinker Bowen in Miracle at Philadelphia. Berkin's rendition of these well-known events is clear and concise. It does a bit more telling than showing, but this seems to be in the service of brevity--the main text is only about 200 pages. (Another 100 pages of useful appendices follow, including the full texts of the Articles of Confederation and the Constitution, plus short biographies of all the convention delegates.) Berkin is an opinionated narrator, unafraid, for instance, to call Maryland's Luther Martin "determinedly uncouth." She also points out that American government has evolved in ways that would make the founders cringe: they believed the presidency would be a ceremonial office (rather than the locus of the nation's political power) and that political parties were bad (when, in fact, they have served democracy well). Readers who want a sure-footed introduction to America's founding would do well to start here. --John J. Miller.
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Americans call Niagara Falls a natural wonder, but the Falls aren't very natural anymore. In fact, they are a study in artifice Water diverted, riverbed reshaped, brink stabilized and landscape redesigned, the Falls are more a monument to man's meddling than to nature's strength. Held up as an example of something real, they are hemmed in with fakery -- waxworks, haunted houses, IMAX films and ersatz Indian tales. A symbol of American manifest destiny, they are shared politely with Canada. Emblem of nature's power, they are completely human-controlled. Archetype of natural beauty, they belie an ugly environmental legacy still bubbling up from below. On every level, Niagara Falls is a monument to how America falsifies nature, reshaping its contours and redirecting its force while claiming to submit to its will.

Combining history, reportage and personal narrative, Inventing Niagara traces Niagara's journey from sublime icon to engineering marvel to camp spectacle. Along the way, Ginger Strand uncovers the hidden history of America's waterfall: the Mohawk chief who wrested the Falls from his adopted tribe, the revered town father who secretly assisted slave catchers, the wartime workers who unknowingly helped build the Bomb and the building contractor who bought and sold a pharaoh. With an uncanny ability to zero in on the buried truth, Strand introduces us to underwater dams, freaks of nature, mythical maidens and 280,000 radioactive mice buried at Niagara.

From LaSalle to Lincoln to Los Alamos, Mohawks to Marilyn, Niagara's story is America's story, a tale of dreams founded on the mastery of nature. At a time of increasing environmental crisis, Inventing Niagara shows us how understanding the cultural history of nature might help us rethink our place in it today..
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Every time Inventing the Truth appears in a new edition, editor William Zinsser can't help but add to it. The first edition (1987) evolved from a series of New York Public Library talks, for which the mandate was not to lecture about the genre of the memoir but to explain how a specific memoir came to be written. In the book's 1995 edition, Russell Baker, Annie Dillard, Alfred Kazin, and Toni Morrison were joined by Jill Ker Conway, Eileen Simpson, Henry Louis Gates Jr., and Ian Frazier. This time around, Zinsser has added a rich and charming reminiscence by Frank McCourt (Angela's Ashes).

The authors do stick to their assignment: Russell Baker credits his huge family with helping him "learn a lot about humanity from close-up observation"; Jill Ker Conway talks about her desire to write a female memoir that was not a romantic happily-ever-after; and Henry Louis Gates Jr. discusses "want[ing] to write a book that imitated the specialness of black culture when no white people are around." But there is also plenty of advice for writers here, and some general thoughts about the genre. Conway addresses the difficulty of "going back as a historian" and trying to understand "all the things you took as a given when you were a child." Gates warns us to "be prepared for the revelation of things you don't even dream are going to come up." And Annie Dillard contemplates the strangeness of spending "more time writing about [a scene or an event] than you did living it." --Jane Steinberg.
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Architecture, at least since the beginning of the twentieth century, has suspended historical references in favor of universalized abstraction. In the decades after the Second World War, when architectural historians began to assess the legacy of the avant-gardes in order to construct a coherent narrative of modernism's development, they were inevitably influenced by contemporary concerns. In Histories of the Immediate Present, Anthony Vidler examines the work of four historians of architectural modernism and the ways in which their histories were constructed as more or less overt programs for the theory and practice of design in a contemporary context.

Vidler looks at the historical approaches of Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri, and the specific versions of modernism advanced by their historical narratives. Vidler shows that the modernism conceived by Kaufmann was, like the late Enlightenment projects he revered, one of pure, geometrical forms and elemental composition; that of Rowe saw mannerist ambiguity and complexity in contemporary design; Banham's modernism took its cue from the aspirations of the futurists; and the "Renaissance modernism" of Tafuri found its source in the division between the technical experimentation of Brunelleschi and the cultural nostalgia of Alberti. Vidler's investigation demonstrates the inevitable collusion between history and design that pervades all modern architectural discourse--and has given rise to some of the most interesting architectural experiments of the postwar period..
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The first generation of women to have tasted social, political, and economic empowerment-some thirty-seven million strong-has reached a new frontier that is unexpected and unexplored. Nearing their fifties and entering their sixties, they have fulfilled all the prescribed roles-daughter, wife, mother, employee; yet with longer life expectancy and better health they do not intend to retire from the world. They want to experience more. Inventing the Rest of Our Lives is an evocative and eye- opening road map across this uncharted terrain.

Suzanne Braun Levine, the first editor of Ms. magazine and a long-time journalist, has been reporting on the lives of women like herself throughout their tumultuous first adulthood. Here she draws on personal stories, cutting-edge science, up-to-date trend analysis, and her own struggles to show that Second Adulthood women are simply not the same people they were, only older; they are changing-both inside and out. The latest research she has uncovered proves it: Certain areas of their brains are undergoing a growth spurt very similar to that in adolescence, their sexual and emotional rhythms are readjusting along with their hormones, and their priorities are shifting dramatically.

From work to love, self-discovery to civic duty, health to economics, Inventing the Rest of Our Lives examines every aspect of their lives, offers solutions, and shares stories-sometimes touching, sometimes joyous-of women who have found insights and answers to the three crucial questions that each confronts: What matters? What works? What's next?

Inventing the Rest of Our Lives is a bold, honest, and sharp-witted guidebook, companion, and source of inspiration for every woman entering these uncharted waters..
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From one of America's foremost historians, Inventing America compares Thomas Jefferson's original draft of the Declaration of Independence with the final, accepted version, thereby challenging many long-cherished assumptions about both the man and the document. Although Jefferson has long been idealized as a champion of individual rights, Wills argues that in fact his vision was one in which interdependence, not self-interest, lay at the foundation of society. "No one has offered so drastic a revision or so close or convincing an analysis as Wills has . . . The results are little short of astonishing" (Edmund S. Morgan New York Review of Books )..
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Full coverage of the ins and outs of inventing for profit

Protect your idea, develop a product - and start your business!

Did you have a great idea? Did you do anything about it? Did someone else? Inventing For Dummies is the smart and easy way to turn your big idea into big money. This non-intimidating guide covers every aspect of the invention process - from developing your idea, to patenting it, to building a prototype, to starting your own business.

The Dummies Way

• Explanations in plain English
• "Get in, get out" information
• Icons and other navigational aids
• Tear-out cheat sheet
• Top ten lists
• A dash of humor and fun

Discover how to:

• Conduct a patent search
• Maintain your intellectual property rights
• Build a prototype product
• Determine production costs
• Develop a unique brand
• License your product to another company

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Why is there such a striking difference between English spelling and English pronunciation? How did our seemingly relatively simple grammar rules develop? What are the origins of regional dialect, literary language, and everyday speech, and what do they have to do with you?

Seth Lerer's Inventing English is a masterful, engaging history of the English language from the age of Beowulf to the rap of Eminem. Many have written about the evolution of our grammar, pronunciation, and vocabulary, but only Lerer situates these developments in the larger history of English, America, and literature.

Lerer begins in the seventh century with the poet Caedmon learning to sing what would become the earliest poem in English. He then looks at the medieval scribes and poets who gave shape to Middle English. He finds the traces of the Great Vowel Shift in the spelling choices of letter writers of the fifteenth century and explores the achievements of Samuel Johnson's Dictionary of 1755 and The Oxford English Dictionary of the late nineteenth and early twentieth centuries. He describes the differences between English and American usage and, through the example of Mark Twain, the link between regional dialect and race, class, and gender. Finally, he muses on the ways in which contact with foreign languages, popular culture, advertising, the Internet, and e-mail continue to shape English for future generations.

Each concise chapter illuminates a moment of invention-a time when people discovered a new form of expression or changed the way they spoke or wrote. In conclusion, Lerer wonders whether globalization and technology have turned English into a world language and reflects on what has been preserved and what has been lost. A unique blend of historical and personal narrative, Inventing English is the surprising tale of a language that is as dynamic as the people to whom it belongs.

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Price: $11.99 [Notify me when price goes down.]

A book for kids ages 10-14 about inventing, featuring a step-by-step guide and case studies of young inventors. 144 pages..
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