Books about Lighthouses from Amazon.com

In Fahrenheit 451, Ray Bradbury's classic, frightening vision of the future, firemen don't put out fires--they start them in order to burn books. Bradbury's vividly painted society holds up the appearance of happiness as the highest goal--a place where trivial information is good, and knowledge and ideas are bad. Fire Captain Beatty explains it this way, "Give the people contests they win by remembering the words to more popular songs.... Don't give them slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."

Guy Montag is a book-burning fireman undergoing a crisis of faith. His wife spends all day with her television "family," imploring Montag to work harder so that they can afford a fourth TV wall. Their dull, empty life sharply contrasts with that of his next-door neighbor Clarisse, a young girl thrilled by the ideas in books, and more interested in what she can see in the world around her than in the mindless chatter of the tube. When Clarisse disappears mysteriously, Montag is moved to make some changes, and starts hiding books in his home. Eventually, his wife turns him in, and he must answer the call to burn his secret cache of books. After fleeing to avoid arrest, Montag winds up joining an outlaw band of scholars who keep the contents of books in their heads, waiting for the time society will once again need the wisdom of literature.

Bradbury--the author of more than 500 short stories, novels, plays, and poems, including The Martian Chronicles and The Illustrated Man--is the winner of many awards, including the Grand Master Award from the Science Fiction Writers of America. Readers ages 13 to 93 will be swept up in the harrowing suspense of Fahrenheit 451, and no doubt will join the hordes of Bradbury fans worldwide. --Neil Roseman.
Price: $2.99 [Notify me when price goes down.]

As his fifth year at Hogwarts School of Witchcraft and Wizardry approaches, 15-year-old Harry Potter is in full-blown adolescence, complete with regular outbursts of rage, a nearly debilitating crush, and the blooming of a powerful sense of rebellion. It's been yet another infuriating and boring summer with the despicable Dursleys, this time with minimal contact from our hero's non-Muggle friends from school. Harry is feeling especially edgy at the lack of news from the magic world, wondering when the freshly revived evil Lord Voldemort will strike. Returning to Hogwarts will be a relief... or will it?

The fifth book in J.K. Rowling's Harry Potter series follows the darkest year yet for our young wizard, who finds himself knocked down a peg or three after the events of last year. Somehow, over the summer, gossip (usually traced back to the magic world's newspaper, the Daily Prophet) has turned Harry's tragic and heroic encounter with Voldemort at the Triwizard Tournament into an excuse to ridicule and discount the teen. Even Professor Dumbledore, headmaster of the school, has come under scrutiny by the Ministry of Magic, which refuses to officially acknowledge the terrifying truth that Voldemort is back. Enter a particularly loathsome new character: the toadlike and simpering ("hem, hem") Dolores Umbridge, senior undersecretary to the Minister of Magic, who takes over the vacant position of Defense Against Dark Arts teacher--and in no time manages to become the High Inquisitor of Hogwarts, as well. Life isn't getting any easier for Harry Potter. With an overwhelming course load as the fifth years prepare for their Ordinary Wizarding Levels examinations (O.W.Ls), devastating changes in the Gryffindor Quidditch team lineup, vivid dreams about long hallways and closed doors, and increasing pain in his lightning-shaped scar, Harry's resilience is sorely tested.

Harry Potter and the Order of the Phoenix, more than any of the four previous novels in the series, is a coming-of-age story. Harry faces the thorny transition into adulthood, when adult heroes are revealed to be fallible, and matters that seemed black-and-white suddenly come out in shades of gray. Gone is the wide-eyed innocent, the whiz kid of Sorcerer's Stone. Here we have an adolescent who's sometimes sullen, often confused (especially about girls), and always self-questioning. Confronting death again, as well as a startling prophecy, Harry ends his year at Hogwarts exhausted and pensive. Readers, on the other hand, will be energized as they enter yet again the long waiting period for the next title in the marvelous, magical series. (Ages 9 and older) --Emilie Coulter.
Price: $5.24 [Notify me when price goes down.]

Perennial favorite Debbie Macomber does what she does best in 16 Lighthouse Road, introducing fans to the scenic Pacific Northwest town of Cedar Cove, Washington, and its panoply of characters, including family court judge Olivia Lockhart who makes news when she denies the divorce petition of Cecilia and Ian Randall. Decreeing that the young couple had not tried hard enough to make their relationship work following the tragic death of their newborn daughter, Olivia's decision brings her to the attention of recent Cedar Cove arrival, newspaper editor Jack Griffin. And Jack's attentions are not entirely unwelcome for the long-divorced Olivia. In addition to her continued involvement in Cecilia and Ian's ongoing negotiations, Olivia's life is further complicated by her mother, Charlotte, her daughter, Justine, and her best friend, Grace, as they struggle with the difficult situations life tosses their way. Charlotte becomes enmeshed in trying to solve a mystery left to her by a mute stroke victim she befriends just before he dies. Justine has found the perfect man for her, one who shares her ambitions and thoughts on relationships, but why does she keep thinking about the boy she knew in high school who has grown into quite a man? And Grace's husband, Dan, has disappeared--again--and Grace has no idea where he is and when or if he'll be back. The multiple story lines and numerous relationships make reading at times challenging, but Macomber fans, old and new, will stand up and cheer as the prolific author lodges her protest against the disposable personal relationships all too common today. --Alison Trinkle.
Price: $3.28 [Notify me when price goes down.]

.
Price: $3.96 [Notify me when price goes down.]

.
Price: $12.48 [Notify me when price goes down.]

Management Information Systems, Fifth Edition retains the five parts structure and updated part-opening business cases from previous editions, but features a new streamlined chapter organization to better fit your course needs. All of the chapters offer completely new real-world cases and now include up-to-date video clips plus supporting questions for added practice. Furthermore, the fifth edition incorporates new or expanded coverage of the latest MIS topics such as E-Commerce, Challenges in Global Information Systems, Storage Service Providers and Network Attached Storage, Wireless Networks, Geographical Information Systems, and more. Your students will appreciate the improved companion Web site featuring extra business cases, more opportunities for hands-on practice, new video clips, added reading material, and helpful source information..
Price: $17.89 [Notify me when price goes down.]

Oprah Book Club® Selection, September 1998: What makes Pearl Cleage's novel so damned enjoyable? At first glance, after all, What Looks Like Crazy on an Ordinary Day seems pretty heavy going: HIV, suicide, sudden infant death syndrome, and drunk driving all figure prominently in the lives of narrator Ava Johnson and her older sister Joyce. It isn't long before crack addiction, domestic violence, and unwed motherhood have joined the list--so, where's the pleasure? The answer lies in the sharp and funny attitude Cleage brings to her depiction of one African American community in the troubled '90s. Ava Johnson, for example, might be HIV-positive, but she's refreshingly forthright about it: "Most of us got it from the boys. Which is, when you think about it, a pretty good argument for cutting men loose, but if I could work up a strong physical reaction to women, I would already be having sex with them. I'm not knocking it. I'm just saying I can't be a witness. Too many titties in one place to suit me."

Ada has spent the last 10 years living in Atlanta. When she discovers she's infected, she sells her hairdressing business and heads back to her childhood home of Idlewild, Michigan, to spend the summer with her recently widowed sister before moving on to San Francisco. Once there, however, she finds herself embroiled in big-city problems--drugs, violence, teen pregnancy, and an abandoned crack-addicted baby, to name just a few--in a small-town setting. Ava also meets Eddie Jefferson, a man with a past who just might change her mind about the imprudence of falling in love.

In less assured hands, such a catalog of disasters would make for maudlin, melodramatic reading indeed. But Cleage, an accomplished playwright, has a way both with characters and with language that lifts this tale above its movie-of-the-week tendencies. In Ava she has created a character who not only effortlessly carries the weight of the story but also provides entertaining commentary on African American life as she goes. Discussing the insular nature of the black community in Atlanta, she recalls, "I'd walk into a reception room and there'd be a room full of brothers, power-brokering their asses off, and I'd realize I'd seen them all naked. I'd watch them striding around, talking to each other in those phony-ass voices men use when they want to make it clear they got juice, and it was so depressing, all I'd want to do was go home and get drunk." Later, she describes the preacher's wife's hair as "pressed and hot-curled within an inch of its life.... Hardly anybody asks for that kind of hard press anymore. Sister seems to have missed the moment when we decided it was okay for the hair to move."

As the trials and tribulations pile on, the experiences of Cleage's characters prove to be universal: death, love, second chances. Ava's acerbic, smart-mouthed narrative keeps the story buoyant; by the time this endearingly imperfect heroine and her cohorts have negotiated the rocky road to a happy ending, readers will be sorry to see her go, even as they wish her well. --Alix Wilber.
Price: $0.86 [Notify me when price goes down.]

Get ready for the maximum thrill ride from #1 New York Times bestselling author James Patterson .
Price: $4.99 [Notify me when price goes down.]

Written in the wake of Jurassic Park's phenomenal box-office success, The Lost World seems as much a guidebook for Hollywood types hard at work on the franchise's followup as it is a legitimate sci-fi thriller. Which begs the inevitable questions: Is the plot a rehash of the first book? Sure it is, with the action unfolding on yet another secluded island, the mysterious "Site B." Is the cast of characters basically the same? Absolutely, from a freshly minted pair of cute, compu-savvy kids right down to the neatly exhumed chaos theorist Ian Malcolm (who was presumed dead at the close of JP). But is it fun to read? You betcha. Hollywood (and Michael Crichton) keeps telling us the same old stories for a very good reason: we like them. And the pulp SF formula Crichton has mastered with Jurassic Park and The Lost World is no exception. --Paul Hughes.
Price: $0.25 [Notify me when price goes down.]

Over one million children and adolescents in the US suffer from Obsessive-Compulsive Disorder (OCD), a baffling illness that can be debilitating for the child in school, with friends, and family. In this uniquely creative and heart-warming book, Dr. Wagne.
Price: $11.94 [Notify me when price goes down.]