Books about Lullabies from Amazon.com

The consequences of media saturation are the basis for an urban nightmare in Lullaby, Chuck Palahniuk's darkly comic and often dazzling thriller. Assigned to write a series of feature articles investigating SIDS, troubled newspaper reporter Carl Streator begins to notice a pattern among the cases he encounters: each child was read the same poem prior to his or her death. His research and a tip from a necrophilic paramedic lead him to Helen Hoover Boyle, a real estate agent who sells "distressed" (demonized) homes, assured of their instant turnover. Boyle and Streator have both lost children to "crib death," and she confirms Streator's suspicions: the poem is an ancient lullaby or "culling song" that is lethal if spoken--or even thought--in a victim's direction. The misanthropic Streator, now armed with a deadly and uncontrollably catchy tune, goes on a minor killing spree until he recognizes his crimes and the song's devastating potential. Lullaby then turns into something of a road trip narrative, with Streator, Boyle, her empty-headed Wiccan secretary Mona, and Mona's vigilante boyfriend Oyster setting out across the U.S. to track down and destroy all copies of the poem.

In his previous works, including the cult favorite Fight Club, Palahniuk has demonstrated a fondness for making statements about the condition of humanity, and he uses Lullaby like a blunt object to repeatedly overstate his generally dim view. Such dogmatic venom undermines the persuasiveness of his thesis about mass communication and free will, but thankfully, Palahniuk offers some respite here by allowing for sympathy and love, as well as through his razor-sharp humor, such as his mock listings for Helen's possessed properties: "six bedrooms, four baths, pine-paneled entryway, and blood running down the kitchen walls...." At such moments, Lullaby casts a powerful spell. --Ross Doll.
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Hollywood's newest wunderkind is Peter Alan Nelson, the brilliant, erratic director known as the King of Adventure   His films make billions, but his manners make enemies   What the boy king wants, he gets, and what Nelson wants is for Elvis to comb the country for the airhead wife and infant child the film-school flunkout dumped en route to becoming the third biggest filmmaker in America.  It's the kind of case Cole can handle in his sleep -- until it turns out to be a nightmare.  For when Cole finds Nelson's wife in a small Conneticut town, she's nothing like what he expects.  The lady has some unwanted -- and very nasty -- mob connections, which means Elvis could be opening the East Coast branch of his P.I. office . . .at the bottom of the Hudson River..
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"I had no illusions about love... It came, it went, it left casualties or it didn't. People weren't meant to be together forever, regardless of what the songs say." Remy doesn't believe in love. And why should she? Her romance novelist mother is working on her fifth marriage, and her father, a '70s hippie singer, left her with only a one-hit wonder song to remember him by. Every time Remy hears "This Lullaby," it feels like "a bruise that never quite healed right." "Wherever you may go / I will let you down / But this lullaby plays on..." Never without a boyfriend, Remy is a compulsive dater, but before a guy can go all "Ken" on her (as in "ultra boyfriend behavior") she cuts him off, without ever getting close or getting hurt. That's why she's stunned when klutzy, quirky, alterna-band boy Dexter inserts himself into her life and refuses to leave. Remy's been accepted to Stanford, and she plans on having her usual summer fling before tying up the loose ends of her pre-college life and heading for the coast. Except Dexter's not following Remy's tried-and-true rules of break-up protocol. And for the first time, Remy's questioning whether or not she wants him to.

Author Sarah Dessen's ability to write novels that are both crowd pleasers and literary masterpieces of YA fiction is showcased beautifully in This Lullaby. Subtle yet completely absorbing, Lullaby is peopled with breathtakingly believable, three-dimensional characters, the very best of which is the bitter, broken Remy herself. An original love story about learning to love yourself first. (Ages 12 and older) --Jennifer Hubert.
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The bestselling Wee Sing line is now tailored for the most modern Wee Sing fans! These eight classic Wee Sing titles are now in a great new package—a book and CD in a reusable blister!.
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A young widow raising two boys, Sarah Laden is struggling to keep her family together But when a shocking revelation rips apart the family of her closest friend, Sarah finds herself welcoming yet another troubled young boy into her already tumultuous life.

Jordan, a quiet, reclusive elementary school classmate of Sarah's son Danny, has survived a terrible ordeal. By agreeing to become Jordan's foster mother, Sarah will be forced to question the things she has long believed. And as the delicate threads that bind their family begin to unravel, all the Ladens will have to face difficult truths about themselves and one another—and discover the power of love necessary to forgive and to heal.

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Once there was a little boy who played the ukelele. Wherever he'd go he'd play, Clink, clunk, clonk. His father was a magician. Wherever he'd go, he'd make things disappear, Zoop! Zoop! Soon the townspeople grew tired of the boy's noise and his father's tricks, and banished both of them to the edge of town.

There they lived, until one day the terrible giant Abiyoyo appeared. He was as tall as a tree, and it was said that he could eat people up. Everyone was terrified, except the boy and his father, and they came up with a plan to save the town...

Peter Seeger's storysong, made up for his own children, finds its perfect match in Michael Hays's masterful paintings. Together they make a richly vivid and exciting story..
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Made with the Best Quality Material with your child in mind.. Top Quality Children's Item..
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"Hush little baby, don't say a word,
Mama's going to show you a hummingbird.
If that hummingbird should fly,
Mama's going to show you the evening sky."

Sylvia Long's award-winning (Child Magazine's Best of 1997) ode to mother-child love takes a favorite lullaby and makes it--is it possible?--even better. Troubled by the buy-buy-buy mentality of the original ("Mama's gonna buy you a mockingbird/diamond ring/a dog named Rover..."), Long adapts the song to her--and our--liking. Mama now shows her baby the comforting wonders of the world: crickets, shooting stars, warm bedspreads. Long's gorgeous ink and watercolor paintings are reminiscent of Clement Hurd's illustrations in Margaret Wise Brown's Goodnight Moon. And now, with this gift set, fans of this sweet lullaby can have a "little baby" bunny all their own, along with a small board book edition of their sing-along favorite! The unbelievably soft plush rabbit rattle is curved into a shape and size just right for tiny hands. Wrap the cuddly pajama-clad bunny around a crib railing so your baby can always reach it. What a perfect gift for the new mother or mother-to-be! (Baby to preschool) --Emilie Coulter.
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