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Readers have learned to expect the unexpected from Peter F. Hamilton Now the master of space opera focuses on near-future Earth and one most unusual family. The result is a coming-of-age tale like no other. By turns comic, erotic, and tragic, Misspent Youth is a profound and timely exploration of all that divides and unites fathers and sons, men and women, the young and the old.

2040. After decades of concentrated research and experimentation in the field of genetic engineering, scientists of the European Union believe they have at last conquered humankind’s most pernicious foe: old age. For the first time, technology holds out the promise of not merely slowing the aging process but actually reversing it. The ancient dream of the Fountain of Youth seems at hand.

The first subject for treatment is seventy-eight-year-old philanthropist Jeff Baker. After eighteen months in a rejuvenation tank, Jeff emerges looking like a twenty-year-old. And the change is more than skin deep. From his hair cells down to his DNA, Jeff is twenty–with a breadth of life experience.

But while possessing the wisdom of a septuagenarian at age twenty is one thing, raging testosterone is another, as Jeff discovers when he attempts to pick up his life where he left off. Suddenly his oldest friends seem, well, old. Jeff’s trophy wife looks better than she ever did. His teenage son, Tim, is more like a younger brother. And Tim’s nubile girlfriend is a conquest too tempting to resist.

Jeff’s rejuvenated libido wreaks havoc on the lives of his friends and family, straining his relationship with Tim to the breaking point. It’s as if youth is a drug and Jeff is wasted on it. But if so, it’s an addiction he has no interest in kicking.

As Jeff’s personal life spirals out of control, the European Union undergoes a parallel meltdown, attacked by shadowy separatist groups whose violent actions earn both condemnation and applause. Now, in one terrifying instant, the personal and the political will intersect, and neither Jeff nor Tim–or the Union itself–will ever be the same again..
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Meghan Daum is one of the most celebrated nonfiction writers of her generation, widely recognized for the fresh, provocative approach with which she unearths hidden fault lines in the American landscape. From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. She speaks to questions at the root of the contemporary experience, from the search for authenticity and interpersonal connection in a society defined by consumerism and media; to the disenchantment of working in a "glamour profession"; to the catastrophic effects of living among New York City's terminal hipsters. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her. In a review of The KGB Bar Reader, in which Daphne Merkin singled out Daum's essay about the inability to mourn a friend's death, Merkin wrote: "It's brutally quick, the way this happens, this falling in love with a writer's style. Daum's story hooked me by the second line. Hmm, I thought, this is a writer worth suspending my routines for.".
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In 1959, at the age of eleven, Michael Keith ditched his relatively stable life with his mother and sisters in Albany, New York, and surreptitiously set off hitchhiking out West with his estranged, alcoholic dad. His memoir, told without sentimentality in the funny, world-wise voice of the young boy he once was, describes the bizarre characters they encounter in the rundown rooming houses and homeless missions of Pittsburgh and Ft. Worth, where they hole up as Michael's father works odd jobs to make enough money for them to move on; in the carnivals of the Midwest and the casinos of Las Vegas, where Michael dreams of Hollywood stardom; and in every two-bit town along the way, where they attend AA meetings just for a cup of coffee and a decent doughnut.

The Next Better Place explores the fine line between wanderlust and compulsion, between running away and arriving, and will resonate for anyone who has enjoyed the work of Tobias Wolff, Jack Kerouac, and William Kennedy..
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This digital document is an article from State Legislatures, published by National Conference of State Legislatures on February 1, 1994. The length of the article is 490 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

From the supplier: Alaska Gov Wally Hickel has been found by a state judge to have misappropriated $800 million in oil revenues and has been ordered to give back the amount to a state savings account. The state's Legislature was given by Judge John Reese until the closing of the 1994 session to determine how to effect the return of the money. An appeal to the Alaska Supreme Court is reportedly being readied, although it is not expected to hand down a decision before the legislative session started.

Citation Details
Title: Court says Alaska reserve funds misspent. (On First Reading)
Publication:State Legislatures (Magazine/Journal)
Date: February 1, 1994
Publisher: National Conference of State Legislatures
Volume: v20 Issue: n2 Page: p7(1)

Distributed by Thomson Gale.
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