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Anthology of Japanese Literature: From the Earliest Era to the Mid-Nineteenth Century (UNESCO Collection of Representative Works: European)
The sweep of Japanese literature in all its great variety was made available to Western readers for the first time in this anthology Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period. .
Price: $5.98
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Historic Millwork: A Guide to Restoring and Re-creating Doors, Windows, and Moldings of the Late Nineteenth through Mid-Twentieth Centuries
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Masters of the Big House: Elite Slaveholders of the Mid-nineteenth-century South (Jules and Frances Landry Award)
William Kauffman Scarborough has produced a work of incomparable scope and depth, offering the challenge to see afresh one of the most powerful groups in American history—the wealthiest southern planters who owned 250 or more slaves in the census years of 1850 and 1860. The identification and tabulation in every slaveholding state of these lords of economic, social, and political influence reveals a highly learned class of men who set the tone for southern society while also involving themselves in the wider world of capitalism. Scarborough examines the demographics of elite families, the educational philosophy and religiosity of the nabobs, gender relations in the Big House, slave management methods, responses to secession, and adjustment to the travails of Reconstruction and an alien postwar world. AUTHOR BIO: A professor of history at the University of Southern Mississippi, William Kauffman Scarborough is the author of The Overseer: Plantation Management in the Old South and editor of The Diary of Edmund Ruffin. He is a recipient of the B. L. C. Wailes Award and the Richard Wright Award for Literary Excellence for the entire body of his work. A past president of the Mississippi Historical Society and the St. George Tucker Society, he lives in Hattiesburg..
Price: $14.50
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Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York (The Arts and Intellectual Life in Modern America)
"I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."--The Reminiscences of Mary Hallock Foote
Young Mary Hallock made what seems like an audacious move for a nineteenth-century girl. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art.
Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society. .
Price: $53.88
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Land Without Ghosts: Chinese Impressions of America from the Mid-Nineteenth Century to the Present
Americans have long been fascinated with European views of the United States. The many Chinese commentaries on America, however, have remained largely unavailable to the English reader. Land without Ghosts presents for the first time selections on America from Chinese writings over the last 150 years. Included are extracts from the travel diaries of nineteenth-century diplomats, a first-hand account of blacks in 1930s Alabama and of the young white Communists working to organize them..
Price: $20.73
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