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Historic Millwork: A Guide to Restoring and Re-creating Doors, Windows, and Moldings of the Late Nineteenth through Mid-Twentieth Centuries
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Civil Rights Unionism: Tobacco Workers and the Struggle for Democracy in the Mid-Twentieth-Century South
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Imagining New England: Explorations of Regional Identity from the Pilgrims to the Mid-Twentieth Century
Say "New England" and you likely conjure up an image in the mind of your listener: the snowy woods or stone wall of a Robert Frost poem, perhaps, or that quintessential icon of the region--the idyllic white village Such images remind us that, as Joseph Conforti notes, a region is not just a territory on the ground. It is also a place in the imagination. This ambitious work investigates New England as a cultural invention, tracing the region's changing identity across more than three centuries. Incorporating insights from history, literature, art, material culture, and geography, it shows how succeeding generations of New Englanders created and broadcast a powerful collective identity for their region through narratives about its past. Whether these stories were told in the writings of Frost or Harriet Beecher Stowe, enacted in historical pageants or at colonial revival museums, or conveyed in the pages of a geography textbook or Yankee magazine, New Englanders used them to sustain their identity, revising them as needed to respond to the shifting regional landscape..
Price: $20.80
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Gentlemen Callers: Tennessee Williams, Homosexuality, and Mid-Twentieth-Century Drama
Gentlemen Callers provides a fascinating look at America's greatest twentieth-century playwright and perhaps the most-performed, even today. Michael Paller looks at Tennessee Williams's plays from the 1940s through the 1960s against the backdrop of the playwright's life story, providing fresh details. Through this lens Paller examines the evolution of mid-twentieth-century America's acknowledgment and acceptance of homosexuality. From the early one-act Auto-da-Fé and The Glass Menagerie through Camino Real, Cat on a Hot Tin Roof, Garden District and the late Something Cloudy, Something Clear, Paller's book investigates how Williams's earliest critics marginalized or ignored his gay characters and why, beginning in the 1970s, many gay liberationists reviled them. Lively, blunt, and provocative, this book will appeal to anyone who loves Williams, Broadway, and the theater. .
Price: $6.50
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Pottsville in the Twentieth Century (PA) (Images of America)
ìFAREWELL 1899! WELCOME 1900!î was the headline in the Pottsville Republican on January 1, 1900. The people of Pottsville ushered in the new century in the usual manner with noisy gatherings and crowded churches. Coal was king in Schuylkill County during the nineteenth century, but the demise of the coal industry had already begun by 1900. Bitter strikes between coal operators and miners, especially the great strike of 1902, caused consumers to find other fuels and forced Pottsville to re-create its economy and identity. However, residents adapted swiftly, and it was not long before Pottsville had seven volunteer fire companies, the second-finest courthouse in the state, a first-class hospital, twenty-three churches, a $100,000 YMCA building, a public mission, a free kindergarten, twelve fine schoolhouses, two parochial schools, and a free public library. Pottsville in the Twentieth Century celebrates the townís changes and accomplishments throughout the 1900s. ÝÝ.
Price: $19.99
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Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left
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Sincerity's Shadow : Self-Consciousness in British Romantic and Mid-Twentieth-Century American Poetry
In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry. (20060101).
Price: $29.78
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