Books about Misfortune from Amazon.com

Wiglaf, Erica, and Angus are representing DSA in the All-Schools Brain-Power Tournament! But what on Earth are they going to do about their know-it-all captain Bragwort? And how can they even stand a chance against the snobbish Knights Noble Conservatory team?.
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The recent adaptation of Moll Flanders for Masterpiece Theater is a book-lover's dream: the dialogue and scene arrangement are close enough to allow the viewer to follow along in the book. The liberties taken with the tale are few (some years of childhood between the gypsies and the wealthy family are elided; Moll is Moll throughout the tale, rather than Mrs. Betty; Robert becomes Rowland, etc.) and the sets avoid the careless anachronism of the movie version released earlier this year.

The breasts, raised skirts, tumbling hair and heavy breathing on the small screen might catch you by surprise if you don't read the book carefully (as might Moll's abandonment of her children on more than one occasion). Unlike his near-contemporary John Cleland (_Fanny Hill_), Defoe was trying to keep out of jail, and so didn't dwell on the details of "correspondence" between Moll and her varied lovers. But on the page and on the screen, Moll comes across quite clearly as a woman who might bend, but refuses to break, and who is intent on having as good a life as she can get.

E. M. Forster in Aspects of the Novel considers Moll and her creator's art in some detail. While he finds much to criticize in Defoe's ability to plot (where did those last two children go, anyway?), he is as besotted with Moll as I am. Immoral? Sure -- but immortal, and never, ever dull. We hope at least a few of the viewers of the recent adaptation take a couple hours to discover the original, inimitable Moll Flanders..
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Two American families face a year of enormous significance, turmoil and change. The War to End All Wars was over. The Plague of 1918 had swept through urban areas with a vengeance, killing more than a million citizens and then mysteriously subsided. But instead of celebrating their survival through these excruciating times, four million workers went on strike, inflation hit 500%, and prohibition became law - unleashing the pestilence of organized crime. Good and bad times live side by side as people move from a simpler past through tumultuous times and reach out in search of a new future. The hope of carving out a new life motivates our characters who are enjoying early advancements in radio communication, entertainment and the inventions for the home. Although the characters did not know it at the time, the groundwork for the roaring 20s was being set with the casting off of old ideas, a devil may care attitude and a relaxing of social mores. The year 1919 is a reminder that things can always get worse, but through the vibrancy of the human spirit, things can get better too..
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Moll Flanders is one of the best-selling novels of all time. This Norton Critical Edition is again based on the first edition text (1722), the only text known to be Defoe's own. It is accompanied by detailed explanatory annotations and the editor's essay outlining the novel's textual history.

"Contexts" collects related documents on criminal transport, contemporary accounts of lives of crime, and colonial laws as they applied to servants, slaves, and runaways.

"Criticism" includes eleven interpretations by Juliet McMaster, Everett Zimmerman, Maximillian E. Novak, Henry Knight Miller, Ian A. Bell, Carol Kay, Paula B. Backscheider, John Rietz, Ann Louise Kibbie, John Richetti, and Ellen Pollak.

A Chronology and Selected Bibliography are also included.

About the series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide..
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One of the most auspicious debuts of recent years, Wesley Stace's Misfortune follows the rise, fall, and triumphant return of Rose Old, a foundling rescued from a London garbage heap in 1820 by the richest man in Britain. Lord Geoffroy Loveall, whose character has been shaped by perpetual mourning for a sister who died in childhood, seizes on the infant as a replacement for his beloved sister. With the help of trusted servants, he arranges for the child to be lovingly brought up at his ancestral mansion, Loveall Hall--to all appearances, his biological daughter and unhoped-for heir. No matter that the baby is not a girl.

The story thus far is so engaging, and the details of Rose's childhood so playfully rendered (when she was first brought to Loveall Hall, the staff of 250 included a servant whose sole responsibility was to iron newspapers before their second reading), that it is with reluctance that the reader meets the inevitable rude, scheming relatives whose plotting will lead to the "misfortune" of the title. Luckily, Stace (the given name of the musician John Wesley Harding) takes too much delight in Rose to dump her back on the garbage heap, or at least not for long. The cross-dressing love child of Great Expectations and A. S. Byatt's Possession, Misfortune will find you breathlessly tracking the movements of its principal players, and applauding the most ridiculous twists of fate. --Regina Marler

Amazon.com Bonus Content
Born in Hastings and educated at Cambridge, Wesley Stace is also known as the musician John Wesley Harding. Musical influences are on display in his gender-bending debut novel, Misfortune, a historical tale set in 19th-Century England about an abandoned boy raised as a girl. Read on to listen to three original songs inspired by the book.

A Message from Wesley Stace
Songs weave their way throughout Misfortune--some are ballads, crucial to the plot and written by one of the characters, others are traditional songs sung at various points of the narrative, others are folk songs from a collection in the Octagonal Library of Love Hall, the home of the central family.

Songs aren't anything if they aren't sung, so I decided to match melodies and words and record some of them. I picked these because they were the first two. There will be a full record of the songs of Misfortune, performed by The Love Hall Tryst (myself, Kelly Hogan, Nora O'Connor, and Brian Lohmann) which will be released by Appleseed Recordings later this year. --Wesley Stace

"Lambkin"
From Chapter One: "For a moment, the laundress was unaware that there was anyone beneath. She began to sing as she worked and this is what finally breathed life into Pharaoh again. It was one of the old songs, his favourite of the many she sang: the story of Lambkin the builder who tortures Lord Murray's family when his note is refused. The purity of Annie's voice contrasted starkly with the words of her song and the street below:
"'Where is the heir of this house?' said Lambkin:
'Asleep in his cradle,' the false nurse said to him.
And he pricked that baby all over with a pin,
While the nurse held a basin for the blood to run in."
She had sung it so many times as a lullaby that the horror of the story was somehow soothing."

Listen to "Lambkin"

"Lord Lovel"
From Chapter Two: "Loveall recalled a previous Lord Loveall and the song that bore his name, and he sang it softly to the baby. This ancestor had deferred his marriage for seven years while he went travelling. He returned after only twelve months, but as he rode home, he heard the church bells ringing, "for Nancy Bell who died for a discourteous squire." He died too of grief, as he gazed on her corpse lying in its coffin, and was buried next to her. From her heart grew a red rose and from his heart a briar:
"They grew and grew to the church steeple
Till they could grow no higher
And he pricked that baby all over with a pin,
And there entwined in a true lover's knot
For true lovers to admire."

Listen to "Lord Lovel"

"The Ballad of Miss Fortune"
"Miss Fortune" is the song from which came the original idea for Misfortune. The Ballad of Miss Fortune is a re-recording of this song from John Wesley Harding's album, Awake.

Listen to "The Ballad of Miss Fortune"

Music from John Wesley Harding

Awake	Adam's Apple	Here Comes the Groom
Trad Arr Jones	Confessions of St. Ace	John Wesley Harding's New Deal

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WHY DO COMPETENT ARMIES FAIL?

• Why did the American-led coalition in Iraq fail to wage a classic counter-insurgency campaign for so long after the fall of Baghdad?

• Why was the sophisticated Israeli intelligence service so thoroughly surprised by the onslaught of combined Arab armies during the Yom Kippur War of 1973?

• How did a dozen German U-boats manage to humiliate the U.S. Navy for nine months in 1942 -- sinking an average of 650,000 tons of shipping monthly?

• What made the 1915 British-led invasion of Gallipoli one of the bloodiest catastrophes of the First World War?

Since it was first published in 1990, Military Misfortunes has become the classic analysis of the unexpected catastrophes that befall competent militaries. Now with a new Afterword discussing America's missteps in Iraq, Somalia, and the War on Terror, Eliot A. Cohen and John Gooch's gripping battlefield narratives and groundbreaking explanations of the hidden factors that undermine armies are brought thoroughly up to date. As recent events prove, Military Misfortunes will be required reading for as long as armies go to war..
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From the author of the New York Times bestseller The Wealth and Poverty of Nations, a fascinating look at the crossroads of kin and coin

David S. Landes has earned a reputation as a brilliant writer and iconoclast among economic historians. In his latest acclaimed work, he takes a revealing look at the quality that distinguishes a third of today’s Fortune 500 companies: family ownership. From the banking fortunes of Rothschild and Morgan to the automobile empires of Ford and Toyota, Landes explores thirteen different dynasties, revealing what lay behind their successes—and how extravagance, bad behavior, and poor enterprise brought some of them to their knees. A colorful history that is full of surprising conclusions, Dynasties is an engrossing mix of ambition, eccentricity, and wealth..
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What would you do if your fortune cookie fortunes started coming true? Confucius says something very weird is going on! Could his thirteenth adventure be Zack's unlucky number? .
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