Books about Melancholic from Amazon.com

A witty, adrenalin-fuelled manifesto for universal values by the maverick philosopher.

Is global emancipation a lost cause? Are universal values outdated relics of an earlier age? In the postmodern world, ideologies of all kinds have been cast in doubt. In this combative new work, renowned theorist Slavoj Zizek takes on the reigning postmodern agenda with a manifesto for several "lost causes." From a provocative redemption of Heidegger's engagement with the Third Reich as "a right step in the wrong direction," to reasserting class struggle as the underlying reality of global capitalism, to a defense of the emancipatory legacy of Christianity against New Age spiritualism, Zizek confronts the failures of contemporary theory and proposes unexpected resolutions..
Price: $21.29 [Notify me when price goes down.]

Don Quixote (Spanish: Don Quijote?·i, IPA: [/dɒnˈkihoʊte/], see spelling and pronunciation below), fully titled El ingenioso hidalgo Don Quijote de la Mancha ("The Ingenious Hidalgo Don Quixote of La Mancha") is an early novel written by Spanish author Miguel de Cervantes Saavedra. Cervantes created a fictional origin for the story based upon a manuscript by the invented Moorish historian, Cide Hamete Benengeli.

Published in two volumes a decade apart, Don Quixote is the most influential work of literature to emerge from the Spanish Golden Age and perhaps the entire Spanish literary canon. As a founding work of modern Western literature, it regularly appears at the top of lists of the greatest works of fiction ever published.

Source: Wikipedia.org

Translated by John Ormsby
With illustrations by Gustave Doré

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Price: $1.48 [Notify me when price goes down.]

Why does agency -- the capacity to make choices and to act in the world -- matter to us? Why is it meaningful that our intentions have effects in the world, that they reflect our sense of identity, that they embody what we value? What kinds of motivations are available for political agency and judgment in an age that lacks the enthusiasm associated with the great emancipatory movements for civil rights and gender equality? What are the conditions for the possibility of being an effective agent when the meaning of democracy has become less transparent? David Kyuman Kim addresses these crucial questions by uncovering the political, moral, philosophical, and religious dimensions of human agency. Kim treats agency as a form of religious experience that reflects implicit and explicit notions of the good. Of particular concern are the moral, political, and religious motivations that underpin an understanding of agency as meaningful action. Through a critical engagement with the work of theorists such as Judith Butler, Charles Taylor, and Stanley Cavell, Kim argues that late modern and postmodern agency is found most effectively at work in what he calls "projects of regenerating agency" or critical and strategic responses to loss. Agency as melancholic freedom begins and endures, Kim maintains, through the moral and psychic losses associated with a broad range of experiences, including the moral identities shaped by secularized modernity and the multifold forms of alienation experienced by those who suffer the indignities of racial, gender, class, and sexuality discrimination and oppression. Kim calls for renewing the sense of urgency in our political and moral engagements by seeing agency as a vocation, where the aspiration for self-transformation and the human need for hope are fundamental concerns..
Price: $63.03 [Notify me when price goes down.]

In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous. "O Let Us Howle Some Heavy Note" focuses on the various ways that theatrical music represented disorderly subjects - those who presented either a direct or metaphorical threat to the health of the English kingdom in 17th-century England. Using theatre music to examine narratives of social history, Winkler demonstrates how music re-inscribed and often resisted conservative, political, religious, gender, and social ideologies. Amanda Eubanks Winkler is an Assistant Professor in the Department of Fine Arts at Syracuse University, specializing in early music. Her articles and reviews have appeared in "Cambridge Opera Journal", "Notes", and "Journal of Seventeenth-Century Music". She is the author of "Music for Macbeth" published by A-R Editions..
Price: $30.00 [Notify me when price goes down.]

The remarkable paintings and drawings of Eugene Berman seem at first glance to delineate a self-contained, private realm. But, in truth,his precise depictions of decadent beauty and ruin reflect an attitude towards the past thatis shared by a fascinating array of artist from both his own time and today..
Price: $33.96 [Notify me when price goes down.]