Books about Mockery from Amazon.com

Here are the facts:

The United States has released 425 terrorists from Guantánamo, at least 50 of whom have returned to the battlefield to fight our troops.

Barack Obama and Hillary Clinton both say they're fiscally responsible. But each has called for $1 trillion in tax increases over the next ten years—and dressed them up as tax cuts!

Mainstream Media has been given marching orders from the Society of Professional Journalists: never refer to "Islamic terrorists" or "Muslim terrorists." And they are obeying! Whenever our brave agents disrupt a terror plot, The media dismisses the culprits as a gang of idiots—lulling us into a false sense of security.

If the liberals win the 2008 election, they will cripple talk radio—forcing stations to give equal time to left-wing programs, and insisting that liberals play a key role in station management.

Up to a quarter of all state pension funds in the United States are invested in companies that are helping Iran, Syria, North Korea, or the Sudan—for a total of nearly $200 billion.

The Do-Nothing Congress is still doing nothing—and the worst offenders are the presidential candidates Clinton, Obama, and McCain, who never show up for their day jobs as senators . . . except to pick up their $165,000 paycheck!

Is it any wonder that Americans feel fleeced at every turn?

As more and more critical problems develop that need national attention, the White House and Congress appear to be AWOL.

Who's calling the shots instead?

Big business, big government, big labor, and big lobbyists. And their self-serving agendas are doing nothing to help the ever-increasing number of American people who are losing their homes, paying credit card interest rates higher than 25 percent, and finding their jobs increasingly outsourced to foreign countries.

In this hard-hitting call to arms, Dick Morris and Eileen McGann reveal the hundreds of ways American tax-payers are routinely fleeced—by our own government; by foreign countries like Dubai that are gobbling up American interests and spending millions to influence government decisions and American public opinion; by Washington lobbying firms that are pushing the agendas of corrupt foreign dictators on Capitol Hill; and by hedge-fund billionaires collecting huge tax breaks courtesy of the IRS.

With their characteristic blend of sharp analysis and insider insight, Morris and McGann call offenders of all kinds on the carpet—and offer practical agendas we all can follow to help turn the tide.

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In their New York Times bestseller Outrage, Dick Morris and Eileen McGann turned their spotlight on the American government's most egregious abuses. The authors return with a fresh list of government exploitation and corporate malfeasance just in time for the 2008 elections..
Price: $38.79 [Notify me when price goes down.]

Although Dr. Sam Sheppard's conviction for the infamous and brutal 1954 murder of his wife Marilyn was overturned in the 1960s, the real killer has never been identified In Mockery of Justice, his son Sam Reese Sheppard and attorney Cynthia L. Cooper reinvestigate the crime and find that vital evidence was fabricated, suppressed, or ignored by police. Drawing on recently recovered documents, Sheppard family papers, and interviews with new witnesses and suspects, they offer convincing evidence pointing to the real murderer, evidence that has persuaded the Cuyahoga County Prosecutor to reopen the investigation into the case. .
Price: $5.00 [Notify me when price goes down.]

This is a masterful study of Tezcatlipoca, one of the greatest but least understood deities in the Mesoamerican pantheon. An enigmatic and melodramatic figure, 'the Lord of the Smoking Mirror' was both drunken seducer and mutilated transgressor and, although he severely punished those who violated pre-Columbian moral codes, he also received mortal confessions. A patron deity to kings and warriors as well as a protector of slaves, Tezcatlipoca often clashed in epic confrontation with his 'enemy brother' Quetzalcoatl, the famed 'Feathered Serpent'. Yet these powers of Mesoamerican mythology collaborated to create the world, and their common attributes hint toward a dual character.In a sophisticated and systematic tour through the sources and problems related to Tezcatlipoca's protean powers and shifting meanings, Olivier guides the reader skilfully through the symbolic names of this great god, from his representation on skins and stones to his relationship to ritual knives and other related deities. Drawing upon iconographic material, chronicles written in both Spanish and the native Nahuatl, and the rich contributions of ethnography, "Mockeries and Metamorphoses of an Aztec God" - like the mirror of Tezcatlipoca in which the fates of mortals were reflected - reveals an important but obscured portion of the cosmology of pre-Columbian Mexico..
Price: $35.95 [Notify me when price goes down.]

Filled with irreverent wit, comical elements, and absurdist humor, the comic-grotesque has fascinated artists since ancient times. However, it was not until the late nineteenth century that it reemerged as a novel modernist method. The comic-grotesque can best be characterized by what it does to boundaries, transgressing, merging, overflowing and collapsing them. This volume, which accompanies an exhibition at Neue Galerie New York, begins with Arnold Bocklin's comic-grotesque pictorial compositions. It brings together a dazzling array of artists--including Paul Klee, Max Klinger, Alfred Kubin, Emil Nolde, and Max Ernst--who, inspired by his example, forged a unique aesthetic with enormous consequences for modern German art. Essays consider the connection between the visual arts and the rise of cabaret culture and satirical journals. In addition, the authors examine the legacy of the comic-grotesque in relationship to the denunciation of Bocklin's art around 1905 and its eventual reemergence around 1919 in the work of the Dadaists. With over 100 full-color plates and dozens of black-and-white illustrations, this striking collection traces the evolution of a largely ignored, but immensely influential movement in modern art..
Price: $56.88 [Notify me when price goes down.]

Making Mockery explores the dynamics of comic mockery and satire in Greek and Roman poetry, and argues that poets working with such material composed in accordance with shared generic principles and literary protocols. It encourages a synoptic, synchronic view of such poetry, from archaic iambus through Roman satire, and argues that if we can appreciate the abstract poetics of mockery that governs individual poets in such genres, we can we better understand how such poetry functioned in its own historical moment.
Rosen examines in particular the various strategies deployed by ancient satirical poets to enlist the sympathies of a putative audience, convince them of the justice of their indignation and the legitimacy of their personal attacks. The mocking satirist at the height of his power remains elusive and paradoxical--a figure of self-constructed abjection, yet arrogant and sarcastic at the same time; a figure whose speech can be self-righteous one moment, but scandalous the next; who will insist on the "reality" of his poetry, but make it clear that this reality is always mediated by an inescapable movement towards fictionality. While scholars have often, in principle, acknowledged the force of irony, persona-construction and other such devices by which satirists destabilize their claims, very often in practice--especially when considering individual satirists in isolation from others--they too succumb to the satirist's invitation to take what he says at face value. Despite the sophisticated critical tools they may bring to bear on satirical texts, therefore, classicists still tend to treat such poets ultimately as monochromatically indignant, vindictive individuals on a genuine self-righteous mission. This study, however, argues that that a far subtler analysis of the aggressive, poeticized subject in Classical antiquity--its target, and its audience--is called for..
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